Bic4 Ballpoint Pen, Sanrio Novelty 10 Colour Ballpoint Pen on Archival 8.5" x 11" paper.
Inspired by Charles Dana Gibson’s “Woman: The Eternal Question” (supposedly a drawing of his muse Evelyn Nesbit). I’ve always loved Gibson’s loose, graphical penwork. Working hard to be more ‘loose’ with my pen drawings.
Model: Meadhbh (Maeve)
The source reference image was from an impromptu photo shoot I did several years ago. The available light in the room was magical and the model was just sitting there meditating.
Pencil, Charcoal Pencil, Pastel Pencils on 9” x 12” Strathmore Archival Sketchbook Paper.
A few days ago, I started a Pigma Micron pen 005 drawing of a tiger. Yesterday, I decided that it would be nice with colored pencil. I used Berol (1990's) Prismacolor, Koh-I-Noor Polycolor, Faber-Castell Polychromes colored pencils.
We're at the monster garden where the people were defeated,
A guard is never needed 'cause the monsters must be feeded.
I mean fed. Like I said:
Peeps are happy to be eaten 'cause it's never all that long,
Monsters do the number two and poop them back onto the lawn.
Colored in @escapemotions Rebelle
I visited my 6 year old's class las week to talk about what I do. They each made a little drawing and I got to put it tougher into this super fun pattern.
"With great frustration, the man threw his computer to the water robots." That's how I used to feel before discovering Rebelle by Escape Motions. It makes art fun!
I was going for a surreal and moody feeling—dystopian, sort of not. Per usual, my inspirations are pretty noticeable. I am starting to get more comfortable being stylized. I am trying to put emotion in my landscapes. I used Rebelle 6
In memory of the great John Lewis. (1940-2020)
Original ink and watercolor portrait painting on Strathmore 500 Series 4-ply Bristol illustration paper.
Signed by the artist. Unframed.
” Please allow me to introduce myself
I'm a man of wealth and taste
I've been around for a long, long year
Stole many a man's soul to waste ”
I have had an idea for a long time to illustrate Sympathy for the Devil from Rolling Stones.
This start from free sketching of cloud looking lines and soon i realise they look like atom bomb cloud. Original idea was more landscape version but maybe later.
A working page for a book i am developing about vampires. i starts with a raw ink sketch, gets scanned and i work them up on a xp pen tablet - but this is just experimental - and not final.
55 mins
“I Never Noticed The House Was On Fire” This is a painting for an upcoming group exhibition about memories. When I was a kid I grew up in a household where my parents were functioning alcoholics. They gave me toys, put me in front of the tv, and sent me outside to play to keep me distracted from what was going on. When I look back almost all of my childhood memories revolve around these things. I became obsessed with these imaginary worlds and I learned to draw by copying my favorite cartoons and characters from children’s books. It was not until I was much older, that the truth could no longer be hidden from me. The imaginary world of cartoons and books kept me shielded from the harsh realities of home. As I grew into an adult that form of coping grew with me as I created my own imaginary places inspired by the ones I loved as a child. A healthy place to escape.
Inktober2018day12-Whale. I’m using inktober to explore and improve my techniques. This time I wanted to try using more crosshatching. I’m happy with the result. Also, at first I had nothing for the whale prompt but it’s rewarding when you push through the dead space and a concept or idea comes to my head that I can be excited with.
When Rebelle 3 by Escape Motions came out I wanted to create something that really shows off its power. I normally draw in fountain pen first, but this was created entirely from scratch in Rebelle 3.
Digital art tends to be cold and impersonal, but Rebelle's watercolor simulation looks & feels like real paint... and you can undo! That's critical for illustration work, as clients often request changes... But even for personal work- it means an artist can achieve a watercolor look without being at the mercy of the medium. So the result is more true to his or her vision.