I followed along with my instructor from one of my udemy courses. This is my first time using a pen tablet, and my first time drawing/painting anything as well. I'm really proud of this, and can't wait to continue my course! I try to do one video a day.
I’m not sure who the artist was who made the original digital version, but I liked the picture and decided I would give it a go. By no means did I come up with the pose or idea I just loved the original and this is my best attempt to do it justice.
Suddenly the light goes out and staying in the dark is a test of resistance, but when everything seems lost, it turns on again, so simply: sometimes a single attempt isn't enough, there are many moments to spend without light, but you don't have to be afraid of it, because sooner or later we will succeed in the undertaking and it will make you smile as the thing that seemed so difficult came spontaneously, it was enough not to force the process.
I hate the darkness because it shows me a version of myself that I would never want to meet, yet if I accept that the punches of life in some periods are stronger than others, sometimes leaving bruises and burns, but that life itself has granted me caresses like this sweets that I would not have appreciated without going through pain, then everything around me will seem golden. I can only appreciate the hatred and wonder of it.
I can feel those caresses, I can savor them with the same intensity with which I feel the pain of the punches, because ultimately they give so much: the strength to take another step, to not give up right now, right now that I am so close to feeling them in my heart those precious caresses.
This study is for an upcoming painting about the life of Christ.
The drawing itself took about two weeks’ time of working on it off and on. The
research stage took about two months. This study is attempting to capture the spirit
of being out on the water, walking with Jesus during a storm on the sea of Galilee. I
hope the viewer can feel Peter’s anxiety as he is sinking into the lake as a fierce storm
drains Peter’s faith in his ability to walk on water through the ability the Lord gave
him. I wanted to show how compassionate Jesus is to quickly crouch down to rescue
Peter from drowning and get him back to the safety of the boat with the rest of the
disciples, which is outside of the illustration.
Some people feel that I should have Jesus’s feet visible above the water so people don’t
get the notion that Jesus is sinking in the water too. But if I’d done that, it would have
altered what it would really look like in the natural world, because even if Jesus’s feet
were on top of the water, this might not be visible to the viewer because the waves in
front of Jesus might block the view of his feet.
This illustration makes me think about trying to accomplish a task that the Lord has
called us to do by depending on our own strength instead of the strength of the Holy
Spirit. Then we find ourselves sinking instead of making headway, and we must call
on the Lord to rescue us and put us back on the right track.
(September 22, 2015
Emperor Palpatine - Egg tempera on panel 9x12. This is my 3rd attempt at egg tempera, and I absolutely love the medium. It is a little tricky to get used too, but it is quite flexible ... despite the textbooks on it that are now over 500 years old.
Another attempt at utilizing varied line density. I think it came out better than the previous attempt, since the lines aren't too thick. I didn't really know what to do with this one, so it kind of feels bland as a result.
This is my first attempt at traditional egg tempera painting. The panel is a Masonite board from Michaels, but I need to use true gesso because the egg tempera will not adhere to acrylic gesso. Some of my favorite artists used egg tempera. Andrew Wyeth, Robert Vickrey, and Colin Fraser are all masters of this ancient and archival medium. I have been self studying this technique for months and I was very excited to start experiencing the medium. Egg tempera is like layering stained glass on top of stained glass. the painter can expect a luminous glow to take shape as the colors blend visually through the layers of paint - assisted by the chalk of the true gesso. Egg tempera has been described as the closest painting technique to drawing, hence my draw to this medium.
The idea is to show a figure crossing over two ` scripts’ with a bilingual suggestion. By standing in between worlds, we see opposing viewpoints.
Many artists have incorporated typography as symbols in their paintings since the 60s, but no one has attempted to approach lines in this `written’ manner. How different it is are the two writing styles of the East and the West; one with angular lines while the other in a smooth flow! This work juxtaposes the symbolism of cultures – script. At the same time, it questions the need to grasp the full meaning of the script to appreciate the aesthetic flow of calligraphic lines.
This year I'm discovering a new art medium - gouache. I'm going to paint more traditional art with gouache and watercolor.
Recently I purchased a great Domestika Course by Ruth Wilshaw: "Painting Atmospheric Landscapes with Gouache." to learn and develop my painting skills.
And here it's - the result of silhouettes practice. I'm so glad because it's a second attempt at gouache painting. I fell in love with this art medium!
I changed the composition, types of silhouettes, and background texture a few times.
I didn't have any expectations about the finished work. It was a creative flow with many changes. I think the creative process looks like this.
Don't be afraid to try.
If you make your art digitally, it's simple. You can:
- create a new layer,
- use shortcut Ctrl+Z.
In traditional art, it depends on the art supplies you use. Sometimes you can try more times. Sometimes you need to start again.
But any attempt is better than giving up.
It's a second attempt at drawing a landscape with a water element.
I'm not focusing on many details by drawing water. Creating a lot of blurry shapes and lines gives a great reflection effect.
I've started a fantastic Domestika Course by Ruth Wilshaw: "Painting Atmospheric Landscapes with Gouache."
It's my first attempt at gouache painting. I'm so excited to try this art medium. I've only painted with watercolors so far.
Thank you, Ruth, for your course. I enjoy it so much!
This is the third page of my attempt at 100 heads, this is Ra the sun god from the original Stargate movie. I was gifted a VHS cassette tape from “santa” back in the mid nineties, of which I still have. I watched that movie so many times my parents nearly burned the tape…
This time I managed to get the result I had planned.
I made a second attempt at drawing a magic tree. There is much more detail in this illustration. I'm satisfied.
It was a great opportunity to develop my drawing skills.
I have been attempting for some time to accomplish the 100 heads challenge, its been a slow process but my goal is 4 poses from 25 characters from some of my favorite movies and t.v. Series. Ive enjoyed this project so far and have noticed its pushed me to work on some much needed improvement on drawing heads in general.
her neck looks broken, so maybe i will redraw one day to attempt to make it look better. it was really fun to do! apps used ✨; Procreate (for color), MediBang Paint (sketch and color).
The Truth, Life, and Way
Medium: Acrylic paint on canvas
Size: 10 “x 20”
Year: 2021-2022
This illustration is final illustration, of nine, of a mural about the life of Christ.
In this painting I attempt to communicate to the viewer who Jesus is to the Christian.
He is the truth; Jesus is the word of God that put-on Flesh. Jesuses’ life fulfills all prophecies that were made about God’s Deliver.
Though, Jesus was human, He was also totally Devine.
God put on flesh with out the nature of sin, by being born through virgin conception.
Since the fall of humankind at the tree of the knowledge of good and evil, which took place in the garden of Eden. The sin nature is past down through the generations of humankind through the male.
Jesus on our behave, taught humanity the requirements needed to reunite with God, and how to live life in a new and better way.
The savior then traded places with a criminal to hang on a cross.
The guiltless, paying the penalty of the guilty. For a sinner cannot offer an acceptable payment to a holy God to set them free from facing the wrath of God’s upon their sin. They can only be for given for their sins by coming to God through the savior He has provider for them
The resurrection
After God had poured out his wrath upon the savior’s body, Jesus was dead and buried in a tomb for three days. God raised him back to life, showing that the sacrifice was excepted. Jesus is the first fruit, so that whoever places their faith in Christ for the forgiveness of their sins, they to shall raise from the dead unto enteral life.
Jesus is the life
As believer walk in their new relationship with God, they will face many challenging times.
For the Devil and his coworkers are unhappy with your newfound relationship with God.
They will wage war with you, but be of good cheerer, Jesus has overcome them for us.
Jesus promise that He will never leave us or forsake us. He will be with us to the end of the age.
I painted Jesus and the believers with their back to the empty tomb. This is to emphasize the price that was paid to set us free from the chains of the power of sin.
Jesus standing alongside the believer with the direction finger, as He guides Him along the way he should go.
What I was trying to capture.
In read the account of the first people going to the tomb where Jesus was buried, it describes the woman getting there before the sun came up. I was trying to capture that time of day in my illustration.
Every dawning of a new day is a change follow Christ, better than we did yesterday.
Written by Stephen J. Vattimo 11/20/2022
