So I'm a little behind the curve, but here's my day 1 for Inktober. This was my first time using my fountain pen for drawing, so I can't complain too much. There's definitely some room to grow. Lined with a TWSBI Eco: fine nib with Organics Studio Walden ink on Tomoe River paper. I'm a sucker for sheen, what can I say. The sad attempt at shading was done with a wet paper towel, so I'm guessing I could try upgrading my technique there ;D
I’m dealing with a lot of stress right now... my mom just found out, well got it confirmed that I’m a cutter... she wants me to take happy pills but I don’t want to... I wonder if she knows that I’ve attempted suicide.... a lot...
The idea is to show a figure crossing over two ` scripts’ with a bilingual suggestion. By standing in between worlds, we see opposing viewpoints.
Many artists have incorporated typography as symbols in their paintings since the 60s, but no one has attempted to approach lines in this `written’ manner. How different it is are the two writing styles of the East and the West; one with angular lines while the other in a smooth flow! This work juxtaposes the symbolism of cultures – script. At the same time, it questions the need to grasp the full meaning of the script to appreciate the aesthetic flow of calligraphic lines.
Its been a while. Here is a new one that I have been working on for a few days. Its my first attempt at using graphite powder for the black background. I used a Lyra 9B Graphite Crayon and ground it down myself into powder. Worked really well. I also purchased a Strathmore Series 500 mixed media roll. The amount of high quality paper for the price - it can't be beat. I am excited with this drawing!
I'm usually bad at portraits or drawing faces in general so I decided to practice a bit more and this was the result of my first serious attempt at a portrait drawing using graphite pencils and black fineliners
My first attempt at an abstract painting. It was the first time I tried using palette knives also. I didn't really have an idea in mind for this, I just kinda went with it. Came out pretty cool looking, almost like an abstract nebula. I used iridescent and interference Golden acrylic paints
This is my first attempt at traditional egg tempera painting. The panel is a Masonite board from Michaels, but I need to use true gesso because the egg tempera will not adhere to acrylic gesso. Some of my favorite artists used egg tempera. Andrew Wyeth, Robert Vickrey, and Colin Fraser are all masters of this ancient and archival medium. I have been self studying this technique for months and I was very excited to start experiencing the medium. Egg tempera is like layering stained glass on top of stained glass. the painter can expect a luminous glow to take shape as the colors blend visually through the layers of paint - assisted by the chalk of the true gesso. Egg tempera has been described as the closest painting technique to drawing, hence my draw to this medium.
First Attempt at using watercolour! I had a lot of fun doing this simple pear and looking forward to seeing where this journey with watercolour will take me!
I never imagined I could capture so much emotion in an eye—especially on just my second attempt. This piece came to life through intuition more than technique. The values, the shadows, the highlights… they felt like they found their place on their own. Maybe emotion, light, and shadow have always spoken to me—I just finally listened.
This year I'm discovering a new art medium - gouache. I'm going to paint more traditional art with gouache and watercolor.
Recently I purchased a great Domestika Course by Ruth Wilshaw: "Painting Atmospheric Landscapes with Gouache." to learn and develop my painting skills.
And here it's - the result of silhouettes practice. I'm so glad because it's a second attempt at gouache painting. I fell in love with this art medium!