I was going through some old sketch books that marked 2024. I had completely forgotten about this guy. I did change his look a little. I added hair to him and took his horns off. But I had created him to be my demon or devil. I thought he had died, no he was just waiting.
#25 Christmas Art Contest - I'm pretty sure I drew this in 2023 if I'm not mistaken. It was for a Christmas art contest at magma.com and drawn directly on their website using an iPad pro. And well, although I met all the requirements I didn't place in the top four. The rules stated that we had to pair up with another member from the website art community to draw a Christmas themed picture relating to anything from our childhood. What you see is only half the picture. My project-partner Andy added his portion to the collaboration, but I removed his pen strokes just for my website. That's why on the right side of the picture the Christmas tree and edge appear unfinished.
This image is huge, like 5000 pixels. This website will resize the image losing details, but if you would like to zoom-in to a higher resolution, try this link to get a closer look. Safe link to mega-upload file storage:
https://mega.nz/file/vqoXGIgD#bx6hdvKVKX8__hfBAYEVtp49NESS26w4iudrlM-oI_4
#24 Anime girl doodles - I think I drew this sometime last year 2025 - I just never bothered to upload it. Most of it was sketched on Magma.com and part of the inking process was finished in Ibis Paint, with only minor adjustments in photoshop. I do all my digital inking on an iPad pro, and I use those hollow aluminum capacitive styluses that you can get very cheap just about anywhere. I prefer them over the apple pencil because the apple pencil is too slippery and heavy. More uploads coming soon...
Behind the Russian Church there is an abyss.
The moss and the rubbish are slippery and jagged old tins glitter at the bottom. For hundreds of years they have piled up higher and higher against a long dark-red house without windows. The red house crawls round the rock and it is very significant that it has no windows. Behind the house is the harbour, a silent harbour with no boats in it. The little wooden door in the rock below the church is always locked.
Hold your breath when you run past it, I told Poyu. Otherwise Putrefaction will come out and catch you. Poyu always has a cold. He can play the piano and holds his hands in front of him as if he were afraid of being attacked or was apologizing to someone. I always scare him and he follows me because he wants to be scared.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
I made my golden calf in the arbour because it was a pagan place and a circle is always a good setting for sculpture.
It was very difficult to get the legs to stay upright but in the end they did and I nailed them to the socle just to make sure. Sometimes I stood still, listening for the first rumble of the wrath of God. But so far he had said nothing. His great eye just looked right down into the arbour through the hole between the tops of the spruce trees. At last I had got him to show some interest.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
God lived on the hill above the rock-garden and there was a forbidden cart up there. At sunset he spread out like a mist over the house and the field. He could make himself quite small and creep in everywhere in order to see what one was doing and sometimes he was only a great big eye. Moreover he looked just like Grandfather.
We raised our voices in the wilderness and were continually disobedient because God so likes to forgive sinners. God forbade us to gather manna under the laburnum tree but we did all the same. Then he sent worms up from the earth to eat up the manna. But we went on being disobedient and we still raised our voices.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.
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An illustration from my sketchbook. I used it as a header for a blog post I wrote here: https://substack.com/home/post/p-177688791 It's a warning about the mark of the beast. I recommend you to take a look!
#Golgaaryol
Injured into symbols
The wounded Shadow
The ink flows and carries nonverbal oddities
[April, 2023]
Danielle East - Broken Butterfly
https://youtu.be/4WiMDebAnzo?si=k2yO1ALrmwyysOt4
I wanted a picture of a sad dragon - finally I turned ordinary doodles [from 2023] with brushes into something like this, blur and softening effects were also added.
