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Memory on his smartphone full. Memory on his brain empty!

A 3 format We love when Puppet amused! We always learn from The Greatest! Warning! The following text is intended for fans of Puppet Zvonko! People with poor cognitive abilities may remain confused. We Puppetapostles, we keep track of what our Lord Puppet is doing, we study each of his movements, each his word is recorded and subjected to philosophical analysis. And always, again, over and over again, our conviction is strengthened every time: He is the God of eternal wisdom and the correct procedures! It is known that Puppet Zvonko - for their own entertainment - whips, branded and cuts people with a razor, often with mortal consequences. We gladly approve of it, it is reasonable to Overpower must feel comfortable and have fun, with us, miserable microbes. We are happy that we are honored with its perfect presence. For the last month, we noticed that his Torture Trinity (razor, whip, stamp) was exclusively used by one unbeliever, just a blow - two, and then Puppet goes away. Instead of showing happiness which the Puppet is experiencing him at all, touching his pagan body with sacred objects, the unbeliever tries to hide, of course, in vain. We Puppetapostles, we also know that most of the inhabitants of the Magic Valley, to say the least, does not approve Puppet Zvonko proceedings (here we mention that those miserable ones, blind with healthy eyes, The Puppet is called a monster, concentration of evil and other totally wrong names). The Puppetapostles remain in their firm claim: Puppet Zvonko sends his sacred, allegorical messages to the inhabitants of the Magic Valley by his actions - and other beings - who are sufficiently mature to accept the truth, final knowledge, the purpose of life. Now comes the time when we need to understand why Puppet bothering just one unbeliever for a month! Have we developed enough cognitive power or we are just miserable microbes - how does Puppet claim?

This is a jewelry box I painted with acrylics.

Pencil on sketchbook paper

Pencil on sketchbook paper

pen & sharpie on sketchbook paper

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

Working on Ned poses. Adding details. Practicing sketching.

pencil & pen on sketchbook paper

I'm working on a coloring book. This is one of the page designs.

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

Original photo by Rick Fenton.

Remake : Francis Bacon – autoportrait Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

Réalisation du portrait de @Olivia de Lamberterie dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.

if anyone got nostalgic about punch from the prom, here's something that also hits hard... with bass? i ain't no kevin hart, forgive me.

pen and ink illustration for the Dragon's Pearl book

Indian ink

Colour pencil

A 3 format, mixed technique. "My dissatisfaction with my progress in magic is growing," I said to the wizard Cirilo Bum, "I want to quickly become a wizard and not stagnate in the place." "Every creature, so the wizards, have their own way, and always travel, even if they stand in place," the old wizard answered. Then make a quick gesture by hand, a piece of paper was created in his hand. Give me the paper and say: "This is your way, the way you will have to pass before you feel the pleasure of becoming a wizard. When you get to the green path, you've almost succeeded." This paper, the picture you are watching, was a weak attempt by Cirilo Bum - one in a row - to express his artistic side. - If there is a magic spell or magic process in the picture, it would be good - I mumbled sullenly - what is this drawing at all? - The drawing contains all the answers. You have to start thinking with your head, think a lot, if you want to become a wizard - sighs Chirilo Bum - You are on one of the yellow points. The picture shows two tracks, each you need to cross. Paper, namely drawing, is a world of magic and witchcraft. The world of witchcraft, then, touches on the real, material world. I was studying the picture for a while and all I've concluded is that the green trail is not connected to another path. "There is an error here, it is impossible to reach the green path," I said to the wizard. - The only one who learns and understands the material world in which he lives is advancing in every sense - answer me the wizard Čirilo Bum - if your ground is firmly under your feet, it is easier to climb the path of witchcraft. On the other hand, too long a stay in the world of magic may end up with a fall in the unknown. I nodded because I did not get the answer I needed, so I went to the forest. "Do not forget to clean the house, my boy," Cirilo Bum told me as I left. I was in the mind other things, the formulas I found in the old books of Cyrus Bum. (Speaking of these magical formulas will lead to the appearance of five giants (Mato Bumps, Bruno Biceps, Miro Mass, Karlo Stone, and Alayas Him) in the world of Fantasy.)

practicing putting stippling into effect on a human piece, I like this start but I want to start evolving it to be less cartoon more realistic

Halloween 2018

Cover art, "Demons" by Sad Boi

I keep a sketchbook by my sofa and usually draw something every day. I don’t know why this is uploading sideways and I don’t know how to correct it. I guess it really doesn’t matter since it is an abstract. Of course, the brick wall looks a little weird.

Having a burnout. .-.

Like painting by Barrie J Davies 2019, paint on A4 Khadi White Cotton Paper unframed, with deckled raw edges.

It is a gold imortalization of a moment in a rest in the grass, and under the branches of a high urapan

Throw that boi away. pt. 4 of "Don't Lose Yourself"

Today is National Scribble Day, so I asked my girlfriend to draw me a scribble to create something from. It took me a bit to see something in it, but I flipped the sketchbook upside-down and found a bear! Is she falling or dancing? It depends on which way you turn it!

I was inspired by an artist called Meyo, I also was inspired by a song called unicorn zombie apocalypse. by BORGORE & SIKDOPE.