This piece critiques the modern tendency to hide identity behind brands and consumerism.
* Visual Focus: The mask is partially obscured by a fitted baseball cap, with the bill pulled down to cover one eye. The cap itself is a symbol of brand identity and fast-fashion culture. The uncovered eye retains an unsettling, almost mechanical gaze.
* Symbolism:
* The Cap: Represents the societal practice of hiding behind brands and allowing consumerism to dictate self-worth and block out unwanted truths. The act of seeing is deliberately curtailed.
* The Mask: Emphasizes that the consumer identity is often a façade-a manufactured mask that prevents others from truly
"seeing" the individual, while simultaneously restricting the individual's full sight of the world.
Hey Boos!!! My friend asked me to draw this sooooo yeah! It's a little Bunny based on my persona Peekaboo. That's what it was originally was gonna be but I decided to draw this instead and I'm really proud of it!
Going all in with practicing bird anatomy (found myself seriously lacking in it). My brain can be quite a B**** when it comes to anatomy, because I always seek to "bring characters to life". Here, I was practicing on the body underneath the feathers and fluff... And end up using the shape of a chicken as a reference... XD
This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice.
* Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head.
* Symbolism:
* The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading.
* The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.
An exuberant, almost psychedelic take on a magical mushroom. The bright chartreuse cap is adorned with striking magenta spots that pop against a textured, almost chaotic background. The bold, black outline gives the subject a playful, cartoon-like presence, while the energetic brushwork suggests movement and a sense of wonder. Signed and dated by Ty Patmore, 2025.
(2B pencil on 141mm x 118mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
(2B Pencil on 135mm x 140mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"
Ps i hadn't drawn Cleetus from flamingo on their own in an while was his commission pt 2 i drew 1 month ago in the sneezy art era aka last time i drew him sneezy art era and Due is busy drawing other YouTuber flamingo fanarts lolz
Inktober day 5.
“Well,” Bob offered with a dry sweetness, “for sure it’s better than something worse.”
Rain on the river
Jim Dodge
#dailyDrawing #Inktober #inktober2025
A colorful aerostatic hot air balloon seen from below sits against a deep blue, starry background. The design is vibrant with red, white, and blue segments, surrounded by scattered small yellow and white accents.
*Ps:not my bestest work at all! even I took 7 days aka 1 week on this and I liked finished ver better then inked ver!* (inked is messer lol)*
The characters in my drawing
(Ps its my 17th / 18th time drawing my oc Junior in my Sneezy art and doodle addict era but not my first time drawing my sml trans woman Jewish 6'2 woman oc exp I drew her during her now being 6 months pregnant btw.
(PS forth junior drawing on sneezy art and fiest time on doodle addict btw.)
*PS photo 1 is finished ver and photo 2 is inked ver brw and photo 3 is pose ref.*
*Ps: it's not my best work yet! But it's bit if an improvement of last time even I took 2 days I started on June 14 and 15th and I liked better than last junior I made last time and better then inked ver btw!*.
(PS Emma fan pride month 2025 just started fr btw fr
