Exploring the opportunities of my only three colors: ultramarine deep (pb29), cadmium yellow medium (py35) and madder lake red light (pr187)
P.s. and my waterbrush too
It’s my first digital portrait! I’m still figuring things out, so please, PLEASE send advice and criticism this way! I’ve always been fascinated with faces and portraits, and experimenting with colors and brushes have always been a blast! So please help!!!
Inspired by the Neo-Classical period, I pushed myself as an artist to portray subjects in an idealistic fashion combining drama and artificial lighting. The subject is my sister who modelled as a reference, enabling me to control the shadowy effect over her face. The dim lighting and dark background resonated with the period style, focusing on the facial parts that are visible. The end result looks like she is emerging from the darkness. A somber atmosphere is illustrated through visual expression.
Adding the fast drying oil on the brushes improved the blending of the colours on the canvas which was especially useful when it came to applying strokes on the face smoothly. Visit https://www.martiaposts.com for more
Brush markers, pastel, and watercolor on Bristol board. My entry for a regional art contest featuring endangered species. If you have any suggestions, please comment them, because I want this piece to be the best it can be.
Classic story: vampire guy and werewolf guy start a basketball team; a dog joins; a clown comes after him. It's your archetypal Air Bud Situation. If you've heard it once, you've heard it a million times.
The last drawing I actually spent a hot minute on, would like to do that more often! Used a brush with ink and Deleter Manga screen tones, then messed with in Photoshop! Year of the Pig, baby!
The leftover experience of the damaged mind that lack various questions needed to be asked. Early brushes reveal a struggle to relate and speak. Damages on canvas that we witness.
