Living, breathing, and creating with nature
When you wake up to the gentle sights and sounds of the pond, trees, plants, birds, bees, and dragonflies, inspiration flows effortlessly. So, when the owner asked for a menu design for @SarayaGoa Art Café, I thought—why not let nature speak for itself?
Using pen and ink, I captured the beauty of my mornings here—each stroke reflecting the lush surroundings that make Saraya unique. Instead of focusing on just food items, I filled the cover and inside pages with illustrations of the vibrant life around us. Dining here means eating among the green, surrounded by the diverse plants of our permaculture gardens.
This study is a tribute to the beauty that shapes every meal at Saraya.
Drawing of leaves and nuts from the Marri tree, found in the Southwest region of Western Australia. This majority of trees that surround my property are the Marri from the Myrtaceae family is endemic to this area. They grow upwards of 40 metres and are a favourite food to the protected Red-tailed Black Cockatoo.
Watercolour painting of a Prickly Hakea. I started drawing different plants last month from the area where I live. This month I am turning them into watercolours, with the Hakea being one of the first.
I still haven’t got round to watching the second Joker film yet, but if the reviews I’ve read are true then this random verse I scribbled down to accompany my drawing checks out!
Joan Miró (1893-1983)
Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse.
Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!”
From Daily Rituals: How Artists Work by Mason Currey
