Junicorn - so apparently there's a june art challenge like mermay, its called junicorn...this is my one and only entry, i dont like unicorns nearly as much as mermaids...lol
added my sketches for the drawing this time.
Have you heard of this new children's book series called - "Little People, Big Dreams"? It explores the lives of outstanding people who began their life as a child with a dream and achieved incredible things! I am in awe of these beautifully illustrated b
(HB pencil on 80mm x 50mm paper) Similar to previous Guardian Spirit works I've done, but this time on an even smaller format so that I can hand them out as calling cards to people I meet. Again, the idea of them is a rib against those who believe in such nonsense as guardian angels and spirit guides.
Outside my drawing table window are straight and weeping birches. We lost one of the birch trucks and, tragically, a beautiful OLD Japanese maple during an ice storm a few years ago. The third trunk is still in my mind's eye.
It's official. I've gone to the dark side and fallen in love with acrylic gouache - specifically the Liquitex one. If you'd like to read my detailed thoughts I've put them in my blog ( https://www.lindsaymadeit.com/2020/03/05/acrylic-gouache-review-new-portrait/ ) , but otherwise, here's my first painting with them.
I'm doing a series of illustrations (one a week) combining my love of designer chairs and cats. This weeks chair is the famous Panton. The cat is called Anton ::)
This year is my first time participating in the global drawing challenge called INKTOBER!
Fact, I haven't been sharing with you all my entries from the official inktober prompt list from the beginning. Even so I still would like to show you some of them anyway :) So here it is my interpretation on the prompt 'RADIO' Enjoy :)
"The guy in 4 C? No one sees him much. I think his name is Sheldon but ain't nobody knows his last name. Carrie...in 5C, says he's a telemarketer er sumthin' like that. He just stays in there all the time. Makes his calls and watches that t.v. Late into t
BEING GREEDY CHOKES ANANSI From Favorite Folktales around the world by Jane Yolen. One time, Anansi lived in a country that had a queen who was also a witch. And she decreed that whoever used the word five would fall down dead, because that was her secret name, and she didn’t want anyone using it. Now, Buh Anansi was a clever fellow, and a hungry one too. Things were especially bad because there was a famine, so Anansi made a little house for himself by the side of the river near where everyone came to get water. And when anybody came to get water, he would call out to them, “I beg you to tell me how many yam hills I have here. I can’t count very well.” So, one by one he thought they would come up and say, “One, two, three, four, five,” and they would fall down dead. Then Anansi would take them and corn them in his barrel and eat them, and that way he would have lots of food in hungry times and in times of plenty.
I have dragged this typewriter around for more than 50 years. I found it in an antique store when I was in college. It's still fully useable, except that it's REALLY hard to find ribbons. Basically, it's just another object to dust. But it is a beautifully made object. The basic shapes and perspective were blocked in with a 2H pencil, then I used a Sakura 005 micron pen to do the contour drawing.
This was a labor of love. Completed with Prismcolor pencils and Copic Markers. I'm very influenced by my surroundings, and all around me are hipsters. I'm also surrounded by artist and those in studio & animation jobs that I hope to have one day. This piece reflects a point in my life of where I am physically and shows my career aspirations. And it was also just for fun because I love Rick&Morty.
I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.
We had our yearly meeting (via Skype this year, rather than in person) with our financial adviser. It was an hour spent drawing this giraffe during the call. She's referenced from an on-line photo.
Watercolor and India Ink on Yupo paper. If there is any single way to let go of detail and think simply, it is by using watercolor on Yupo paper. You basically have to surrender control and just see what happens.
love the go with the flow doodle mentality. I call it "Randomness". It's a great practice to help you start and gives a great feeling of complete freedom, and that's what doodlin' for me mostly is about. I sometimes use this randomness to create peace of mind, new ideas, creative flow, clearity, vision, dreams or great art! :)
Due to financial/logistical reasons, I can't do literal linocuts as often as I'd like, so I draw my illustrations in reverse, flip them digitally, have them printed, and then color them in by hand. The result is basically an "artist's print". I only make one of each. These were watercolor, but I've recently discovered gouache, so keep an eye out for future pieces that incorporate that.
