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car

Jim Bradshaw Jim Bradshaw Plus Member
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Monster Feelings

Even monsters have feelings. No one wants the good times to end.

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Junkyard Sam Junkyard Sam Plus Member
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Jungle Cat
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"Jungle Cat" Drawn with a Pilot Falcon SEF using Platinum Carbon Ink and painted with Holbein watercolors.

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David Terrill David Terrill Plus Member
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Pandemic self-portrait No3
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Pandemic caricature self portrait no3.... Waiting for the Muse, or maybe Tears of the Clown?

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Jim Bradshaw Jim Bradshaw Plus Member
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Brain Storm

85% chance of brain. I had a brain storm today.

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Jim Bradshaw Jim Bradshaw Plus Member
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Morning Doodle

This was a morning doodle that took me into the afternoon. It’s so hard to stop!

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Jim Bradshaw Jim Bradshaw Plus Member
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Birds, Bikes and Bells
1/4

Birds bikes and bells. It started as a quick bike doodle and then I got carried away. I kinda like getting carried away. I seldom know where it will end up.

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Jim Bradshaw Jim Bradshaw Plus Member
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SPAM...What is it?

This is the kind of stuff that comes out of me when I'm really hungry.

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mary ann hanlon mary ann hanlon Plus Member
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Roadtrip sketching
1/2

Passing time while in the car for hours

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Jim Bradshaw Jim Bradshaw Plus Member
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Teaser 2 for Doodle Caravan Challenge

Here comes the doodle caravan. It's getting close. Can't wait to see what everyone uploads.

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Julia Hill Julia Hill Plus Member
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Georges Dragon
1/5

A special commission for a Christmas present, drawn on A3 medium cartridge using 0.03, 0.05 and 0.1 fine liners. This was a bit different for me but I loved it so much! Took about 28 hours in total.

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Nora Thompson Nora Thompson Plus Member
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Funeral March of the Marionette

Charcoal on wood

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Jim Bradshaw Jim Bradshaw Plus Member
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Anonymous: That’s me.
1/4

When your own son calls you anonymous, you probably don’t exist. He likes to be funny on greeting cards. Hahaa! Usually my doodles are a one to two day thing. I continued adding to this one over a period of a couple weeks. Life has been a blur lately. It feels good to be able to post something again.

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Jim Bradshaw Jim Bradshaw Plus Member
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Inktober2018 day 12. Whale
1/2

Inktober2018day12-Whale. I’m using inktober to explore and improve my techniques. This time I wanted to try using more crosshatching. I’m happy with the result. Also, at first I had nothing for the whale prompt but it’s rewarding when you push through the dead space and a concept or idea comes to my head that I can be excited with.

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Kurtis D Edwards Kurtis D Edwards Plus Member
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Carry On

I was going for a surreal and moody feeling—dystopian, sort of not. Per usual, my inspirations are pretty noticeable. I am starting to get more comfortable being stylized. I am trying to put emotion in my landscapes. I used Rebelle 6

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Julia Hill Julia Hill Plus Member
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Black Labradorite Portrait
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Another portrait commission! Gorgeous little man! Drawn with 0.05 fine liner on A4 medium texture cartridge paper.

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FRENEMY FRENEMY Plus Member
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I Never Noticed The House Was On Fire

55 mins “I Never Noticed The House Was On Fire” This is a painting for an upcoming group exhibition about memories. When I was a kid I grew up in a household where my parents were functioning alcoholics. They gave me toys, put me in front of the tv, and sent me outside to play to keep me distracted from what was going on. When I look back almost all of my childhood memories revolve around these things. I became obsessed with these imaginary worlds and I learned to draw by copying my favorite cartoons and characters from children’s books. It was not until I was much older, that the truth could no longer be hidden from me. The imaginary world of cartoons and books kept me shielded from the harsh realities of home. As I grew into an adult that form of coping grew with me as I created my own imaginary places inspired by the ones I loved as a child. A healthy place to escape.

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Jim Bradshaw Jim Bradshaw Plus Member
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Crooked

Day 8 Inktober 2017 - crooked.

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Nora Thompson Nora Thompson Plus Member
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Bunny Bat, World Traveler

Ink, charcoal and carbon pencil on paper

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Junkyard Sam Junkyard Sam Plus Member
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The Hosts

I drew these guys with a Pilot Custom 823 FA and Platinum Carbon Black ink. The FA nib has a good drawing width on watercolor paper - one of my favorites. It's a soft nib but I don't use the line variation, just some nice shock absorption with each downstroke. The Carbon Black ink is out-of-this-world good, though being pigmented I fear keeping it in too many pens.

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Junkyard Sam Junkyard Sam Plus Member
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How Are We Supposed To Look

This was drawn with a Japanese fountain pen, Japanese ink, and painted with Japanese watercolor. To be specific - I used Holbein watercolor and Platinum Carbon Black in a Pilot Falcon. This trio is perfect for me.

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Julia Hill Julia Hill Plus Member
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Aristocat
1/5

Another one of my Pets in Portraits. Hand drawn using 0.03 and 0.05 fine liners on A4 medium cartridge paper.

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Kurtis D Edwards Kurtis D Edwards Plus Member
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Portrait of Brianna Grier

In July of 2022, Brianna Grier died falling out of a moving police car while having a mental health breakdown. Since Brianna passed, I have been heartbroken for her twins and family but also reflecting on my struggle with mental health. Mental health needs compassion and empathy, not police and punishment. The brunch strokes are purposeful, but I completed them with empathy in mind. I want to keep the composition simple but filled with meaning. The color theme represents vastness and loneliness, but also kinetic energy found in warm orange tones.

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Jim Bradshaw Jim Bradshaw Plus Member
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Brainstorm
1/2

Brainstorm. I decided the color of intelligence is green. This can be backed with science and a random internet article or two.

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Junkyard Sam Junkyard Sam Plus Member
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Flying Robot in the Sky
1/2

Flying Robot in the Sky, watercolor. I used my new Holbein paints. (I love them.) Drawn with a Pilot Falcon SEF using Platinum Carbon Black. A trifecta of Japanese paint, pen, and ink.

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Nora Thompson Nora Thompson Plus Member
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Vulture

Colored pencil on toned tan paper

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Tonya Doughty Tonya Doughty Plus Member
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Junkmail artjournal

My favorite way to eliminate the often paralyzing fear of "ruining" "good" paper is to just paint on any and all junk mail that comes into my house. Higher end catalogs are great for this, they don't use slick, thin paper (and even that gets used in collage or as a desk cover for other projects) and they're already bound for you. Just add marks! Carry it with you. Scan the pages you like. Cut it up later for making other art. It's "just" junk mail, so there is literally no pressure. I have HUNDREDS of these type of things and I run across them all the time, forgotten, in some old backpack or purse or drawer and it's a treasure to look through them again, and add new marks, paints and words.

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Jim Bradshaw Jim Bradshaw Plus Member
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Chuck that page!
1/5

Did you ever have a page in your sketchbook that was so bad and so embarrassing that you tore it out and chucked it? This was one of those pages that made me cringed every time I came to it. So today I said to myself, "ENOUGH!" and ripped it out of my moleskine. But something wouldn't let me throw it in the can. Now, I'm not one of those artists that can't bring himself to throw away any of his stuff because each and every piece, good or bad holds some kind of sentimentality or sense of importance. This particular page was a result of a crappy angst filled day and stuff poured out of me. For some reason, it felt like I was throwing away some piece of my soul. There were parts that were overworked and others that were painfully too personal. So I decided to cut it up and put it back together in no particular order, however it seemed best. As I was pasting the pieces down it occurred to me that this had a comic book feel so I scanned the final and added the black borders in photoshop which I really dug. I like that it is cryptic and jumbled up like my brain can so often be. This reminded me of the awesome @johnhendrix who said something in his book, Drawing Is Magic that stuck with me. He said, "Don't worry about doing anything wrong. If you're hoping your sketchbook turns into a glossy display of only your best drawings, you are not carrying a sketchbook, you are carrying a portfolio." In other words, explore, take chances, loosen up and have fun. Try your best to go at it like an uninhibited child. In so doing, you will stretch as an artist by avoiding repetition and predictability. We all know how to do what we already know. To sum up, I created a bad page, and whether or not I was able to fix it, it expanded me. So, follow your pencil, pen, or whatever and let them take you to places you never imagined when you started. Then, maybe you will end up staring happily at the final and with childlike wonder, say, "man, where did that come from?"

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Nora Thompson Nora Thompson Plus Member
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Leif

Ink, charcoal and carbon pencil on paper

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Nora Thompson Nora Thompson Plus Member
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Strisce

Charcoal on wood

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Jim Bradshaw Jim Bradshaw Plus Member
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The Dead Dog Society

Ahoy, me mateys! Jimmy had a fun day on the high seas.

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