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DOODLING ON ANYTHING ~ CARDBOARD LITTLE BOX
The Three Witnesses
Acrylic on Canvas
Year finished: 2004-14
This painting illustrates three witnesses who are taking part in the salvation
of a homeless person. the figure in the background is angled, this imposed by them being Positioned on second-floor balconies, symbolizing they are not humans, they are a higher class of beings. To the left side of the painting a demon and to the right side an angel of God
. the kingdoms they serve are identified by the breastplate emblems of their armor. The demon has a dragon head overlaid on a pentagram. The angle of God has a lions head overlaid on a cross. The demon face is partly hidden by a hood which represents deception, where in contrast the angle of God is wearing nothing on his head that hiders the view of his face., representing honest.
Angel is always involved in the affairs of the human race. The demon is warring against man to turn their heart against God, and lead them to destruction. God's angel is always warring lead mankind to salvation through Jesus the Christ, and lead him away from the path of destruction that comes from sinful living.
The ally way is representing three kingdoms, to the left,
the kingdom o Hell. The center road, the kingdom of mankind. To the right side, the kingdom of Heaven. The path of these kingdoms is represented by the direction of stairs. To go the way of Hell is to take the stairs down to the sub-level door.
To the go, the way of heaven is to take the fire escape upward.
The lighting and the condition of the structures of the walls also identify the nature of the kingdoms they represent. The kingdom of Hell is represented by the dark and crumbling wall. Man's kingdom is represented by a boarded up windowed wall that is a dead end. Symbolizing that mankind only has two roads to chose from, there is no such thing as a third reality.
The left side of the paint is a cardboard box and a newspaper floor
which serve as a makeshift shelter for the homeless man. The turned over bottle reveals which devise he had that lead him to a life of living in the street.
The tipped over trash can which spills its trash onto the light source that is lighting the alleyway, which is in the shape of a cross, represents mankind's sin which Jesus The Christ paid in full the debt which God demand for the payment for sin which is death. So that The guiltless took the place of the guilty, that by faith in this truth all will escape Hell and enter the Kingdom of God as children and heirs of The Highest God.
The Homeless man, who is dirty,ill-clothed, cold, tired, hungry, hopeless, symbolizes the condition of Mankind outside a flourishing relationship with God.
The Christian witness is better dressed implying he is walking with God, and his life is blessed through God provision. The witness is showing compassion and the love of Christ to this homeless man by wrapping his arm around the shoulder of the dirty smelly homeless man. He points the homeless man in the direction of the path that leads to salvation through faith in the work of Jesus The Christ which is His work on the Cross, receive Jesus as his Lord and Savior. That through a relationship with the Christ, He can receive the guidance, the strength, the willpower to leave his old life of being a drunkard and living in the street.
Because in Christ old thing pass away, and all thing are made new.
The light that falls on the Christian witness and the homeless man and opens up in the shape of the cross in the alleyway, comes from a heavenly source outside the picture.
Written by Stephen J.Vatttimo
June 16, 2014
cardboard 100x70 cm.
There are reasons I don't want to explain to you, and for which I will tell you this story. Suffice it to say that the kind of information that will read you is not for everyone's ears, I believe you will not use it for bad purposes. In case of misuse, you will be badly beaten.
I belong to the genus Woody Puppets, quite numerous in the Magic Valley. I was born in Puppetcity, from my father a traditional medicine doctor (herbal and energy treatment) and my mother Major Readers of phenomena. I spent my childhood normal, shaping my body into the shape I wanted, like all dolls. Wandering aimlessly and observing the relation of thought - matter, it was my favorite pastime as a little doll. On one occasion I was helping my father collect herbs on the clearings around Puppetcity. My father (who didn't talk much) suddenly started talking about topics he didn't want to answer before and I remembered his words forever:
"My little one, there are inexhaustible energies that just need to be used, and a small number of beings are used with them for the simple reason that they do not believe in their existence or they give up too soon on the apprenticeship of invisible forces. Try to keep your body healthy and in good shape, moving regularly, because only a healthy body has a strong spirit. We are currently in a phase where our spirit is attached to the body and the body depends a lot on how much the spirit of growth. The rule is also true that the spirit influences the body in which it resides much, much more powerfully than many beings are aware of this fact. I will teach you how to strengthen and purify your body and spirit in an easy way with the power of Thoughts and exercises available to those who believe. Before using this knowledge, you will have to go through a period of Observation, similar to that of a blacksmith for one year only observing the hot iron and spreading the fire to the desired temperature. The master then gives it to him tongs and hammer in the hands. Previously, the apprentice would not have used the tool, find out a lot more about Grandma Jankica at lutakzvonko.blogspot.com
100x70cm. cardboard, mix materials
The people in the button do not see anything attractive, the attention given to him is current and lasts until the buttoned some clothing item which wants to wear. With us in the World of Fantasy, fortunately, this is not the case, we give the buttons a deserved attention which they fully deserve. A man lacking a button, for example, on the shirt, we inhabitants of the World of Fantasy are avoided, because we believe it brings bad luck, such people can cast a spell on anyone. It is even more dangerous to meet a man without a button on the slit, or, God forbid, unbuttoned slit. It is certainly a dangerous man of wild impulses ready for violence against anyone in order to satisfy their needs. On the other hand, people who have a nice and tastefully selected button on their clothes are highly appreciated. Those more experienced among us will carefully look at each button on a person - the buttons should not be damaged and scratched.
Of course, in the World of Fantasy, there are the Button - beings, the creatures that everyone wants in their vicinity. Those dear creatures are attracted to himself materials and crystals, who are constantly working on the relaxation of a person close to them. Even watching the picture where they are
Button - beings (confirmed by scientific and empirical research!) relaxing the spirit and body, raising the level of health to the stairs more. It is for you, dear reader, to take advantage of this fact, here is your free relaxation! Those who doubt these words of Old Bone make a mistake - to yourself to the detriment!
Art !? Enough fucking around with art!
Where is fucking here? cardboard 100x 70 cm
Watercolor of a bunch of grapes after a botanical sketch by the artist Troncy.
This painting was made with gouache on cardboard 400 gr / m² with a height of 32 cm and a width of 24 cm.
It's always fun to come to the Art gallery of the assheads, marginal artists of the World of Fantasy. Today I have seen the picture you are looking at, it made me interesting, as more people worked on it, not considering the picture as a whole, nor the work of its predecessors. Then, out of a large cardboard box, an old man came out and came to me. There were two big holes in the box, so I realized that the guy was looking at me from the box for a while.
- Do you like the picture? - he asked. His eyes, red from lack of sleep, staring at me. On the old clothes he wore on himself, there was a stain of color.
- I was impressed with - I said cautiously, knowing the unpredictable nature of people who deal with art - Did you do it?
His face was stretched into a smile, a few teeth that he had left, flashes from the mouth cavity.
- Yes - proudly erect his chicken breast an old man - Inspiration wore me all the time!
He looked at me with a look that required my other questions about the image, need to tell any story, to anyone, about his work, was in it taut like a catapult.
- What inspired you? - I ask the old man, and he barely welcomed the question and said:
- Last week I was visiting my friend Jergon, the King of the Dwarves.
(His statement that the mighty King of the Dwarves his friend was so incredible, that it must have been true. Assheads usually have unusual life stories.)
"It is well known to you that the dwarves appreciate their privacy, keep their place of residence confidential and may be ruthless if you disturb them. As a friend of Jergon, "the old man says," I have surely passed the territory of the dwarves. As I approached his home, I noticed more and more than the vicinity of his underground apartment - in the old roots - was edited by the gardening techniques of the dwarves. Dwarves worship their king and their nature makes them do something for him every day. For example, to clean the weed and planted rare plants and flowers around his house. Some day they polished the old root under which the King lives. So the environment of his house went out completely artificial, unnatural. The king is angry because he now has no privacy, his home has become like a public park, sweet hide, dear dwarves, was taken away from him. He told me. "Dear friend, if you think it's nice to be a king, you are not right. Everything has its own price." This visit inspired me to paint this work. -
I nodding my head as if to understand how much potential was in that situation, so inspiration was a natural consequence.
- Art freedom is expressed here - I said to the old man - maybe with the King of the Dwarves, on it, the picture was even more effective.
The old asshead looked at me strictly and asked:
- Did you see the King of the Dwarves?
"I did not even see an ordinary dwarf," I admitted.
The old man looked at me for a moment or two with a disappointed look, then he turned and entered the box.
I felt a look from the box on my back as I left the gallery.
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