This time two Cloud Study Kittens took an adventure to a distant lake with their special inflatable Dinocorn and gazed into the summer sunset that tastes like Strawberry icecream
A striking, high-contrast graphite study of a hand in the act of writing. Created in a rapid 45-minute sitting through self-observation, this piece captures the intricate anatomy and focused tension of the artist's own hand as it holds the pen. The tip being pencil the top being pen and finger tips slightly smudged incorporate all aspects of the mediums used to create it.
"The painting ""The Girl in a Shirt"" is one of the paintings series ""Her"".The artwork is painted in oil on canvas with wide textured strokes of a brush and a palette knife. In the work, we can see the opposition of a gentle female image and deliberately careless aggressive rough strokes of paint. The artist plays of black and white hard contrast against delicate pastel colors. The girl depicted in the painting feels
constrained by external conditions, which prevents this painting from having an erotic value. The girl nervously tries to unbutton her shirt in order to get more air and freedom. Her pose is not balanced, which shows even more uncertainty and indecision. That's why this artwork is considered rather dramatic."
segments , steps, blindfolded, a difference of language between the body and something subtle , lack of movement.click -switch! the union of body and soul , the disappearance of the blindfold from the eyes and the flight between the immensely endless bright layers of fields .I am very curious about the sophisticated nature of things and phenomena: myself, people the Universe, I like to consider and feel them like a multi-layered cake, where each layer has its own history, worldview, and even its own temperature. I love to listen lectures of charismatic lovers of philosophy, design, music, human psychology and I enjoy the excitement it brings and the birth of new layers inside me. I rarely manage to silence my inner critic and for many years I have been learning how to be able to do it productively. I am still in the process though. I treat my life as a long voyage, changing directions and yes - sometimes those around me. I understand that even 24 hours a day is not enough and I definitely realize that my life today is much more colorful and interesting than when I was 20 years old.
I drew this mechanical horse. I had this idea of making my favorite animal with gears and plates and all kinds of weird stuff. Eventually it grew into this large drawing. Mechanical Horse - Mixed Media (Ink and Procreate) - Janelle Dimmett 2026 - www.janelledimmett.com
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
My name is Jenny Lebedev.
I am a multidisciplinary artist and illustrator, Making painting on canvas and digital platform, video, photography, drawing. Graduate of the Department of Multidisciplinary Art at Shenkar.
I recently finished illustrating the second children's book. I also accept commission projects and work with the client in close communication. I make digital art work for postcards, prints, incl. producing prints.
In the field of art I deal with conceptual art on the topics of "nothingness" and the existing emptiness, awareness of the air.
When I was a little girl I was drawing postcards and during holidays I was selling them to the neighbors for half a shekel. At home my family always appreciated my creativity. Because of this when I moved to Israel, I decided on an art degree where I had the freedom to try different kinds of art. I became a painter and my final exhibition at Shenkar College was a plumbing work with sculpture and dio.
Nowadays I am more involved in digital painting and specializing mainly in illustration and design. I take my inspiration from nature because it has an amazing integrity. But of course a simple emphasis will make most people notice it better.
Hi everyone! I am Cam. I like to make friends, and I am 18 and this is my OC of myself as a white anthromorphic cat. I am a Christian. And enjoy chatting in here.
I participated in a 48 hour plein air painting festival where we choose a location and have 48 to complete the painting. I chose to paint this pond with a rock waterfall on Drake University Campus
This portrait is the darkest in the series, examining the internal malice that persists even when communication is restricted, illustrating that evil doesn't require a loud voice.
* Visual Focus: The mask's mouth is horrifyingly held closed across the center by surgical thread and a needle, which only covers half of the wide, unnerving smile. The stitching reveals a set of sharp, feral teeth underneath. Disturbingly, a pair of prominent horns protrude from the top of the mask's head.
* Symbolism:
* The Stitched Mouth: Represents the idea of selective silence or the censorship of truth. The fact that the stitching only covers half the mouth highlights the "half-done" nature of modern morality. The revealed sharp teeth suggest that even in silence, the capacity for vicious, cutting, or "devilish" speech remains barely contained. Showed directly on the piece by the date being misleading.
* The Horns: A classic, unambiguous symbol of the Devil or pure malice. This is the figure's core identity—it suggests that even while hiding behind a neutral mask and being partially silenced, the individual's "tongue like the devil" and evil intent are still very much present, emphasizing the inherent corruption and hypocrisy behind the facade.
This figure explores how the relentless pursuit of monetary gain and digital distraction stifles genuine attention and moral listening.
* Visual Focus: The mask is equipped with a headphone covering a single ear. The headphone wire is visibly broken, frayed, and cut short, suggesting a deliberate disconnect or a failed attempt at communication. A small coin dangles conspicuously from the corner of the figure's mouth.
* Symbolism:
* The Headphones: Represent modern distraction and the ability to selectively "tune out" inconvenient truths or moral calls. The broken, frayed wire reinforces the idea of a failed connection to the real world.
* The Coin in the Mouth: Serves as a powerful, visceral metaphor for being "consumed by monetary means." It connects the act of speaking/listening to the theme of greed, suggesting that the voice and ear are functionally "plugged" or corrupted by the all-consuming focus on wealth. The refusal to hear moral guidance is dictated by the pursuit of money.
A captivating exploration of form, this work features an imaginative flower with a distinctive, almost sculptural head. The smooth, folded petals suggest a soft resilience, like a fleshy, protective helmet, while delicate antennae reach tentatively toward the light. The long, winding stem and minimal leaves anchor the drawing, creating a strong vertical movement. Rendered in a mix of colored pencil and graphite, the piece uses subtle shading to give the subject a remarkable three-dimensional quality, making it pop against the neutral background.
