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charcoal

Suzette Suzette
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Trepidation

Charcoal and Graphite/Stephen Gammell Inspired

  • 302
  • 6
  • 3
Suzette Suzette
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Feet Aloft

Done in Graphite and Charcoal, Inspired by Stephen Gammell

  • 256
  • 7
  • 3
Joer_B Joer_B
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Rachael
1/2

Not a ‘robot’ per se, but an android/replicant. From the classic movie Blade Runner about an alternative future 2019-2049 and beyond. Replicants were used as slaves for humans. Red Bic4 Ballpoint Pen on Archival 9” x 12” paper.

  • 337
  • 23
  • 3
Joer_B Joer_B
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Enveloped
1/4

Hand and drapery sketchbook drawing. This combo never gets old for me. Faber-Castell PITT pastel pencils, charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.

  • 420
  • 23
  • 3
Suzette Suzette
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Phantom Hearse

The carriage is actually from a reference photo of a old hearse from way back so I thought that was really cool. Created with Black ink, Charcoal Powder Graphite Powder and a Kneaded eraser.

  • 315
  • 4
  • 3
Suzette Suzette
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Mokumokuren

The name "Mokumokuren" literally means "many eyes" or "continuous eyes". The Mokumokuren is considered by the Japanese to be one of the traditional inhabitants of haunted houses. The only way to remove the spirit from the wall is to patch up the holes in it.

  • 299
  • 9
  • 3
Joer_B Joer_B
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Petrified Ketchup Packet
1/2

Thirty-five minute sketch of a petrified A&W ketchup packet I found inside my fridge. This thing is the rock-hard evidence of my frequently poor late night diet choices.

  • 605
  • 15
  • 3
Joer_B Joer_B
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Salama seated

A drawing that turned out better than I expected. Two hour seated pose. Pencil, Charcoal Pencil, Pastel Pencils on some weird pad of paper I found in my closet.

  • 334
  • 15
  • 3
Michael Michael
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Misty Copeland

Charcoal pencils on grey toned paper.

  • 32
  • 5
  • 3
Michael Michael
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Yennefer

Charcoal penciis on grey toned paper

  • 32
  • 10
  • 3
Pranto Mondal Pranto Mondal
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Confined

Charcoal Drawing

  • 14
  • 4
  • 3
Prabha Balakrishnan Prabha Balakrishnan Plus Member
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First attempt of an animal eye

I fell in love with charcoal. Its so beautiful that so much can be expressed in black and white. The universe is so beautiful

  • 11
  • 5
  • 2
Prabha Balakrishnan Prabha Balakrishnan Plus Member
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Human Figure

Drawing a human figure was a dream of mine. This was the closest I could do the reference model.

  • 14
  • 3
  • 2
Nora Thompson Nora Thompson Plus Member
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Ho. Ho. Ho.

Ink, charcoal and carbon pencil on paper

  • 323
  • 5
  • 2
Nora Thompson Nora Thompson Plus Member
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Bunny Bat, World Traveler

Ink, charcoal and carbon pencil on paper

  • 363
  • 16
  • 2
Nora Thompson Nora Thompson Plus Member
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Leif

Ink, charcoal and carbon pencil on paper

  • 270
  • 13
  • 2
Nora Thompson Nora Thompson Plus Member
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The Doctor Will See You Now

Charcoal on Bristol mounted on board

  • 419
  • 9
  • 2
Nora Thompson Nora Thompson Plus Member
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Funeral March of the Marionette

Charcoal on wood

  • 549
  • 18
  • 2
Nora Thompson Nora Thompson Plus Member
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Rick (Plague Doctor)

Charcoal on mixed media paper

  • 497
  • 7
  • 2
Nora Thompson Nora Thompson Plus Member
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How Should I Know?

Charcoal on board

  • 515
  • 8
  • 2
Nora Thompson Nora Thompson Plus Member
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Time Bandit

Charcoal on gessoed sketchbook paper

  • 546
  • 23
  • 2
Nora Thompson Nora Thompson Plus Member
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Slightly Mad

Charcoal on gessoed sketchbook paper

  • 1,204
  • 11
  • 2
Nora Thompson Nora Thompson Plus Member
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The Adam of Your Labors

Charcoal on gessoed sketchbook paper

  • 749
  • 8
  • 2
Nora Thompson Nora Thompson Plus Member
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Cuppa

Charcoal on gessoed sketchbook paper

  • 1,096
  • 15
  • 2
Nora Thompson Nora Thompson Plus Member
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Fresh Cut Bouquet

Charcoal on gessoed sketchbook paper

  • 591
  • 10
  • 2
Nora Thompson Nora Thompson Plus Member
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Ted

Charcoal on gessoed sketchbook paper

  • 1,394
  • 9
  • 2
Nora Thompson Nora Thompson Plus Member
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Roman

Charcoal and iron oxide recovered from acid mine drainage on watercolor paper

  • 654
  • 4
  • 2
Ty patmore Ty patmore
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Westbound ‘49

24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.

  • 23
  • 3
  • 2
Jufi Jufi
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In a dark space

My abstraction vision on black paper

  • 20
  • 3
  • 2
Creative Ardour Creative Ardour
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Tree

  • 22
  • 11
  • 2
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