Not a ‘robot’ per se, but an android/replicant. From the classic movie Blade Runner about an alternative future 2019-2049 and beyond. Replicants were used as slaves for humans. Red Bic4 Ballpoint Pen on Archival 9” x 12” paper.
Hand and drapery sketchbook drawing. This combo never gets old for me. Faber-Castell PITT pastel pencils, charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
The carriage is actually from a reference photo of a old hearse from way back so I thought that was really cool. Created with Black ink, Charcoal Powder Graphite Powder and a Kneaded eraser.
The name "Mokumokuren" literally means "many eyes" or "continuous eyes". The Mokumokuren is considered by the Japanese to be one of the traditional inhabitants of haunted houses.
The only way to remove the spirit from the wall is to patch up the holes in it.
Thirty-five minute sketch of a petrified A&W ketchup packet I found inside my fridge. This thing is the rock-hard evidence of my frequently poor late night diet choices.
A drawing that turned out better than I expected. Two hour seated pose.
Pencil, Charcoal Pencil, Pastel Pencils on some weird pad of paper I found in my closet.
24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.