Classical lighting setup. Finished piece derived from an initial sketch. Model: Meadhbh (Maeve).
H, 4B pencils and white Prismacolor pencil on 9” x 12” Strathmore Toned Grey sketchbook paper.
I suppose this was just a tester/practice piece? My first actual still life from observation and my first time actually using charcoal (yes, I've never truly used charcoal before. Charcoal and pastels are two things I avoid. Their looseness and freeness scare me, considering how rigid I can be). Not sure how to feel about this one. I'm my worst critic, and I've known that for a long time now. There's a lot of practice and progress to be made, but it turned out half-way decent.
Some LGBTQ+ members of the community can’t openly love who they want to love, so the bars represent that barrier. The fabric, with all its complex folds and creases represents sensuality, desire and love. Love, in all its forms is a complex thing of beauty.-------------
The companion piece to my previous post ‘Ecstasy.’ Agony and Ecstasy were always meant to be a diptych. The issue for me is that there is a two-year gap between the completion of the two - there is a noticeable difference in the the way both were drawn.
Faber Castell pastel pencils, Black and White Generals charcoal pencils on 9” x 12” Strathmore Toned Grey sketchbook paper.
A little bit of an issue with the foreshortening of the figure. Model: Meadhbh (Maeve)
2B Pencil, Soft Charcoal Pencil on 5.5” x 8.25” Moleskine sketchbook.
