Woah, Richy isn't dead? Crazy stuff. I got Instagram a while back and abandoned this account because Instagram pulls in more people, but after a few years I got overwhelmed and deleted everything. Now I'm back – only sort of, since I rarely do art. Burnt out, you know?
A cute avocado character dressed as an Aztec warrior, complete with a vibrant headdress, spear, and shield. The character's large eyes and round cheeks add a playful touch to its warrior attire. text that reads: "ahuacatl" (aztec for avocado)
This painting is based on an empty street at noon, when the sun is right above us scorching heat. the street look empty looking for a shade. I chose to show the street at 2pm where the sun slightly leans towards down.
The whole painting is done on parallel lines. If you notice closely the lines of building and the road meet parallelly.
A drawing for someone I somehow met from the corner of the internet, his original character Runali. A few years of ups and downs, but there were many struggles due to poor mental health. In the end as things heal, we gradually recognised our differences and decided to take different paths.
this was a sweet gift I did for Christmas for my mom & dad - they love traveling and Telluride, CO, has become their second home! my mom loves Aspen trees and the mountains, found it only fitting they be included in this collaged painting I did for them. I used gouache paint for all landscape and watercolors for my parents. It was fun combining the two paint types and my first attempt using gouache paint - I loved it!
Joan Miró (1893-1983)
Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse.
Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!”
From Daily Rituals: How Artists Work by Mason Currey
