An abstract manifestation of my mind undergoing an "unblocking" to recover the spring of creativity. Putting it in more concrete and psychological terms, a projection of illegible thought processess that free mental binds that have been plagueing my mind for the past year or two.
Hey guys! Another post for y’all. The anatomy’s off and her face is goofy, but I tried my best :,). She’s running to someone while waving btw, if you were confused with what she’s doing.
This is a charcoal drawing with a hint of purple to add some charm. The purple is only included in the enclosed curvatures. I gave it a lattice style background with a moderate smear. I prefer to use a lattice style background in my charcoal drawings because it adds character. Concerning meaning, it’s whatever you feel when you look at it.
When i was younger & used to wear bright , colourful frocks , i always saw butterflies around me & i wanted to catch them. Growing gradually, now , i realised that the real joy of seeing a butterfly is not by catching it , rather to let it free & embrace the natural beauty.
My art book is available to purchase. To purchase my art book hit the link.thanks for the support.
https://www.artwanted.com/artist.cfm?ArtID=115637&Tab=Books&CPID=1133
Done 2016 with color pencil and ink on 2.5 x 3.5 bristol. It is sketch card. Original art $20+s/h and I am open for commission using color pencil or lead pencil for original artwork. Sizes range from 8.5x11, 9x12, 11x14, 11x17. The Commission rate starts from $20 and up. If your interested leave a comment or jungmeister4@yahoo.com
In this drawing, I was striving to capture the spirit of contemplation and reflection, a sort of spiritual sojourn, an ancient practice of pilgrimage, focusing on subjects of transcendent nature, and exploring destinations of spiritual significance. (words taken from scholarlysojourns.com). It is a self-portrait (me as a 14-year-old boy). We had just moved from Mequon to Rhinelander. It was then that I began to romanticize the natural beauty of Mequon. But at the same time, I was falling in love with the beauty of Rhinelander. In this picture, I am walking through the countryside of Mequon. The stringed musical instruments symbolize my love for the progressive classical and folk-tinged acoustic and orchestral music that was coming out of England in the late 60s and early 70s, specifically the quieter pieces of music performed by the Moody Blues, Emerson Lake and Palmer, Yes, and Jethro Tull. A song called Reasons for Waiting by Jethro Tull is a good accompanying piece for this drawing.
The materials that Meir uses in her works are not of the refined and so she is called an “arte povere” artist. At times she describes her work as someone dealing in alchemy - work develops as in a trial laboratory with different techniques and materials. She says, “ at times the artistic work process is a sort of puzzle demanding the filling in of all the empty squares “.
Some of her work focuses on women, and they incorporate criticism and cultural protest.
Meir has strong opinions about recycling and environmental protection that is represented in her works by use of materials and shapes. In her work she reacts to contemporary art that communicates with the eco system, waste, and she also searches for different worlds. Her works are made up of layers upon colorful layers that when we look at them it becomes clear that the mound of waste she chose is not coincidental. It actually becomes a colorful kaleidoscope of utopia.
Jaffa Meir is a multifaceted, autodidact artist working in painting, sculpture, photography, product design, carpets and furniture, painting on textile, and computer graphics.
The structural composition of some of the works is influenced also by her many years of working in the architects’ office.
Meir also worked in the developing of ideas within the field of ecosystems and recycling for factories such as Coca Cola, and during this process came up with ideas for designing parks and public game spaces using industrial waste products.
Il s'agit d'une fresque faite avec des animaux que j'ai rencontré durant mes stages de soigneur animalier Gris du Gabon, Cerf Sika, Renard roux et Raton laveur. Cela m'a pris un mois, j'en suis si fière.
This is a fresco made with animals that I met during my training courses as animal caretaker Gabon Grey, Sika Deer, Red Fox and Raccoon. It take me a month, i'm so proud of it.
This is the first painting I made for a series on dragons that I hope to exhibit this year at my local art museum. It's a 26x36 cm watercolour painting on cotton paper. I took the concept from a Chinese god who was in charge of the pearl of creation, and turned it into a dragon with that very same pearl.
