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Slug monster child excitedly holding caveman head balloons.

I’ve been working on color lately. I figured a tree was a good subject.

Drawn with a Pilot Falcon SEF fountain pen using Platinum Carbon Black ink and colored with Holbein watercolor.

A sketch I did with the intention of adding watercolor to hopefully in the near future.

A4 test piece for A2 piece to come. Playing with colour

Micron pen and colored pencil on paper

Micron pen and colored pencil on paper

Micron pen and colored pencil on paper

loving autumn colors this year.

Drawn with a Sailor/Wancher Turquoise 1911L. The M nib on this pen comes to a sharp point which allows for some line variation not from flex but based on how deep the firm nib digs into the watercolor paper. The Noodlers Black ink is a little dry and that contributes to this effect.

...having fun with these seasonal colors.

Working on some puppies

The Right Pen For The Job: Started with a Pilot Custom 742 PO. Finished with my 3776 Century UEF. Ready for color.

I've been playing around with this different colors on this floral pattern.

Practicing with a calligraphy dip pen. Watercolor and burnt umber ink.

Watercolor and pencil

Experimenting with my cats. Somehow this guy has one really big ear. I didn't even notice until I took his picture.

Mural collab with OX Alien in Rotterdam for a school.

Charcoal and iron oxide recovered from acid mine runoff recovery on watercolor paper

Practicing some watercolor unicorns.

Graphite and iron oxide recovered from acid mine runoff on watercolor paper

Graphite and iron oxide recovered from acid mine run-off on watercolor paper

Gouache, Watercolor, and Ink on Arches paper. A gang of friends finds a hidden treasure. Life Goals.

Purple watercolor horse I made into a sticker.

Ghost Circle. Drawn using a Platinum 3776 Century SF with Noodlers 41 Brown ink. Painted with Prima Watercolor "Decadent Pies."

Something a little different(ish)… what with the new sketchbook, new ideas and so on.

Colored pencil work

The tables were covered in white paper. Crayons, pastels, and smooth sticks waited quietly. Then came Lucy’s glittery purse—her 8-year-old hands had filled it with stones to pass along, one by one, to the strangers around the table. We traced them. Pushed them. Held them. Then we let the colors lead: -Red for emotion. -Yellow for curiosity. -Blue for memory. Each color came with music, with story, with space. At the Museum of Wisconsin Art, we made marks not for meaning but for presence. Thank you to Ann Marie and MOWA for the invitation and trust. And thank you to the participants—some new friends, some old students—for showing up and making lines that listened before they spoke.