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Junkyard Sam Junkyard Sam Plus Member
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Robot Manflower

"Robot Manflower." 8x8 ink and watercolor. New discovery: Noodlers 54th Massachusetts Ink (watered down) works incredibly well for painting shadows/value before the watercolor. Watercolor does not disturb that ink! Drawn with a Pilot Custom 743 EF with De Atramentis Document Ink Black.

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Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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Lorelei Ross Lorelei Ross
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Billie Eilish (duh)

If you get the reference in the title, yay you. If you didn’t, don’t feel bad, because I only discovered Billie in May. I am a devoted fan, as you can see. Anyway, I used sharpie, alcohol marker, and maybe a little too much pencil and ink...

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Kristen Rasmussen Kristen Rasmussen
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Fractal City - Part One

My original character, Yomi, has a fascination with light. These lamps you see might look familiar to you, but Yomi is among the first to discover the beauty of colored light. He shares it with the neighbors in his town and the eyes of dazzled passerbys. ---- 1/3 part of a new series called Fractal City.

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Sumi Sumi
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My first doodle thing ever

I discovered automatism. I need to discover how to take better photos of my doodles.

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Avery Franken Avery Franken
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MARINA

Marina of Marina and the Diamonds, from the front cover of her latest album.

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Jana Cechova Jana Cechova
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A cover of my new book

Indian ink - A cover of my new book

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Leah Lucci Leah Lucci
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Watercolor and Linocut illustrations
1/5

Due to financial/logistical reasons, I can't do literal linocuts as often as I'd like, so I draw my illustrations in reverse, flip them digitally, have them printed, and then color them in by hand. The result is basically an "artist's print". I only make one of each. These were watercolor, but I've recently discovered gouache, so keep an eye out for future pieces that incorporate that.

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Michael Michael
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KCBA Mag Cover

An Illustration for the King County Bar Association. Digital on iPad

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ANjKO. ANjKO.
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Ghost

"Ghost"- a poem written by Sad Boi, Illustrated by Anjko, 2019. https://www.instagram.com/anjko.drawings/?hl=en

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ANjKO. ANjKO.
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The Meeting Place

The Meeting Place- written by MP Soto, ilustrated by Anjko. 2019. https://www.instagram.com/anjko.drawings/?hl=en

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Julie Eileen Julie Eileen
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It - Stephen King - book cover.

Digitally painted in Photoshop. All rights reserved Penguin Books.

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Jim Bradshaw Jim Bradshaw Plus Member
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Ice Dream
1/5

Ice Dream. There’s some strange references going on in this one. If I don’t explain it won’t come together. Back in my day the Europe 72 3 record Dead live album had a crazy kid on the back cover smashing a cone on his head. Later an ice cream truck company called Weaser ripped off that art and would visit my mid Jersey neighborhood daily. Google it if you care. Flash forward to 2019. The ice cream truck that hits my neighborhood EVERY DAYS has a loud obnoxious song and no Greatful Dead connections. It drives me out of my mind so here is the result. I always try to turn my pain into gain. What a long strange explanation it’s been.

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Matthew Konicki Matthew Konicki
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Mermay Day 19: Royal

Mermay Day 19: Royal all hail Ceto of house Humansbane, destroyer of poles, evader of hooks, piercer of nets, mother of all fish-kind, goddess that swims alongside us. shes holding the scepter of Poseidon and the will of Triton. they cover the fins of royals because only the gods should see their beauty. some rumors say that the royal family just has a deformity thats passed on genetically so they cover it up and made the god thing up...who believes rumors though...dead merfolk thats who.

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ANjKO. ANjKO.
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Demons

Cover art, "Demons" by Sad Boi

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J. J. Sweete J. J. Sweete
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New York Stories

Cover for New York Stories.

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ANjKO. ANjKO.
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Cant be You

"Can't be You" - JOY. cover art by anjko. 2019

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J. J. Sweete J. J. Sweete
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Confessions of a Flash Artist

You CAN judge a book by its cover---when the cover is done right. Here we have a novella about the difficulties one artist has to bring his avant-garde art to the public.

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Wesley C. Phillips Wesley C. Phillips
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The Laughing Eye of the Dark King

::::::::::::::::::: :::::::::::::::::::::The King Sees All::::::::::::::::: :::::::::::::::::

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Gary Bernard Gary Bernard
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Notre Dame de Paris

Still reeling from that fire; totally unnecessary. Cover and inside illustration from my book, The Moth and the Sun.

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Spitting Atoms Spitting Atoms
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Sketchbook Project Front Cover

Full front/back cover and separates #sbpprocess #sbprocess #sketchbookproject #sketchbookproject2018 @brooklynartlibrary @thesketchbookproject #doodles #doodle #drawing #draws #draw #illustration #ink #sketchbook #sketchbooking

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Natasha Natasha
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Sketchbook day 7

Rad experience joining a local drawing group for the first time yesterday although I didn't realise how inconvenient my backpack was going to be, it made me slow to set up / pack up and a few of us had to organise a locker at the gallery as we didn't know backpacks weren't allowed so I spent most of today sewing a bag/sketchbook cover which fits an A4 sketchbook, pencils, id and phone and also has some backing in it so I can easily sketch on my lap without dropping my stuff all over the place. I'm going to do a bit more work on my weird comic book page tonight but in the mean time this is my sea serpent digitally coloured, he lives at Apollo Bay and likes to sleep camouflaged amongst the lifesaver rings.

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Samuel Samuel
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Sea Turtle Commission

This piece was commissioned by a coworker. It was a very large piece at 24"by26" on green leather. I used an acrylic base and then completely covered that with oils. It becomes very dusty when dried so I added many layers of a spray varnish for oils on top. The color remained nice and vibrant.

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scott mackie scott mackie
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We might make out when nobody’s there...

Ballpoint & acrylic on an original 1924 vintage Vogue cover.

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Veronica Petrie Veronica Petrie
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Wee Fish

Pen and ink drawing. This was the original which I reworked digitally for an EP cover, business card and sticker. Search up Three Word Stories band if you want to see the final artwork... (I may upload it here at some point ;))

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Tash Goswami Tash Goswami
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Cookery Book

This is an illustration for a cookery book cover that i made a few years back. Pen and ink with watercolour pencils and then tweaked in photoshop.

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Veronica Petrie Veronica Petrie
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Journey to love

Visual for a book cover (Journey to Love)

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scott mackie scott mackie
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Audrey Hepburn ballpoint pen drawing on an old Vogue cover.

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J.Kill & Hide J.Kill & Hide
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TOO MUCH NOISE

If you like this lil sketch maybe check the finished: https://www.deviantart.com/dallyvanters/art/Commission-17-786582111

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Jamie Jamie
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Cobblestone Peanut

I incorrectly shaded the dimples in this peanut and couldn't recover from the mistake. I post this as a reminder that the path of success is cobbled with failures.

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