Henry and Lucy caught these fish while fishing with Grandpa. The remarkable natural color—blue-green, gold, orange, violet, and pink—made the catch especially striking. A great subject for a watercolor study of color, texture, transparency, and reflected light.
These were drawn on different days, in different places.
A salt shaker and sugar rack at Beans & Barley on Milwaukee’s East Side—a place that is gone now. A chair at Starbucks, which is still there.
When I go places, I wait.
Waiting is filled with observation.
Observation is recorded with marks.
Marks spark memory.
I can look at a few pencil lines years later and remember where I was.
Maybe that’s what a sketchbook really keeps. Not drawings of things, but evidence of moments.
For Doodle Addicts, I would use this rather than making Beans & Barley the whole story. The loss of Beans & Barley gives one sketch poignancy, but your larger idea is better: drawing converts otherwise disposable waiting into memory.
A quick observational sketch from the chess meet—boards, pieces, and the strange architecture of waiting. The chessmen seemed to be rehearsing before the players arrived.
A marsh resists firm boundaries: water becomes ground, branches become reflections, and distance dissolves into light. The task was not to explain the place, but to remain attentive while it refused to become clear.