details

Took me a few days to complete because of other life events, and I tend to go slow, especially when I get caught up in the details. But I was discovering this was something I was eager to get back to; thinking about it through the day and figuring out how to finish it. Right now it’s on pause as I think how to do the background. :)

This is an adorable picture of a panda giving another panda a giant bouquet of flowers. The drawing was sketched with pencil, outlined with glitter pens, and mostly filled in with brush pens. Some details were filled in with the glitter pens also. Getting the flowers to look nice was not easy, but I think I just got away with it. Hope you enjoy the cute pair.

Fred Rock is Back!!!! “Fred Rock and the Quest for the Ultimate Power Chord” My first attempt at a dragon...

And Finally it's Saint Matthew giving a high-five to his Symbolic Angel (Or "human with wings" technically)! I Made it more like a fairy or something, it's not like a mount like the other symbols of the evangelists. So Matthew looks a little more Fatherly because in the Gospel of Matthew the theme of God the Father is the strongest of the gospels (mentioned more times etc.), also it's the only account that gives the account of the Annunciation to St. Joseph and lots of details on St. Joseph, the virginal Father of Jesus on Earth. (I should probably redo St. John since I did the others with more detail, I actually I did that version of St. John a few years ago but I finally decided to color and outline it recently. All the others are new though.) Let me know if you want to see anything! I'll probably do the mysteries of the Rosary next. ^_^

traditional speedpainting,,,wierd, very fast but at the bird i stoped, its watercolor n some details whit oil, hope tou like,,its almost impresionism!!

A 3 format, mixed technique. "My dissatisfaction with my progress in magic is growing," I said to the wizard Cirilo Bum, "I want to quickly become a wizard and not stagnate in the place." "Every creature, so the wizards, have their own way, and always travel, even if they stand in place," the old wizard answered. Then make a quick gesture by hand, a piece of paper was created in his hand. Give me the paper and say: "This is your way, the way you will have to pass before you feel the pleasure of becoming a wizard. When you get to the green path, you've almost succeeded." This paper, the picture you are watching, was a weak attempt by Cirilo Bum - one in a row - to express his artistic side. - If there is a magic spell or magic process in the picture, it would be good - I mumbled sullenly - what is this drawing at all? - The drawing contains all the answers. You have to start thinking with your head, think a lot, if you want to become a wizard - sighs Chirilo Bum - You are on one of the yellow points. The picture shows two tracks, each you need to cross. Paper, namely drawing, is a world of magic and witchcraft. The world of witchcraft, then, touches on the real, material world. I was studying the picture for a while and all I've concluded is that the green trail is not connected to another path. "There is an error here, it is impossible to reach the green path," I said to the wizard. - The only one who learns and understands the material world in which he lives is advancing in every sense - answer me the wizard Čirilo Bum - if your ground is firmly under your feet, it is easier to climb the path of witchcraft. On the other hand, too long a stay in the world of magic may end up with a fall in the unknown. I nodded because I did not get the answer I needed, so I went to the forest. "Do not forget to clean the house, my boy," Cirilo Bum told me as I left. I was in the mind other things, the formulas I found in the old books of Cyrus Bum. (Speaking of these magical formulas will lead to the appearance of five giants (Mato Bumps, Bruno Biceps, Miro Mass, Karlo Stone, and Alayas Him) in the world of Fantasy.)

Street Style illustration from Helsinki Finland. I like the idea of a bomber jacket combined with a long shirt. Small details like rolled pant legs and rolled beanie seal the style.

After yet another afternoon of mind-drifting, I found something I wasn't expecting. One thing over the years, memories are bound to forgotten if I don't recognise its importance in practice. In this case, it was a basic yet very crucial element for my dynamic pieces: curly lines. Continuing from the "spirit" of that character drawing yesterday, I started early today with trying to draw the character in its updated form. Suddenly, I ran into a roadblock: I was unable to bring it to life. Running through nearly a dozen sketches, something felt missing. A bit frustrated, I just lounged around the place and listened to some music played on my phone. Turning it off after a while to prevent the media distraction trap, I just started to let my thoughts wander and looked through different things, asking myself some things... My work felt a little blocky lately. It almost felt like I was focusing too much using certain details as a starting point to improvise from. This results in me struggling to build outwards into a full picture. Often, I find myself losing track of the original concept, which frustrates me. One thought then got into my head. It was something I enjoyed in the past years, which was the concept of "Flow". Suddenly, I felt signs of an answer. The original drawing "White Bird" came into my mind, reminding me of how I started drawing that important piece. I still have a strong impression on how I started it. It started as flowy lines to carve out an outline, vibe, or energy, or whatever my mind finds to describe. Later, I would slowly narrow out the details and sharpen its precision, almost like carving a figure out of nothing. And there it was. Sketching the core or skeleton of an idea, adding the main shape, before narrowing down the to details and precision. A very basic skill in drawing that I have forgotten, as dumb as a nitwit. If I had the core idea there from the start, I wouldn't have lost it right? Putting it into practice, I saw its immediate effects. Curly lines were the only thing I used, and suddenly the White Bird was flying and "alive" again as it should be. Man, I have recorded these for years, within my personal achieve of sketches. Yet, I somehow forgot them like an idiot? I am just speechless. It almost feels like I am back to square one, although there was a takeaway. I have learned the lesson of forgetting this basic practice, which led me astray for all these months. Seriously, I really have to remember how important it is. Putting that aside, I have noticed that I have these 2 styles. One was that "start from a detail and spread out", and the other was the "start from the big picture and narrow down". I had instances of success in both, which gave me a slight dilemma on which to choose. It is obvious that I can't limit myself to either, that would be falling for the stupidity of Duality. My own solution, would be to use either when the situation calls. I can't forget either, I just need to know when is the correct time to use it... ==

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"Pisces Koi" is a bold and intricate black-and-white ink piece that blends symbolism with fluid motion. A koi fish, known for its resilience and transformation, weaves through a bed of blooming roses, creating a contrast between movement and stillness. The fine details in the scales and petals bring depth, making the composition feel alive. The upward motion of the koi echoes the legend of perseverance—where a koi swimming upstream becomes a dragon—mirroring the Pisces spirit of adaptation and ambition. The roses introduce another layer, possibly symbolizing beauty, personal growth, or challenges that shape us. This piece captures a sense of quiet strength and fluidity, speaking to those drawn to themes of transformation, water energy, and the balance between struggle and grace.

Enjoy the beauty of the magnificent Kaaba painting on canvas. The painting shines with unique details of beautiful Arabic calligraphy, elegantly portraying the name of Allah and the painting showcases the exquisite details of the beautiful Arabic calligraphy, elegantly portraying the name 'Muhammad' (peace be upon him). It reflects the spiritual and historical significance of the sacred place in Islam. Let it add a wonderful artistic touch to any space it is displayed in.

I started with a parallelogram and added details along the way. Would 100% recommend trying.

I'm experimenting with line density to help differentiate details from the main outlines. I think I went a bit too thick on the robot's line art. I'm satisfied with how the flame trail came out though.

Completely random. I was looking at a wall and saw some shapes that kinda looked a floating little hat girl...so yeah, I added details and got this.

Super bored one day, just started adding details.

attempt at free hand drawing with no sketch just lines, it looks so weird to me hehe. anyways its jimin and i had to figure out how to make his face look good in it as well as add details.

Another in details of local buildings

Colored pencil sketch on 8.5 x 11 paper. This is one of a series done in 2005 of architectural details of buildings.

I know this sounds impossible... but me and my friends are going to try to make a video game with this as the cover. If you want the details, my discord is ExtraSaladPlease #9148

My first sketch this year. Trying out my drawing tablet for the first time so some details are left without shading. The background is just an edited photo. XD

I made this as a reminder for myself. My past and my environment might hurt me, but inside I am safe, I am enough, I am okay, I am minee. I'm experiencing hard times with trauma and other stuff, so I needed a reminder for myself. This is on my door now. I covered up some personal details, the white blobs. March 2020. Pastel on paper.

I'm happy to have finished this illustration. It took me a lot longer than I expected. I couldn’t help but add more and more details to the point that sometimes I lost my motivation to finish it, but i did it. :D

Working on Ned poses. Adding details. Practicing sketching.

Progression 5 of 6. At this point his face is nearly done and I’ve begun to fill in the shirt. There is still more shading and fine tuning and details needed on to finish off his face, but at this point in a drawing I like to begin filling in the other details to keep some cohesion to the overall piece.

Unai Emery. Arsenal Football Club Manager. I think I could have put another hour or so into this and worked the finer details, but overall happy with how it turned out.

Details of drawings and doodles on sketchbook.

Wrapping my mind around drawing human / humanoid. Trace the silhouette first, then slowly carve out the anatomy and add on the clothing details last. Was also studying human anatomy earlier, tracing the body tones and proportions. Without paying much attention all these months, I managed to learn something I thought that I have been unable to do. Next would be to balance the style and details, especially with the faces...

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