I intended to do quick little spot illustrations for Inktober this year, but nooooooo! Now Jimmy is drowning in digital ink and lots of doodle details. This was way too much fun to go simple. I also included the original sketch this time.
Here's the final color illustration created for Osprey Pens featuring the Osprey Pen Factory. It was drawn with the same fountain pen there on the right... An Osprey Milano 5.5 Flexpert Hourglass nib. Great pen! Colored in Photoshop.
"Flying in the sky with a lady in its arms,
The Platform's heading fast out to the farm.
She was harmed unknowingly and now she will become a seed,
From which the platforms now will feed until they breed." -- Drawn with fountain pens, colored with my iPad using Procreate.
A foggy morning opens up to a burnt landscape. I wanted to paint a couple of different environments in one painting but still aim to be refined. I used fall colors and smaller lines.
It's 2019 and I am thankful for family, turkey dinner, and Rebelle 3! This Thanksgiving holiday I'm teaching my boys how to draw in Rebelle. They've watched me for years but they're finally old enough to draw on the Cintiq. They're going to love it. Artist friends, check out the Rebelle 3 demo if you haven't already! Happy Holidays!
The new Hasselblads are so dang out of my range! I can't even swing a used one. This is the first time using the oil brush in @procreate on a final illustration. I have to admit i didn’t want it to end.
"Contemplation of the Jump" - drawn & colored in Escape Motions Rebelle.
My drawings are pretty random, but after I make them I think about them a bit... like... what is that girl in that cave room thinking and why is he going to jump?
I should probably know the answers... but I don't.
Playing around with digital stained-glass effects, and thought it would be fun to portray tropical summer vibes in a medium where you don't usually find them. Shout out to Lisa Bardot at bardotbrush.com for the basic digital technique.
I gravitated towards the fony baobab, a real type of baobab. Sadly, all baobabs are in decline, which informed my composition. I used pastel earth tones and a lot of blacks. Digitally hand-drawn in Rebelle 6
We're at the monster garden where the people were defeated,
A guard is never needed 'cause the monsters must be feeded.
I mean fed. Like I said:
Peeps are happy to be eaten 'cause it's never all that long,
Monsters do the number two and poop them back onto the lawn.
Colored in @escapemotions Rebelle
I was going for a surreal and moody feeling—dystopian, sort of not. Per usual, my inspirations are pretty noticeable. I am starting to get more comfortable being stylized. I am trying to put emotion in my landscapes. I used Rebelle 6
When Rebelle 3 by Escape Motions came out I wanted to create something that really shows off its power. I normally draw in fountain pen first, but this was created entirely from scratch in Rebelle 3.
Digital art tends to be cold and impersonal, but Rebelle's watercolor simulation looks & feels like real paint... and you can undo! That's critical for illustration work, as clients often request changes... But even for personal work- it means an artist can achieve a watercolor look without being at the mercy of the medium. So the result is more true to his or her vision.
I painted one of my cats, Banana, in a cat tunnel. The coloring in the photo was muted, so I worked on color and fabric texture. I am thrilled with her facial expression, and the overall composition feels good. This is not AI nor is any element made from AI.
