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I highly recommend the book, Gender and Competition: How Men and Women Approach Work and Play Differently, by Kathleen J. DeBoer. In it, among other things, she elucidates that those with a conceptually masculine perspective (regardless of sex) are drawn to thinking of the world in hierarchies, which I have represented here with a triangle in the mind of the spotter on the left. She elaborates that those with a conceptually feminine perspective (again, regardless of sex) are draw to thinking of the world in webs, which I have represented here with a circle. Those that think more masculine-ly are more likely to expect beginners in a sport or field to prove themselves in the group. They will often not "hold their punches" (i.e. curb their ability) to make newcomers comfortable. All members of the group are expected to "earn their keep," in a sense. When a member of the group exceeds expectations, they move up in the hierarchy. Contrary to that, those that think more feminine-ly likely show acceptance and approval to beginners in order to foster an environment in which they will perform. They will often adjust their skills so that newcomers can more readily "keep up." When a member of the group exceeds expectations, they are expected to raise the status of the group as a whole. The playing field is "flattened" in that sense. I am not advocating for either perspective, but I will share that I have a more conceptually feminine perspective, and that I have previously left groups whose members have a more masculine perspective. Kathleen's book really helped me personally to understand the motivations of people that I genuinely did not understand prior to reading the book. It put a lot into perspective for me, and I hold fewer grudges these days. Cheers, fam~

Based on https://www.wwdjapan.com/articles/508881

As a small animatronic branch, BaileyTainment gained the rights to use Ringmaster's Altitone band members as their own. So, they altered some of the characters and created their own chain of the Altitone Band: Zero Days Until the Party. These are the band members of that restaurant: Elizabeth the singer, Preistor the guitarist, Lexibo the pianist, Altor the drummer, and Dexter the DJ. A cat, a rabbit, elephant, bear, and racoon. I got inspiration from The Wolf Pack 5 --- a singer, a drummer, pianist, and a guitarist. The DJ thing is sort of its own thing, but inspiration could also be drawn from Rolfe DeWolfe (who was a comedian in The Rock-afire Explosion). Drawn with FireAlpaca.

I figured it'd be a while until I draw (in full detail) ALL of the Altitone band members, so I made each one a sprite. Their names are (from left to right): (The first one is a base), Elizabeth the hot pink cat, Preistor the sky blue rabbit, Altor the golden bear, Bruce the green mouse, Lexibo the violet elephant, Mary the short red fox, Dexter the blue-gray Racoon DJ, and the three cheerleaders: Rosette the crimson mouse, Oopsie the russet fox, and Pastelle the cotton candy short-eared rabbit. On the very bottom are the instruments. In order, they are Elizabeth's mic, Preistor's guitar, Altor's drum set, Bruce's mic, Lexibo's piano, Mary's oil drum (not an instrument, but Mary hides her bottom half in the oil drum, sort of like Looney Bird from The Rock-afire Explosion (which is why she has no legs)), and Dexter's DJ board. The last three are cheerleaders, and their hands have been replaced with cheerleading pom poms. On stage left, we have Dexter and Mary. On the center stage, we have Preistor, Altor, Lexibo, Elizabeth, and Bruce. On stage right is Rosette, Oopsie, and Pastelle. Made with Piskel. (If you're wondering where Jester and Dellusion are, they aren't band members --- but rather seperate attractions (and Jester doesn't even perform.))

So, the shorter animatronics that I posted earlier were actually the second versions of those animatronics. I redrew them because of... how they looked, I guess. Their proportions were way off. This animatronic is the third version of one of the animatronics, Elizabeth. I was planning on making more of these guys, to update them all, but it takes hours to make these guys, because I also have to make the endoskeleton for them. So, right now, Advanced Elizabeth sits in Jester's workshop, where she'll be alone for as long as I don't make another advanced animatronic. Personally, I think these look a lot nicer, but the second versions (the ones I posted) have a certain charm to them. I'm also working on the right stage animatronics, the red fox and the DJ. Drawn with FireAlpaca. Don't expect any more of these advanced guys.

Appropriationnisme ou le « Remake » Édouard Manet : le déjeuner sur l’herbe Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

ReUpLoAd

The first of what became a "wheelchair series" I've been building as an attempt at healing since my paralysis. Learning to adjust and grow to appreciate and eventually love this new body continues to be a journey and doodling has proven (for me) to be an

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