Behold the Chair
(inspired by Wendell Berry)
Make a place to sit down.
Sit down. Be quiet.
The chair does not strive.
It does not speak loudly.
It simply is—
ready to receive,
to hold what comes,
to honor the silence.
This drawing does not shout.
It listens.
It does not disturb the quiet—
it joins it.
Like a prayer whispered
to the One who listens back,
this mark is a presence,
not a performance.
Drawn with Clip Studio Paint and XP-Pen Artist 15.6 Pro pen display tablet.
Critically Endangered The White-headed Vulture has undergone catastrophic declines in population number, with an estimate median decline in 96% over three generations (45 years)
This decline has been seen in its very large range from West Africa, across to southern Africa also. Reductions in populations of medium-sized mammals and wild ungulates, as well as habitat conversion throughout its range best explain the current decline. Additional threats include indirect poisoning at baits set to kill jackals in small-stock farming areas. This species is also recorded in trade in West and Central Africa as this species is used for both traditional medicines and also they are intentionally killed for use in witchcraft. This species is part of the Accipitridae bird family, which diverged from all other species of bird 49.6 million years ago during the Paleogene period. Vultures split from the other genera in this family 12.7 million years ago. This species is highly sensitive to land-use and is concentrated to protected areas. Individuals were marked with patagial (wing) tags in Fouta Djallon vulture sanctuary to monitor movements and for a toxicological assessment of the vulture population of the park. Additional studies to monitor the movements of individuals within and between protected areas in underway is South Africa. Info: Edgeofexistence . org #birdlife #birds #birddrawing #birdsketch #whiteheadedvulture #vultures #bampidraws
#Golgaaryol
Injured into symbols
The wounded Shadow
The ink flows and carries nonverbal oddities
[April, 2023]
Danielle East - Broken Butterfly
https://youtu.be/4WiMDebAnzo?si=k2yO1ALrmwyysOt4
I wanted a picture of a sad dragon - finally I turned ordinary doodles [from 2023] with brushes into something like this, blur and softening effects were also added.
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
Another addition to my Tool Series—this time a tape measure, the symbol of accuracy, patience, and work ethic. I signed it with Patmore 25 as a nod to the years it has taken to become the artist I am today. Just graphite, ink, and intention… transformed into something that feels alive.
A whimsical yet reflective scene blending humor and nostalgia. Ty Patmore transforms an ordinary tavern tabletop into a surreal narrative—where a whiskey bottle doubles as a rocket, a lighthouse watches over the horizon, and every object hums with quiet irony. Mixing ink and graphite with storytelling detail, this piece captures the playful spirit of escapism and the bittersweet comfort found in small rituals.
