Progression 2 of 6. Spent some time here in the hair, beard, and eye. The transition in the hair from light to dark was done mainly by not adding in graphite in heavy amounts and using the pencil eraser to define the hair.
From the soundtrack of my youth. RIP.
10” x 15” Original ink and watercolor illustration on Strathmore 500 Series 4-ply Bristol illustration paper.
Signed by the artist. Unframed.
Test my new Moleskine watercolor sketchbook with different pens. Waves with Pentel brushpen , clouds by Lamy fountain pen and sky in the middle using Unipin
Superstitions: Spiders.
The spider once featured in many old potions for the cure of illnesses such as gout, ague, whooping cough and asthma, and these involved either crushing and eating the creature with other ingredients, swallowing a portion of its web, or wearing a little muslin bag of live spiders around the neck. https://www.instagram.com/p/CGC3Rs0hEFY/?utm_source=ig_web_copy_link
Sometimes I like to draw things in the reverse (filling in the light areas, leaving the dark areas bare) and then flip them to see how I did. Today's warmups turned out pretty well. My favorite is the kid on the top, whose head & hair echo the strawberry shape. I wish I'd distinguished the girl's legs from the dog's body on the left more, but overall, not bad.
This was a practice sketch to try out a sketchbook I bought from the dollar store. The paper is surprisingly of excellent quality and she came out looking great!
This was part of a bigger study I'm currently in the midst of, with landscapes, water reflections and pinetrees for miles. Any and all feedback is very much appreciated.
