Finally something new and fresh, again it was my first time to draw an animal with fur, which seemed always so difficult thing for me and still is, but now I'm not afraid of it anymore.
I have been working on this A3 double 'Pets in a Portrait' and I can't share the finished piece until after christmas as it will be a gift. I'm so chuffed with it, so heres some sneaky peaks that don't give too much away!
Crosshatching was used to build up the shadows. It's probably my favourite drawing technique. Works best with pen and ink. This is the cover image for one of my children's picture books.
Another house that I found interesting, this one is across from the library in my local town. I love drawing all the vegetation detail - how the buildings decay and are slowly taken over by plants.
"And I Can't Get It Out of My Head"
Watercolor
I feel like I may be cheating since the song I was inspired by is not so simple, but I'm pleased with the result. To be completely honest, this was the piece I needed right now.
The past week has been interesting for me, I've found myself in a peculiar slump. There's not one thing I'm thinking or worrying about, it's a constant buzz of thoughts streaming through my head. Sometimes I can get the buzzing to quiet down, other times it gets overwhelmingly loud.
I've always found art to be a release, it fills in the blanks when I can't figure out how to make my words work. Lately, it's been more of a challenge than usual, but I think this piece says all I've been wanting to say.
White and sanguine conte pencils on toned paper. These ruins captured my drawing itch with the quality of the light filtering brilliantly through the tangled growth outside, and the open shade within. At a metaphorical level, the image is about the sense of having a laborious path set in stone for me by custom, convention, and culture, while way is wide open to the chaotic fertility of nature, should I choose to follow my own feet and heart.
Watercolors and fineliners on Aquarelle, 300 GSM. Fantasy has always appealed to me ever since I was a kid, and I often find myself lost and wandering around in the fantastical world of "could've been's"
This was so enjoyable to do. Hand drawn using black 0.03, 0.05 and 0.1 fine liners on A4 medium cartridge paper. 22.5 hours of work and made my eyes hurt!
