I do like a good mondegreen, that much is true. See the radio edit of Royksopp’s ‘Remind Me’ for more details (I might not be mishearing the lyrics, but it’s still quite the earworm): https://youtu.be/XEQcWbbkyPY
I helped create the Island in the Sun can for Conshohocken Brewing Company a couple years back. They release it every year in the summer and I drew this up to celebrate the re-release this year!
My husband has a chronic illness and frequently spends weeks in the hospital. I have been doodling each day while sitting with him and many of them reflect my thoughts at the time. Often appearing are desperation, hope, frustration, sarcasm, fear.
My husband has a chronic illness and frequently spends weeks in the hospital. I have been doodling each day while sitting with him and many of them reflect my thoughts at the time. Often appearing are desperation, hope, frustration, sarcasm, fear.
My husband has a chronic illness and frequently spends weeks in the hospital. I have been doodling each day while sitting with him and many of them reflect my thoughts at the time. Often appearing are desperation, hope, frustration, sarcasm, fear.
I was going through some of my old work from a few years ago and I wanted to see the difference. I uploaded the original sketch. I like my art and my style. I see the growth. I. Am. Happy!
I've been absent from the site for months, due to working on a book. But now that I have a bit of spare time, I've been dabbling in watercolours, something I haven't done in years. A bit rough to start but I'm enjoying it.
In fact, she [Mummy] said after a while, we have gone into hibernation. Nobody can get in any longer and no one can get out!
I looked carefully at her and understood that we were saved. At last we were absolutely safe and protected.
This menacing snow had hidden us inside in the warm for ever and we didn't have to worry a bit about what went on there outside. I was filled with enormous relief, and I shouted, I love you I LOVE YOU, and took all the cushions and threw them at her and laughed and shouted and Mummy threw them all back and in the end we were lying on the floor just laughing.
Then we began our underground life. We walked around in our nighties and did nothing. Mummy didn't draw. We were bears with pine needles in our stomachs and anyone who dared come near our winter lair was torn to pieces. We were lavish with the wood, and threw log after log on to the fire until it roared.
Sometimes we growled. We let the dangerous world outside look after itself, it had died, it had fallen out into space. Only Mummy and I were left.
- Sculptor's Daughter by Tove Jansson
#dailydrawing #tovejansson
I have been listening to some great songs and getting lost in some writing and stories. I felt inspired to create this creature. I know I had made one originally a year ago.
https://youtu.be/GqDkZEv_ZQk?si=m6KwE1Gj0UZtEJR6
Here is one of the songs I obsessed with.
These thoughts are in my mind daily. I take care of my 91 year old father. I'm certain he has dementia but I can't get his doctor to diagnose him. He can easily pass a competency test, even though he is no longer competent. My mind is messy, to say the least.
A doggy in a heart shaped hot air balloon, hold a valentine in it's mouth, with three arrows directed at the balloon, and the text "I'm Out to Get You."
24x30 canvas A weathered steer skull fixed against a wagon wheel, drawn in graphite, charcoal, and ink, evokes the grit and resolve of westward migration. The skull stands as a quiet emblem of endurance, sacrifice, and survival, while the wheel anchors the piece in motion and passage. Westbound ’49 references the year many headed west in search of promise, capturing the stark beauty and cost of that journey in restrained black and white.
A whimsical depiction of an anthropomorphic frog making Freestyle motocross trick called "Seat Grab" in a classic penny farthing bicycle. The image is funny, humorous and minimalist, featuring a simple outline.
This coloured drawing I was working on for the past few days, wasn't very successful as I failed to properly bring the elements together. A few mistakes were made along the way, even if I managed to compensate for them quite a bit. But yea... There were a couple day's worth of journaling done on this one as I tried to make it a learning lesson.
In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.”
But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe.
Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us.
This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.
What I Learned from Looking
through my childhood artwork, help me discover my art style: It was already within me. A Picasso documentary got me intrigued.The film captures the moment and the mystery of creativity.
"Nowhere Fast" is a compelling still life that blends mundane domesticity with surreal, slightly ominous undertones. The scene is anchored by a wooden table where a spilled glass, a pack of matches, and an ashtray with a smoldering cigarette suggest a moment of interrupted pause or quiet, long-term stagnation. Dominating the foreground is an oversized, weathered cigarette carton boldly labeled "WARNING", its subtle but unsettling presence hinting at a consumption that leads nowhere.
In the background, a vintage RCA television set displays a stylized amanita mushroom, a recurring symbolic motif that adds a layer of psychedelia and altered perception to the otherwise drab setting. The earthy, muted color palette and soft lighting create a feeling of weary introspection, capturing a sense of being perpetually stuck in a cycle. The piece masterfully uses everyday objects to explore themes of vice, time, and the quiet, slow march toward an uncertain destination.
