I've been practicing drawing portraits for a few days now. This is from a session I did over lunch where I was just messing around trying a few different things.
I do like a good mondegreen, that much is true. See the radio edit of Royksopp’s ‘Remind Me’ for more details (I might not be mishearing the lyrics, but it’s still quite the earworm): https://youtu.be/XEQcWbbkyPY
I helped create the Island in the Sun can for Conshohocken Brewing Company a couple years back. They release it every year in the summer and I drew this up to celebrate the re-release this year!
I'm great at doing the prep work for a big project. But Wrecks is always there to remind me how anxiety inducing a project of that scale is. So, he throws me into another one I'm not prepared for.
This work is purposely incomplete. I will facilitate a group of people who will color in the black and white template as well as have the option of making their own art freehand. Individual and couple contributions will be combined to make our composite mural. People who participate in this event will thus listen and speak while creating artwork for the mural. For my part I will explain the latest research concerning the hormones involved in the physiology and neurology of falling in love and remaining in love
Jury Duty, June 2013
Fifty of us sat in that room, each one staring at a phone or scribbling in a notebook, killing time. The lawyers asked their questions, picking us off one by one like a slow game of dodgeball. I wasn’t chosen, so I drew instead—earbuds, slouched shoulders, the hum of waiting caught in a few quick lines.
Sometimes the quickest drawings hold the deepest truths. During an after-sermon discussion about understanding the love of God, I found myself listening with one ear and drawing with the other. Frank, seated across the room, made a natural model—relaxed posture, thoughtful presence, and a face full of character.
With a pen in hand, I traced his form in a quick contour line, following the folds of his shirt, the tilt of his jaw, the stillness of his hands resting in his lap. Contour drawing asks us to see more than just the surface—it demands patience and presence, a slowing down until the line itself feels like prayer.
Frank became more than a subject; he was a reminder that the love of God is often revealed in ordinary moments and everyday people.
