Progression drawing 5 of 7. This is an earlier drawing of a how-to video from Emmy Kalia. All credit to her. This one may not seem like a lot of progress from the last upload, but I did manage to lighten up that dark spot on her cheek. Link: https://youtu.be/80ewdDwAVk4
Outside my drawing table window are straight and weeping birches. We lost one of the birch trucks and, tragically, a beautiful OLD Japanese maple during an ice storm a few years ago. The third trunk is still in my mind's eye.
Haven't posted for a while, I've been crazy busy but also feeling pretty flat to be honest so I've been drawing weird little floppy cats to cheer myself up a bit. Today one of them made it onto the back of my drawing board. Acrylic paint and sharpie markers :)
I’m often asked about my Bic pen drawings and how I do them. It starts with a good foundational drawing, the ballpoint pen part is just trying to colour within the lines. I try to do my best to explain the process, but the best way to show my progress is by posting my efforts to master pen drawings over the span of 3 or so years. I have been doodling/drawing with ballpoint pens as far back as I can remember - they were cheap, readily available and always lying around the house. It wasn’t until I was bored during a particularly long team meeting-conference call (around 2016-17) that I started to think about the possibilities of ballpoint pens as serious portrait illustration tools. My first experiments with full colour ink portrait drawings were rather crude, but that’s the point of learning new techniques—as long as the curiosity and the love of drawing is there, you can transfer that skill and passion into any medium. Remember, the most exquisite drawings and paintings you see didn’t materialise fully formed, they started out as failed experiments. Failure after failure after failure. It’s important to remember this when you get discouraged (I've failed spectacularly over the years). The only difference between the accomplished artist and the beginner is hundreds of hours of practice. Talent can only get you so far. It’s the hard work that you do behind the scenes that makes your work look effortless. Keep doodling. Keep learning. Stay curious.
Landschaftpark Duisburg-Nord, Germany. This abandoned steel mill is transformed into a industrial heritage centre and landscape park. It's a great location for photographers and urban sketchers.
Lufgt Huron, also known as Huron Blackheart and the "Tyrant of Badab," was once the Chapter Master of the Astral Claws and self-claimed Imperial Governor of the world of Badab Primaris in the Maelstrom Zone of the Ultima Segmentum. But ultimately, Huron was corrupted in his ambitious pursuit of power and he tainted most of his Chapter as well, leading them into an open rebellion against the Imperium of Man, known as the Badab War, which lasted from 901-912.M41. Bound to machines which keep him alive and forever in pain, Huron is now a scarred creature of hate. His machine claw clicking, he has strode to battle time and again, followed by the daemonic Hamadrya, and each time the agony of his existence grows and the spite within him deepens.
(gel fineliner pen on 115mm x 87mm paper) I did this piece to test out those cheap fineliner pens that you can buy for £1 for 3 from TheWorks stores. They're pretty good for what they are, as you can see. They're 0.38 in line width and the gel ink is quite opaque.
I am interested in connection between a human and an animal. This unique, individual emotional, almost telepathic connection that is so abstract that only art could possible be bale to materialize it . ..like another different universe...
love the go with the flow doodle mentality. I call it "Randomness". It's a great practice to help you start and gives a great feeling of complete freedom, and that's what doodlin' for me mostly is about. I sometimes use this randomness to create peace of mind, new ideas, creative flow, clearity, vision, dreams or great art! :)
I made myself some motivational stickers to (hopefully) help with the CONSTANT negative self-talk that seems to be an innate part of my creative practice
On Tuesday evening some 1000 people gather in front of the German chancellery to demonstrate. To ‘Open the borders! Safe lives! Fight Fascism!’ were called for by ‘Seebrücke Berlin’ and others. We marched along Reichstag (seat of german parliament), offices of members of parliament, Russian embassy to Friedrichstr, where a final rally was hold (this is where the sketch emerged). Seebrücke appealed to the parliament to allow at least these refugees in most urgent need to come from the inadequate camps on the greece islands to their german member municipalities, that have space and are willing to host them. German parliament yesterday refused to do so, presumably due to their fear of further rise of right wing parties. This influence was another topic, that was adressed by the demonstration, that marched against any influence of right wing and fascist parties in Europe and for an international spirit of humanity.
I've begun cutting apart my old sketchbooks and glueing them back together. The results of which are sometimes more interesting than the old drawings themselves. This saint is my favorite of my most recent bunch. She's the prettiest Christmas tree of all.
