When your creative pals are clearing out Pokemon plushies and know your own collecting habit all too well, hehehe! Needless to say the Glaceon I’ve adopted will be well looked after :-)
This work is purposely incomplete. I will facilitate a group of people who will color in the black and white template as well as have the option of making their own art freehand. Individual and couple contributions will be combined to make our composite mural. People who participate in this event will thus listen and speak while creating artwork for the mural. For my part I will explain the latest research concerning the hormones involved in the physiology and neurology of falling in love and remaining in love
New sketchbook time already? Seems like it!
Kicking off the new volume “Digital Analog Native” with some Tails fan art, because that’s how we do it :-)
Imperfect Lines, Honest Presence
This sketch is not perfect—and that’s exactly why it’s alive. The bold figure, the dissolving hat, the tilted chair: all of it feels unfinished, fleeting, caught in motion. It’s what the Japanese call wabi-sabi—finding beauty in the imperfect, the impermanent, the incomplete.
But there’s something deeper here too. A quick sketch is not just what the eye records. It’s what the soul permits. To draw without fixing, without polishing, is to admit the world will not hold still for us. Life slips past. The lines break off. And yet, somehow, the essence remains.
When you sketch this way, you are not the master of the moment—you are its guest. The pencil does not carve permanence; it pays attention. The act of drawing becomes an act of being present, of honoring what is already vanishing.
So here’s a challenge: grab a pencil and sketch someone near you in sixty seconds. Do not erase. Do not perfect. Let the lines falter. When you finish, ask yourself: What truth did the imperfection reveal?
Perhaps presence itself is the real art.
“I definitely look at people differently. I like to deconstruct, to pull a character apart, to work out what makes them tick and my view will not be the same as everyone else.” - Anthony Hopkins.
Freehand sketching in ink from a photo reference I found online, to practice conveying that lots-of-stones look without drawing all the stones (photo credit: K. Mitch Hodge). Micron pens + alcohol markers.
Filling my belly with the remnants of the night prior’s takeaway (almost always on Sunday mornings) before the day job starts is fast becoming a ritual of mine’s lately, hence the name of this one. The joys, eh?
1979’s The Tin Drum is one of those films I’ve been itching to see for a long time, but haven’t got round to yet for some reason. The main character in that film’s played by a guy called David Bennent. Not a household name for most, but you’ve seen Ridley Scott’s Legend, you’ll recognise him when he played Honeythorn Gump, Tom Cruise/Jack’s elfin pal.
Not sure why the idea to name this piece after D.B. occurred to me, but it did!
Apparently, Blixa Bargeld of Einsturzende Neubaten and Nick Cave & The Bad Seeds fame actually did this to his school back when he was a lad! I needed an idea for a convoluted weird-as-they-come title, and after reading that story I knew I had something, heheheh :)
Always a weirdly beautiful moment when you butcher your spelling momentarily, only to discover you’ve inadvertently found the very artwork title for you were looking for...hehehe.
