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I was watching Elio and well...I came up with her. I love aliens! Well there's a whole list. Aliens, zombies, demons, vampires...on and on.

(2B pencil on 140mm x 130mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"

So yeah, I will color this image and add a word bubble. But um, this was my honest reaction to season two of Hazbin. Soooo, I will continue the roller coaster ride, but my ears will burn from the singing and my eyes will be scratched out due to the content in which I am forcing them to focus on. I might even go see a therapist and question all my life choices.

Post-Apocalyptic Pastime In a world where decay replaces diamonds and cracked walls echo memories of youth, a lone figure stands ready to swing. Post-Apocalyptic Pastime reimagines America’s favorite game as an act of defiance—finding hope, peace, and play amid the ruins. The graffiti and broken skyline hint at what was lost, but the stance of “LEE 01” reminds us that even in the aftermath, the spirit to keep playing endures.

A colorful assortment of various fruits, including a dragon fruit, pineapple, and apple. The vibrant colors and unique textures create an eye-catching display.

A whimsical yet haunting reflection on the passage of time, From Time to Time imagines a fragile machine built to bend reality itself. The “Tempus Machina” stands as both invention and relic — humming with promise but tethered by a frayed cord and a warning: Watch Your Step. The cracked wall, warped floorboards, and distorted clock hint that tampering with time comes at a cost. Blending humor, nostalgia, and existential tension, Patmore’s work transforms a steampunk curiosity into a metaphor for our human impulse to repair, rewind, and relive what’s already slipping away.

(2B pencil on 147mm x 133mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"

Cities are not for me, I prefer the quiet life nestled in the trees. #embracingnightmares

#embracingnightmares

This figure explores how the relentless pursuit of monetary gain and digital distraction stifles genuine attention and moral listening. * Visual Focus: The mask is equipped with a headphone covering a single ear. The headphone wire is visibly broken, frayed, and cut short, suggesting a deliberate disconnect or a failed attempt at communication. A small coin dangles conspicuously from the corner of the figure's mouth. * Symbolism: * The Headphones: Represent modern distraction and the ability to selectively "tune out" inconvenient truths or moral calls. The broken, frayed wire reinforces the idea of a failed connection to the real world. * The Coin in the Mouth: Serves as a powerful, visceral metaphor for being "consumed by monetary means." It connects the act of speaking/listening to the theme of greed, suggesting that the voice and ear are functionally "plugged" or corrupted by the all-consuming focus on wealth. The refusal to hear moral guidance is dictated by the pursuit of money.

"A wyvern whose only desire is to be loved, despite a frighteningly monstrous nature and bleak origin. A master of encouragement, childlike mischief, wing hug offers, and bypassing the laws of reality in outrageous fashions."

This is a art that contains many words , many untold stories are remain silent to build this art

Up on a hill, deep in Deadwood Lies an old shack, that fosters no good Inside this shack floats a very old being To seek it out, is to regret such a meeting A blue floating skull, who brings sweet promises of doom Sits all alone in a dark four corner room Why is the reason, this being is there Why does it beckon one to come near Its lonely and bored So it calls out to you The skull was once mighty and powerful too Causing great pain on subjects like you The beast of an age Caught by a mage imprisoned in here no longer to torment the world and spread fear But just being caught wasn’t enough It stifled its power but its will, was left uncorrupt The skull, now a seeker of dreams Destroyer of love, life, and of schemes #embracingnightmares

(2B Pencil on 135mm x 140mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"

"Industrial Timeout" presents a meticulously rendered scene of solitude and tension within a utilitarian setting. The composition is split between a vast, empty white space and a tightly constrained, detailed industrial corner. In the foreground, a single, unassuming cardboard box sits on a pallet. It is labeled "FRAGILE" and "M.P.C." (possibly a reference to 'Minimum Package Content' or a similar industrial acronym), suggesting a precious, yet standardized, cargo awaiting movement.

#embracingnightmares

A captivating original painting by Ty Patmore depicting a dandelion seed head bowing under its own weight. The Seed Crown uses powerful shadow work to give this common sight a monumental presence, reminding the viewer of the beauty found in nature's final, quiet moments.

(Ps its my 22th / 23th time drawing my oc Junior in my Sneezy art and doodle addict era and forth time in my counter social era but not my first time drawing my sml trans woman Jewish 6'2 woman oc exp I drew her during her now being 9 months pregnant btw still. (PS 9th junior drawing on sneezy art and 5th time on doodle addict btw.) *PS photo 2 inked ver is better is better then photo 1 is finished ver.* *Ps: it's not my best work at all! But its tge one i rilushed the whiteout process to do someone bday art so far! But it's bit if an downgraded remake of last time an few days ago even I took 4-5 days aka almost an week to draw this I started it on oct 13th and finished it on oct 16th and I hated than last junior I made last time and its better then the the 2023 ver from dev art era. (Ps shout to those dev art users who saw the og vampire junior in 2023!) (Dorry if remake duspointed u future remake ne better whiteput nib job i rushed it for Maxwells 17th b-day request.) (Ps jeffoween 2025 is here but came bit late this year

A captivating exploration of form, this work features an imaginative flower with a distinctive, almost sculptural head. The smooth, folded petals suggest a soft resilience, like a fleshy, protective helmet, while delicate antennae reach tentatively toward the light. The long, winding stem and minimal leaves anchor the drawing, creating a strong vertical movement. Rendered in a mix of colored pencil and graphite, the piece uses subtle shading to give the subject a remarkable three-dimensional quality, making it pop against the neutral background.

This captivating drawing by Ty Patmore (2025) beautifully illustrates the final stage of a dandelion's life cycle, transforming the common weed into a subject of elegant art. The central, spent head of the flower is rendered with intricate texture, while the detached seeds are given a light, airy quality as they float away. The subtle shading and focused color on the stem provide a grounding element to the otherwise ethereal composition, making it a perfect piece for anyone who cherishes the simple, magical moments in nature.

On my DA account there are daily Halloween prompts so that's why I have been posting daily with something new. This one was mainly to test out different brushes and learn how to use them in various ways.

#embracingnightmares

(Ps its my 21th / 22th time drawing my oc Junior in my Sneezy art and doodle addict era and thrid time in my counter social era but not my first time drawing my sml trans woman Jewish 6'2 woman oc exp I drew her during her now being 8-9 months pregnant btw still. (PS 8th junior drawing on sneezy art and forth time on doodle addict btw.) *PS photo 1 is better Finished ver then photo 2 is inked ver.* *Ps: it's not my best work yet! But its one my most inspiringwirks so far! But it's bit if an improvement of last time an few days ago even I took 3 - 4 days aka almost an week to draw this I started it on September 20th and finished it on September 23th and I liked better than last junior I made last time and better then the inked ver btw!*. (Ps jeffoween 2025 is coming soon like next month or 2 weeks later

A different version of king moon - #embracingnightmares

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(Ps its my 20th /21th time drawing my oc Junior in my Sneezy art and doodle addict era and secord time in my counter social era but not my first time drawing my sml trans woman Jewish 6'2 woman oc exp I drew her during her now being 8-9 months pregnant btw. (PS 7th junior drawing on sneezy art and third time on doodle addict btw.) *PS photo 1 is better Finished ver then photo 2 is inked ver.* *Ps: it's not my best work yet! But it's bit if an improvement of last time even I took 6 days aka almost 1 week to draw this I started it on September 15th and finished it on September 20th and I liked better than last junior I made last time and better then the inked ver btw!*. (Ps jeffoween 2025 is coming soon like next month

Zoidberg: Everyone! Quick! I was reading about this man RFK Jr. who says that we have to stop all modern medical practices immediately. He says they're poisonous.... Amy: RFK Jr. was an unqualified political grifter who died in disgrace from preventable illnesses over a thousand years ago. All of his theories were discredited even while he was still alive. You'd have to be a complete moron to take him seriously. Leela: God, Dr. Zoidberg. Aren't you even a little ashamed at being such an idiot? Fry: Yeah, Zoidberg. Even I knew that. How embarrassing for you.

A far-too-common archetype that i have observed frequently in people as they converse with another is one in which an individual uses two layers of defense to protect an otherwise unexamined confusion or emptiness. This relates to a defense of the ego and does not apply to all situations involving anything discussed. First posturing: -A mask (or wall) of mockery is sustained in which the defensive individual behaves flippantly as if in jest. This positioning is a way to be aloof from the situation, using incredulity and belittlement to keep a person or their ideas away from the defensive individual. Second posturing: -A mask (or wall) of rage is revealed after a certain level of perceived threat is achieved internally. This positioning is usually the one the defensive individual maintains when they have given up the argument or the introspection. Not risking an ontological or existential crisis, the defensive individual lashes out with anger, often accusatorily in manner, potentially belittling others further or just plain rushing away in a huff. This is usually the end of the engagement. Third posturing: -The masks (or walls) both come off, leaving the defensive individual to examine the thoughts or behaviors involved in the situation more critically. The defensive individual may find themselves feeling deeply uncomfortable, sad, uneasy, lost, or confused. This position leads to introspection and to a genuine openness, which is not something that the defensive individual had been prepared for. They may find that they were incorrect, only partially correct, or that the perceived rightness of their idea/behavior now has an expanded context, all of which may seem frightening. Individuals may become mentally paralyzed at this point. It takes a strength and an honesty to reflect in this position, which is not something that everyone expressing this archetype will be capable of doing. (Based on my professional insights as: a cashier, as a member of various technical support staffs, as an occasional minister, and as a peer counselor. Also based on my casual and repeated interactions with both strangers and with more intimately known persons over the course of my lifetime. Observations are my own.)