Sometimes, on the pathway to success, we will meet obstacles. Before we can reach our destination, we often have an ocean of things to overcome. We'd have walls to break down, oceans we have to swim over. This illustration is to remind everyone that no matter what obstacles we will meet, never lose heart and faith in the things you love.
Doodled this after my husband died of cancer. It's not only about embracing loneliness. It's about embracing all areas of my life which I have considered dark and not user friendly. Faber Castel black pen and a scribble of purple
I’m dealing with a lot of stress right now... my mom just found out, well got it confirmed that I’m a cutter... she wants me to take happy pills but I don’t want to... I wonder if she knows that I’ve attempted suicide.... a lot...
Water color pencils in a monotone piece of shades of pink. This was pretty hard considering I didn't have any magenta or hot pink hues. I had to create them and it was a pleasure. This was inspired from one of the artist's Grimes cover art.
First time oil pastel. Concepts and Hope: as a woman struggling with autism spectrum disorder I grew up not understanding basic concepts in the world around me. Maybe this is universal. I didn't understand why we had to go out to play in school for example, or I didn't understand other people might not be as honest as I always had been. A lot of concepts have a different meaning for someone like me. So here I am naked between the concepts, misunderstood but hopefully looking up. Maybe one day the world will be more like my ideals are, maybe I will create a circle around me of likeminded people, maybe the world will never change enough but I will find peace with myself. One day I will get peace, one way or another. Hope. Oh and yeah, it's a mess with the oil at the bottom. Does anyone have some ideas to improve my technique?
I use to draw to create. Now, when I do, it's to speak to myself. To relieve some tension. To say something I can't say out loud. I'm not looking for anything here. I just hope that throwing these things out into the world will somehow take them off of my mind. Sorry, and thank you.
I really enjoyed the Inktober challenge and this was my favorite drawing from the month. Been trying white ink for a new challenge, on grey toned paper. I've also challenged myself to draw more animals, so that's been fun. I can't remember drawing an elephant before, but my joke was that this one is ready for Coachella!
“A Saian boasts about the shield which beside a bush
though good armour I unwillingly left behind.
I saved myself, so what do I care about the shield?
To hell with it! I'll get one soon just as good.”- variant of a poem from Archilochus
I have not yet decided a name for this creature. Comment your idea for a name below and if I like any of them, I will rename it that and recognize you for it.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory
English : Realization of the portrait of @Nathalie Schraen Guirma as part of the preparation of the exhibition: "The chroniclers of # Télématin on #France 2 and the dissipation and vapor of television memory. French :Réalisation du portrait de @Nathalie Schraen Guirma dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
Inspired by the Neo-Classical period, I pushed myself as an artist to portray subjects in an idealistic fashion combining drama and artificial lighting. The subject is my sister who modelled as a reference, enabling me to control the shadowy effect over her face. The dim lighting and dark background resonated with the period style, focusing on the facial parts that are visible. The end result looks like she is emerging from the darkness. A somber atmosphere is illustrated through visual expression.
Adding the fast drying oil on the brushes improved the blending of the colours on the canvas which was especially useful when it came to applying strokes on the face smoothly. Visit https://www.martiaposts.com for more
