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Patron Saint of Lost Keys and Small Things. Reminded me of this poem by Elizabeth Bishop. One Art The art of losing isn’t hard to master; so many things seem filled with the intent to be lost that their loss is no disaster. Lose something every day. Accept the fluster of lost door keys, the hour badly spent. The art of losing isn’t hard to master. Then practice losing farther, losing faster: places, and names, and where it was you meant to travel. None of these will bring disaster. I lost my mother’s watch. And look! my last, or next-to-last, of three loved houses went. The art of losing isn’t hard to master. I lost two cities, lovely ones. And, vaster, some realms I owned, two rivers, a continent. I miss them, but it wasn’t a disaster. —Even losing you (the joking voice, a gesture I love) I shan’t have lied. It’s evident the art of losing’s not too hard to master though it may look like (Write it!) like disaster.

Part of an art + music series I will have on my website soon.

Tidbits of things overheard in the pub earlier this week when I was short of inspiration = this.

I used to fish a fair amount, and when I did, I almost always used squid as bait. This was my submission for inktober's bait theme.

I did the drawings but I keep forgetting to post them

Hii there!:) In the last few weeks i noticed, that sometimes when i started drawing there where insecurities that came up. Like: it is not good enough etc. Then I reminded myself that everyone can have that feeling when it comes to creating something that is important to them. Maybe when somebody writes a new song or edits a video they made etc. So I started drawing Talun. There is alot of aspects he is proud of and others that he feels insecure about. He reminds me, that it is natural to have some doubts or just insecurities. Talun wishes you a wonderful day! And of course, me too!

Fakemon based off of axolotls. Drawn with FireAlpaca.

The M capturer before Jester had a mental breakdown. It's basically just a recolored Springlocker, a suit which looks like an Altitone animatronic, but hollowed out so a person could fit in. It has a full range of movements, and a voice changer, but it doesn't have a voice vix or anything like that. Drawn with FireAlpaca.

Another drawing I did a while ago. We've got Edward (the guy with the phone on his head), Dave (in a newly designed springlock Bonnie suit), Jack (in the springlock Foxy suit), nondescript employee, the man who brought everybody back to life (in the springlock Chica suit), and Henry (in the springlock Freddy suit). In the bottom left corner is a lonely freddy. I'm thinking that the tame part of Dave (the one that was seen in the flipside) will be the Dave we see in a human form, but the bad part (the one in Davetrap) would be sealed inside of Plushtrap, forever bound in a tiny body so he couldn't do anything bad. He lives in the back alley of the pizzaria and is the king of the lonely Freddys. Freddies? Freddy's? Oh well. Drawn with FireAlpaca.

Remember when I said Timothy T Cup would get revenge every now and then? Well, he specializes in zombies. Plus he's getting back at Ms.Chalice for posessing him. (See Drawtober23 Day 10 "Posession") Also as some trivia. Tje zombie clown is actually an amalgamation of Beppi the Clown's concept designs from "The Art of Cuphead"book.

digital sketch

Just in their moments, no unsolicited opinions please. Thank you.

“Whirlwind 1”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature and date in the back of the drawing. This drawing is the 1st in a series of drawings that were posted over a period of 100 days. The original post date on this drawing was September 1, 2020.

I figured it'd be a while until I draw (in full detail) ALL of the Altitone band members, so I made each one a sprite. Their names are (from left to right): (The first one is a base), Elizabeth the hot pink cat, Preistor the sky blue rabbit, Altor the golden bear, Bruce the green mouse, Lexibo the violet elephant, Mary the short red fox, Dexter the blue-gray Racoon DJ, and the three cheerleaders: Rosette the crimson mouse, Oopsie the russet fox, and Pastelle the cotton candy short-eared rabbit. On the very bottom are the instruments. In order, they are Elizabeth's mic, Preistor's guitar, Altor's drum set, Bruce's mic, Lexibo's piano, Mary's oil drum (not an instrument, but Mary hides her bottom half in the oil drum, sort of like Looney Bird from The Rock-afire Explosion (which is why she has no legs)), and Dexter's DJ board. The last three are cheerleaders, and their hands have been replaced with cheerleading pom poms. On stage left, we have Dexter and Mary. On the center stage, we have Preistor, Altor, Lexibo, Elizabeth, and Bruce. On stage right is Rosette, Oopsie, and Pastelle. Made with Piskel. (If you're wondering where Jester and Dellusion are, they aren't band members --- but rather seperate attractions (and Jester doesn't even perform.))

The leaf painted by using Watercolors & Splash Technique. It creates nice combo of colors to a Leaf. Dew Drops on top make em realistic. Dew drops show purest form of nature.

Years ago, while digging through old journals and sketches, I stumbled across a quick, scribbled drawing of two pears. Beneath it, I'd written a raw and honest note: "Ann is pissed. I think it's because she's uncertain about me, us, life itself. She just ran into my car with the van. She says it was an accident, but she seems happier now—almost like it was cathartic. . . Like sex." At the time, I scribbled this in frustration, feeling a deep disconnect between us. Intimacy had become a confusing and distant concept in our relationship. The pears I'd sketched were rough and scratchy, charged with my chaotic feelings. Looking back, I see how emotions can drive us to strange actions, some intentional, some accidental, often leaving us oddly relieved afterward. Humans are complex, fascinating beings, navigating messy emotions and messy relationships, sometimes colliding intentionally or unintentionally, seeking relief in unexpected ways. Perhaps the pears were my subconscious pun on "pair," reflecting the awkward, confusing way Ann and I were bumping through life together—making messes, but occasionally finding strange humor and genuine catharsis in the chaos. I've learned to smile gently at the rawness of our humanity, appreciating even our scratchy sketches and emotional collisions. They're reminders that life, relationships, and our own hearts are never simple, but they're authentically human. Here's to embracing life's unexpected catharsis and finding humor in our imperfections.

These two are stills from animations that I made. Check out my IG if you want to see them come to life (link in profile).

The monochromatic weekly challenge inspired me to do an eye study. I've been having a bit of a composition block and thinking about starting to sell at art fairs, so my thoughts are preoccupied. I wanted to keep practicing tho. Lemme know what you think. I used pencils, smudges, and liquify in Rebelle 6. This is not AI nor is any part of this AI.

Something warm coloured for the incoming spring. Also befitting of the feelings a lot of folks in my life (and myself included) seem to be feeling right now! Much cobweb detangling figuratively speaking this month past, that much is true...

Recently I discovered a hard drive full of my old digital art from 2011, back when I first started digital art. I decided to challenge myself by redoing a piece from the hard drive to see what I could do with it with 11 more years' experience. I must say I'm pleased with what I can do now.

This is a pumpkin caving of the infamous Nautilus submarine, owned by the pirate captain Nemo . Who sunk ship that supported war, ramming them with his submarine. In this tale Nemo's ship gets attacked by a monstrous giant squid. I caved this design at the Chadds Ford Historical Society's Great Pumpkin Carve contest and event. This is a live carve event. Artist have no idea what kind of pumpkin they will be given to carve. No knowledge of shape, color, size, or condition. Competitors must create their design with manual hand tools. Cavers have 6 hours to create their master pieces, to be considered to qualify to be judged ,to compete for the prize . The size of the average pumpkin is from 200 to 400 pounds , and their wall are about 5 inched thick. It took me 6 hours to carve my pumpkin design. Stephen J. Vattimo 10/18/2021

TheStephen Vattimo 7 mins The Three Witnesses Acrylic on Canvas Size :48"x68" Year finished: 2004-14 This painting illustrates three witnesses who are taking part in the salvation of a homeless person. the figure in the background is angled, this imposed by them being Positioned on second-floor balconies, symbolizing they are not humans, they are a higher class of beings. To the left side of the painting a demon and to the right side an angel of God . the kingdoms they serve are identified by the breastplate emblems of their armor. The demon has a dragon head overlaid on a pentagram. The angle of God has a lions head overlaid on a cross. The demon face is partly hidden by a hood which represents deception, where in contrast the angle of God is wearing nothing on his head that hiders the view of his face., representing honest. Angel is always involved in the affairs of the human race. The demon is warring against man to turn their heart against God, and lead them to destruction. God's angel is always warring lead mankind to salvation through Jesus the Christ, and lead him away from the path of destruction that comes from sinful living. The ally way is representing three kingdoms, to the left, the kingdom o Hell. The center road, the kingdom of mankind. To the right side, the kingdom of Heaven. The path of these kingdoms is represented by the direction of stairs. To go the way of Hell is to take the stairs down to the sub-level door. To the go, the way of heaven is to take the fire escape upward. The lighting and the condition of the structures of the walls also identify the nature of the kingdoms they represent. The kingdom of Hell is represented by the dark and crumbling wall. Man's kingdom is represented by a boarded up windowed wall that is a dead end. Symbolizing that mankind only has two roads to chose from, there is no such thing as a third reality. The left side of the paint is a cardboard box and a newspaper floor which serve as a makeshift shelter for the homeless man. The turned over bottle reveals which devise he had that lead him to a life of living in the street. The tipped over trash can which spills its trash onto the light source that is lighting the alleyway, which is in the shape of a cross, represents mankind's sin which Jesus The Christ paid in full the debt which God demand for the payment for sin which is death. So that The guiltless took the place of the guilty, that by faith in this truth all will escape Hell and enter the Kingdom of God as children and heirs of The Highest God. The Homeless man, who is dirty,ill-clothed, cold, tired, hungry, hopeless, symbolizes the condition of Mankind outside a flourishing relationship with God. The Christian witness is better dressed implying he is walking with God, and his life is blessed through God provision. The witness is showing compassion and the love of Christ to this homeless man by wrapping his arm around the shoulder of the dirty smelly homeless man. He points the homeless man in the direction of the path that leads to salvation through faith in the work of Jesus The Christ which is His work on the Cross, receive Jesus as his Lord and Savior. That through a relationship with the Christ, He can receive the guidance, the strength, the willpower to leave his old life of being a drunkard and living in the street. Because in Christ old thing pass away, and all thing are made new. The light that falls on the Christian witness and the homeless man and opens up in the shape of the cross in the alleyway, comes from a heavenly source outside the picture. Written by Stephen J.Vatttimo June 16, 2014

I had a time, when monkeys were featured very often in my artworks. Even now, they emerge in the story-lines. Amazing creatures! This sketchbook piece is done using graphic markers, posca and pen.