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Julia Hill Julia Hill Plus Member
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Hansel & Gretel The Witches Treasure

I don't just draw animal portraits! Although it seems tat way at the moment! I did one and it kind of snowballed!!! This one is part of a series of illustrations that tell the story of Hansel & Gretel.

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Jim Bradshaw Jim Bradshaw Plus Member
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Go to The Jim

No more expensive seminars or tedious books from feel good money hungry hucksters. No more scaling dangerous mountains to gain audience with bony little unshaven gurus. Now, a new level of advice is available with no more effort than a few totally free swipes of your hand. Go to The Jim. Truth for the people.

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Junkyard Sam Junkyard Sam Plus Member
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Flying Robot in the Sky
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Flying Robot in the Sky, watercolor. I used my new Holbein paints. (I love them.) Drawn with a Pilot Falcon SEF using Platinum Carbon Black. A trifecta of Japanese paint, pen, and ink.

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David Terrill David Terrill Plus Member
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Sketchbook Fountain Pen Drawings
1/5

Currently exploring image making with fountain pens: immediate mark making, no pencil, no eraser. I'm enjoying the discovery process and embracing the stray mark made with semi-blind contour and continuous line drawings.

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mary ann hanlon mary ann hanlon Plus Member
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Untitled

A little Easter themed sketch

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Tonya Doughty Tonya Doughty Plus Member
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Junkmail artjournal

My favorite way to eliminate the often paralyzing fear of "ruining" "good" paper is to just paint on any and all junk mail that comes into my house. Higher end catalogs are great for this, they don't use slick, thin paper (and even that gets used in collage or as a desk cover for other projects) and they're already bound for you. Just add marks! Carry it with you. Scan the pages you like. Cut it up later for making other art. It's "just" junk mail, so there is literally no pressure. I have HUNDREDS of these type of things and I run across them all the time, forgotten, in some old backpack or purse or drawer and it's a treasure to look through them again, and add new marks, paints and words.

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Dean C. Graf Dean C. Graf Plus Member
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So much is lost now.

Being funny with students requires a certain amount of facial expression. I have been debilitated in my attempt to be funny with students.

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David Terrill David Terrill Plus Member
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Pandemic Self-portrait
1/2

Drawing inks on Claybord.

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Nora Thompson Nora Thompson Plus Member
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Windsday

Charcoal on gessoed sketchbook paper

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Nora Thompson Nora Thompson Plus Member
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Annie

Charcoal on board

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Nora Thompson Nora Thompson Plus Member
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Analog Bright Idea

Charcoal on gessoed sketchbook paper

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Junkyard Sam Junkyard Sam Plus Member
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Happy Flower, Happy Life

Somehow, the red sky seemed just right for the happy yellow flower.

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Jim Bradshaw Jim Bradshaw Plus Member
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Chuck that page!
1/5

Did you ever have a page in your sketchbook that was so bad and so embarrassing that you tore it out and chucked it? This was one of those pages that made me cringed every time I came to it. So today I said to myself, "ENOUGH!" and ripped it out of my moleskine. But something wouldn't let me throw it in the can. Now, I'm not one of those artists that can't bring himself to throw away any of his stuff because each and every piece, good or bad holds some kind of sentimentality or sense of importance. This particular page was a result of a crappy angst filled day and stuff poured out of me. For some reason, it felt like I was throwing away some piece of my soul. There were parts that were overworked and others that were painfully too personal. So I decided to cut it up and put it back together in no particular order, however it seemed best. As I was pasting the pieces down it occurred to me that this had a comic book feel so I scanned the final and added the black borders in photoshop which I really dug. I like that it is cryptic and jumbled up like my brain can so often be. This reminded me of the awesome @johnhendrix who said something in his book, Drawing Is Magic that stuck with me. He said, "Don't worry about doing anything wrong. If you're hoping your sketchbook turns into a glossy display of only your best drawings, you are not carrying a sketchbook, you are carrying a portfolio." In other words, explore, take chances, loosen up and have fun. Try your best to go at it like an uninhibited child. In so doing, you will stretch as an artist by avoiding repetition and predictability. We all know how to do what we already know. To sum up, I created a bad page, and whether or not I was able to fix it, it expanded me. So, follow your pencil, pen, or whatever and let them take you to places you never imagined when you started. Then, maybe you will end up staring happily at the final and with childlike wonder, say, "man, where did that come from?"

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Julia Hill Julia Hill Plus Member
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The Owl & the Pussycat

The Owl & the pussycat black & white line illustration fro the poem by Edward Leah.

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Nora Thompson Nora Thompson Plus Member
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Strisce

Charcoal on wood

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stacey walker oldham stacey walker oldham Plus Member
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statement floral

When I was planning this pattern I really wanted it to have a dark background. I built it in photoshop using hand drawn marker flowers but when I try to place them on a dark background it looks ridiculous!

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FRENEMY FRENEMY Plus Member
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The Foragers.

gouache on paper.

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mary ann hanlon mary ann hanlon Plus Member
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Purple Cat

Still working on updating my cat style. I liked how this guy's fur turned out. I find the sketching part the hardest, it seems so easy to mess up the cat at that part.

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Kurtis D Edwards Kurtis D Edwards Plus Member
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Never Forget

Title: Never Forget. A quick piece I made today. I wanted to go abstract so the viewer can put their own meaning into the piece, but each paint stroke I made I had September 11th in mind. Digitally painted with watercolor in Rebelle 5 on a simple white canvas and sent over to PS.

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David Terrill David Terrill Plus Member
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Acrylic Portrait Painting
1/2

Recent acrylic painting made for a new technique demo video. Using Acrylic skin to create an acrylic collage painting.

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Kimmo Oja Kimmo Oja Plus Member
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Lighthouse at Marjaniemi

Part 3 of Hailuoto drawings. Lighthouse at the Marjaniemi fishing harbour just after sunset

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Junkyard Sam Junkyard Sam Plus Member
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Vader, Porg & the Borg

He sits up in his teacup with his hands wrapped 'round a porg, Thinking up new ways to join forces with the Borg. To eradicate the Rebels by infecting them with spores, And assimilate the hive mind to become one with the Force.

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FRENEMY FRENEMY Plus Member
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The Nature of Things

about 2ft x 3 ft watercolor and gouache on paper.

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mary ann hanlon mary ann hanlon Plus Member
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The horse page that started it all

Little watercolor horses, they were fun to draw and paint and each seems to have it's own personality. Some look a little too much like a donkey though. lol

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Junkyard Sam Junkyard Sam Plus Member
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Schnitzel Fam

It's Weinerman Sam with his weiner schnitzel fam, Putting sausages to bed like a good fam-i-ly man. Doing ev'ry thing he can just to get them into bed, For a restful night of sleep in a warm bun made of bread.

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Nora Thompson Nora Thompson Plus Member
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Not Today

Acrylic on board

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Nora Thompson Nora Thompson Plus Member
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Madame Vates

Charcoal on wood

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David Terrill David Terrill Plus Member
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Cadaver Drawings
1/4

So thankful for this experience that I shared with my class today. For the last 3 spring semesters, I’ve had the opportunity to take my KCAI Cultural Safari senior sketchbook class to draw from donor cadavers. Every year I am reminded of how amazing and intricate the human body is. I am also humbled by the generosity of the donors giving their remains to train young physicians. The conversations that result from these encounters always prove to be enlightening and inspirational. These are a few of my drawings I made.

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Nora Thompson Nora Thompson Plus Member
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Bitter Sweetheart

Charcoal on board

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FRENEMY FRENEMY Plus Member
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Take a look its in a book.

gouache and watercolor on arches paper.

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