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SEARCH RESULTS FOR

emo

Rigo Montes ♓️ Rigo Montes ♓️
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Don’t Be Afraid To Remove Your Mask

Hannya Mask

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monai monai
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demon.ai#5

abstract pen drawing on paper

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yemo yemo
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watercolor

growing and moving continously

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BlueHanako BlueHanako
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Demon / Angel

This is an old artwork i made back when school was in session. I have changed my art style a tad bit but if you have some tips then please let me know!

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Shoker Shoker
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Vicious rainbow shark shoker style

Marine, marine life, sea, oceanmural, seacolors, corals, waterdrops, seaplants, bottom, ship, wreckship, Nemo, watercolors, Shoker, Shoker_Art1, graphicdesign, digitalart, design, graffiti, style, wildstyle, shokerstyle, graffitiart, sketching, sketchart, artprocess, artlife, artlove, graffitiart,

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Mohd Azzad Daut Mohd Azzad Daut
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Reclaiming The Crown

Not really a good piece this one but I felt like putting this out there to release some suppressed emotions.

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Keilani Keilani
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SB A: bonnet horns

ink on paper. Here’s another demon baby. This doodle in particular is one of my favorites. I’m looking forward to “digitizing” it through Procreate on my iPad. I used Micron pens for this doodle, and for the hatching/crosshatching. More doodles and creatures to come

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Tony Bothel Tony Bothel
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Anxiety and Desolation

Sometimes have difficulty expressing how I feel in word but I'm finding art to be a way in which I can open up a lot more. It's really hard to describe Anxiety, especially because a lot of times (at least with things like GAD) it's hard to know where it comes from. Anyone who has ever had an attack can relate. Also Spiritual Desolation can often accompany it which makes it confusing and people experience it differently. Nothing has ever made me feel more in union with Our Lord in the Agony of the Garden. There is also that sense of abbandonment on the cross, and for me the crown of thorns because of migranes which are connected with it. But there is hope, you can see the light in the heart... in the soul... Often times it feels like a dark cloud and no magic formula of words or advice will do the trick, we know the logic, we understand the solutions but in the moment one just has to experience the Cross. An artist shows beauty, soul, personality, emotion, life. This transcends language, boundaries, cultures and connects humanity. This unity is what brings us closer in solidariety, fraternity and love, and this is what again, leads to joy, joy even in the midst of sorrow. And so even if I express sorrow or anxiousness, let this help you know that you are not alone, have joy in your heart even if you don't feel like smiling. Never give up, I know it can seem lonely but know that people really do love you. Peace be with you

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Wesley Cheung Wesley Cheung
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Azazil

Inspired by Paradise Lost by John Milton

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Beresford Beresford
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Industrial Art Project

What was created? A concept exerciser (aka: homemade workout machine) made mostly out of wood components, that was a contraption full of hinges, pulleys, weights, and grips (see pin 1). With my system, a person could perform both the butterfly and lat pull down exercises and transition between them with minimal effort. The unit stood about 8 feet tall and was about 6 ft wide when the butterfly arms were connected to it. Why was it created? I have always been fascinated with weight training machine design. I had a bench press weight set at home that did not come with a butterfly attachment, so I decided to make one of my own. I was able to get a steady supply of material (scrap wood) from a local source and constructed a workout routine by stacking columns of weight (instead of accumulating weight plates) in a moving grid generating even or uneven resistance (see pin 3). I also consider what I made could be a benefit to others since it does: (1) represent an extension of DIY culture (i.e. advancing individual knowledge, learning new skills, and the feeling of satisfaction that comes from building from your own ideas), (2) how to apply simple machine principles (i.e. pulleys, leverage, changing the direction or amount of force, etc.) in making a project and, (3) promote woodworking (which allows a person to be creative and is a wonderful medium for artistic expression). What makes it special? What makes my work distinctive concerns the butterfly arms and the weight container. Butterfly Attachment The butterfly attachment arms can be quick disconnected and re-mounted easily. The jackknife motion that the butterfly arms travel in as they flex forward and return to their starting position is an original conception. Weight Grid (see pin 3) Unlike traditional stacked weight plate machines, a person is allowed to make a variety of pattern configurations on the grid (X,□, /,\, —, etc.) by using cup shaped ballast inserts (up to 24) that changes the amount of force a user exerts for each repetition (see figure 2). An individual can position the weights in organized horizontal/vertical patterns or treat them more as random objects in the load basket. In their current form my system’s weight supplements are ½ pound each (about 2 ¾ inches long and 1 14/16 inches in diameter): making them easy to manage. If solid roll stock were used in their construction, they would be estimated to weigh 2 ½ to 2 ¾ pounds (see pin 2). When not in use, weights can be placed in the grid case for compact storage. As a point of fact, the sight holes cut into the drop tubes were drilled by hand with a fixture and not with the use of a drill press. At one point, I contemplated that one could focus on certain muscle groups in the upper body by placing inserts on the weight grid in particular patterns (X,□, /,\, —, etc.). This may have been beneficial for those in need of rehabilitation (through segregation of muscle areas that needed treatment) in such disciplines as Kinesiology or Physical Therapy. What was learned creating it? I learned how much ideas on paper can change drastically when fabricated physically. I learned how challenging it was to develop removable butterfly arms that hang and pivot in mid air. The exerciser’s weight box glides up and down on a vertical guide. I researched various ways of how to make that move while keeping the friction between the connectors on the weight box and the track surface it to a minimum. This was in order to make the climb and drop motion as fluid and controlled as possible. I considered using various sprays, waxes, greases, lacquers, covers, wheels, and even ball bearings to accomplish that. I ended up sanding the inside of the track extensively and then mounted small furniture mover inserts to the weight box on its four corners for a successful connection. Therefore, I learned here how important considering a variety of ideas provides solution to a problem. If I were to start over and do things again? I probably would have done some more background research in the areas of Fluid Dynamics or Biomechanics. I figure, if I had consulted with people in those areas, the time it took to design and redesign the overall unit as well as the weight box might not have taken about 3 years to fully complete. Miscellaneous In the back the machine was a counterweight of tube sand (60 lbs.). Without that, the whole thing would have toppled forward when trying to use it. Thank you for your time. Best Regards. Matthew Link: https://www.pinterest.com/meb206/industrial-art-project/

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monai monai
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demon.ai#11

abstract pen drawing

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Erica Smith Erica Smith
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Duck lemons

When life throws you lemons...duck.

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Sarah Kate Sarah Kate
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Tree Climbing fun

I painted this doll with the face of a middle aged woman. I like how distressed she looks, and the glasses complete the look. I sew on hair, but it just made her look normal so I removed it.

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Lúcia Martins Lúcia Martins
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Gothmother

A memory-based portrait of Siouxsie Sioux. Prints for sale @ etsy.com/shop/DrawingsByLucia.

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Hawwa Lahfa Hawwa Lahfa
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I have to feel what Im feeling to feel alive. - Timothy Goodman

Art piece done on a quote that I came across.

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Jenny A Jenny A
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Mermay 2018; Day 16; Turtles

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Olphirto Olphirto
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Picnic

Fanart - Sanrio(Mia, Ruby)

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Ziggy Dribbler Ziggy Dribbler
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Bloodstained self-portrait.

Mirror self-portrait a few Minutes after a brutal streetfight... I was bleeding heavily from a skull fracture, broken nose, multiple cuts already... to add Insult to Injury, I was scarred with a "Glasgow-smile" after I got beaten to a pulp... I felt the urge to capture my emotions (and inevitable bodily fluids...) on paper after I carried myself home and looked in the mirror.

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Eric Salazar Eric Salazar
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Demon

8x10 pastel

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Mari Anna Mari Anna
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Princess

Another OC of mine whom I love dearly, I need to draw her more honestly. What do you guys think??? My 4yo told me to name her Princess so that's the title of this one. She's also for sale if you're interested! $60 USD (cashapp only)

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supers art super's art
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For Pokemon fans

Time pass

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Victoria Thompson Victoria Thompson
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Memory

For Artwatch's One House project, 2018.

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Ari Ari
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City on Fire

I had just started painting again and all the years if holding back...holding it in, caught up with me. California was burning and the demons inside of me were smoldering too, waiting to get out.

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Aarefa Tayabji Aarefa Tayabji
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Inside of a Fig

Inside of a Fig during my young creativity days. I love these organic, angular, fun, colourful shapes.

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Grace Grace
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love that pastel goth aesthetic

Kaeryn the demon blogger

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Andrea Andrea
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Self-portrait

Self-portrait. I am practicing portraits from memory. I'm not satisfied with the eyes of this "Selfie", oh and the neck is too thin, but the rest is okay-ish?

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LeBoucher LeBoucher
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Nathanaël de Rincquesen

Réalisation du portrait de @Nathanaël de Rincquesen dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.

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LeBoucher LeBoucher
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Michel Onfray

Digital painting on canvas of "Michel Onfray" in the manner of the praise of the approximation of the exhibition. This graphic and stylistic style is borrowed from the concept elaborated in the Praise of Approximation ": a painting to be reconstructed using the structure to which the perceptions are subordinated, highlighting the perceptual disturbances of perception. whose memory has been recorded in the brain of each individual. Peinture numérique sur toile de « Michel Onfray » à la manière de l’éloge de l’approximation de l’exposition. Ce style graphique et stylistique sont emprunt au concept élaboré dans l’Éloge de l’approximation » : une peinture à reconstruire à l’aide de la structure à laquelle sont subordonnées les perceptions qui met en évidence les troubles de la perception liés à la manière dont le souvenir a été enregistré dans le cerveau de chaque individu.

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Kathryn Shuff Kathryn Shuff
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Emoji Comments 1

Whenever I get an emoji only comment, I honestly have no idea how to respond. I still prefer the old-school "Colon Closed Parentheses".

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Jennifer Solomon Jennifer Solomon
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Consultant Demon

Tried listening to a consultant but doodled instead

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