Acrylic on Canvas, March 2020. This painting is of a photo that I took on a camping road trip around Iceland in May 2016 with two of my oldest and best friends -- one of my greatest memories.
I destroyed this water color painting while removing the stick tape.
But then to think about it, The Joker is also an error created by the society and thus a human error. He came fine in this world but the world hasn't been kind to him. And that revered back as an ultimate Villain as Joker to the society. So ultimately the two errors met up on this page.
I think I’m gonna draw 50 heads within the next couple of days,, I feel like I need to improve a lot~ so you guys like the black n white more or the colored??
Réalisation du portrait de @Olivia de Lamberterie dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
"Sometimes everything seems so far away. Sometimes even breathing is hard."
thes
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0.3mm led, white led, eraser
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Réalisation du portrait de @Brigitte-Fanny Cohen dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
Réalisation du portrait de @William Leymergie dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
Réalisation du portrait de @Nathanaël de Rincquesen dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
Réalisation du portrait de Loïc Ballet dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
Réalisation du portrait de @ Laurent Bignolas dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle. Laurent Bignolas est un journaliste, syndicaliste et animateur de télévision français dans l’émission Télématin sur France 2.
Lufgt Huron, also known as Huron Blackheart and the "Tyrant of Badab," was once the Chapter Master of the Astral Claws and self-claimed Imperial Governor of the world of Badab Primaris in the Maelstrom Zone of the Ultima Segmentum. But ultimately, Huron was corrupted in his ambitious pursuit of power and he tainted most of his Chapter as well, leading them into an open rebellion against the Imperium of Man, known as the Badab War, which lasted from 901-912.M41. Bound to machines which keep him alive and forever in pain, Huron is now a scarred creature of hate. His machine claw clicking, he has strode to battle time and again, followed by the daemonic Hamadrya, and each time the agony of his existence grows and the spite within him deepens.
Daily drawing (#309) of the Joe Rogan Podcast of the 2020 democratic presidential candidate, Andrew Yang. Pencil drawing and colored in Procreate. (Time lapse animation of color being applied can be seen here; https://www.instagram.com/garybernardart)
Daily Painting Challenge 4 - argyle
Following the daily painting challenge with Lisa Congdon over at CreativeBug though I haven't quite managed to keep up daily. Still, it's wonderful picking the brush up again and splashing around with paint!
Quick one from the Women's March today in Los Angeles. This was great, everyone was was mellow. It felt more like a demonstration of solidarity than an angry mob. #womensmarch #womensmarchlosangeles #huffingtonpost #drawing #sketch ##sketchbook #sketching
A hand-drawn illustration capturing the quiet beauty of a slow afternoon. Featuring a traditional tea set and a bursting vase of purple wildflowers against a sun-drenched window, this piece blends the "Sunday Reset" aesthetic with timeless botanical charm. Perfect for tea lovers, art collectors, and anyone looking to bring a touch of "home sanctuary" vibes to their walls.
What a wonderful Kirkus review!
(Paired here with my favorite improper contraction.)
"A thoughtful look at life, in all its beauty and strangeness.
...
This delightfully deadpan musing on life urges compassion for others. Howden’s straightforward text is on the philosophical side, though also rooted in the absurd. Hahn’s spare black graphite pencil watercolor, mostly set against a white background, are imbued with humor and empathy for the pickle, with the foodstuff’s expressive eyes conveying many emotions at once. "
https://www.kirkusreviews.com/book-reviews/sarah-howden/the-wise-pickle/
THE WISE PICKLE
by Sarah Howden ;
illustrated by Sabina Hahn
RELEASE DATE: June 23, 2026
Words something so simple but yet so destructive. They become your inner voice, your torment they become the demons you try to appease. But when there is one that shines brighter than the others. It becomes charming, alluring, but yet the most destructive one of all. All you do...is feed it.
#28 - A collection of ballpoint pen sketches drawn on printer paper & scanned. This is what my lines look like when I'm not using a stabilizer in digital software to get the nicest clean lines. I tried to separate my scanned lines from the various shades of off-white that the scanner picked up. I adjusted the brightness and contrast levels in photoshop but I'm not very knowledgeable on how to achieve the best results.
A solitary rowboat drifts across a muted, restless surface, unanchored and unattended. Rendered in charcoal, ink, and subtle white highlights, the vessel exists in a quiet state of motion—moving, yet going nowhere. The surrounding water is suggested through loose, rhythmic lines, emphasizing atmosphere and isolation over realism.
The boat is sharply defined against the hazy background, its dark contours and interior shadows contrasting with the soft, unsettled environment. Oars rest unevenly, implying recent human presence while reinforcing absence. The name Perditas—Latin for “lost”—is affixed to the hull, anchoring the emotional weight of the piece without explanation.
This work explores themes of solitude, uncertainty, and endurance. With no shoreline or destination in sight, Perditas becomes a reflection on drifting—physically, mentally, and emotionally—inviting the viewer to confront their own sense of direction within an undefined space.
(2B pencil on 158mm x 137mm paper) "They're not flag-waving wannabes, or finger-pointing-blamemongers. They're true British Heroes! They were born with spines of steel, have spunk by the bucketload, and their upper-lips aren't just stiff, they're rock-solid! They're the type who'll kick those mad-dogs aside and proudly march, bare-arsed, into the midday sun!"