The second set of pages from my trip to China last summer. Spent time in Beijing and Hong Kong and hiking/camping out on a portion the Great Wall. Truly amazing.
Vine Charcoal and Oil Pastel make for a messy, smudgy experience. A certain amount of messiness can make a process feel more real and human. When things aren’t perfectly polished, it reflects a genuine effort, imperfections, and growth. In personal life, letting go of the need for everything to be tidy can promote a more authentic existence. The hat is a Stormy Chromer. It also evolved out of a mess. More on that later. Peace.
Teaching painting is a great task to ask of a person who doesn't paint. I do not paint. I teach the manipulation of media through experience. "Learn from doing!" I say. Monochromatic pastel exercises help my students to get a handle on the media. We explore value and composition and the handling of media. Sometimes happy accidents occur. This was my example to the teens on composition and value. It is a journey.
Originally painted in watercolor on watercolor paper and then filtered digitally.
Inspired by Sara Berrenson and her book on how to Watercolor Flowers.
I love creating work that starts from a point in nature and develops into something more abstract, something that can be interpreted in many different ways. It’s interesting to hear what people see, what connection to their own life they bring when viewing a work.
