DỰ ĐỊNH CỦA TÁC GIẢ NEGI HARUBA SAU "GOTOUBUN NO HANAYOME"
Sau khi kết thúc tựa manga “Gotoubun no Hanayome” với chương cuối trên tạp chí Weekly Shounen số 12 của Kodansha , thì mới đây Tác Giả Negi Haruba đã có một cuộc thảo luận với những Biên Tập Viên đã từng phụ trách cho loạt truyện của mình, nói chung cuộc nói chuyện khá dài, đa phần là mấy ông ngồi ôn lại kỷ niệm xưa, nhưng toàn là tiếng Nhật nên tôi thua, ai có vốn tiếng Nhật tốt có thể tìm đọc, tôi sẽ để đường link bên dưới:
Link: https://t.co/pau4pel6Nd
Nhưng trên Crunchyroll có dịch ra một số dòng đáng chú ý, có nói về dự định trong tương lai của Tác Giả Negi, cụ thể:
ɴᴇɢɪ ʜᴀʀᴜʙᴀ: “Kho kiến thức về truyện hài, tình cảm của tôi đã trống rỗng kể từ khi tôi hoàn thành xong chương cuối và tôi nghĩ rằng sẽ phải mất một thời gian mới có thể khôi phục lại. Vì vậy, tôi muốn thử một thể loại khác trong thời gian tới.”
ɴᴇɢɪ ʜᴀʀᴜʙᴀ: “Mặc dù tôi rất muốn thử làm một loạt truyện dài khoảng 30 tập, nhưng tôi không thể vì nó quá khó, nhưng dù vậy tôi vẫn muốn thực hiện xem (cười). Tôi tự hỏi điều gì sẽ xảy ra nếu tôi thực hiện một loạt truyện dài như vậy ? Có lẽ tôi sẽ bắt đầu loạt truyện tiếp theo với sự nghi vấn đó.
ʙɪêɴ ᴛậᴘ ᴠɪêɴ ᴋᴀᴡᴀᴋᴜʙᴏ: May mắn thay, những người trong bộ phận Biên Tập luôn lập ra kế hoạch cho những dự định săp tới, nên chúng tôi không hề gặp khó khăn trong việc xác định mình sẽ làm gì tiếp theo. (phần này dịch bừa từ trang gốc nên sẽ không đúng 100% đâu nhé)
ɴᴇɢɪ ʜᴀʀᴜʙᴀ: “Đúng vậy. Có ba điều tôi muốn làm bây giờ và tôi cảm thấy do dự khi chọn một trong số đó. Vấn đề là tôi có thể phát triển những ý tưởng đó một cách triệt để như thế nào. Cảm giác khá là hoài niệm và vui. Tất nhiên là cũng thấy khó chịu, nhưng đối với tôi nó là một cảm giác mới mẻ.
Manga “Gotoubun no Hanayome” ra mắt lần đầu tiên vào ngày 9/8/2017 trên tạp chí Weekly Shounen của NXB Kodansha và kết thúc vào ngày 19/2/2020. Tập 14 và cũng là tập cuối sẽ được xuất bản tại Nhật vào ngày 17/4/2020.
Nguồn: Crunchyroll
- GᗩᖇO -
And they say that the elves in the Wilderness had no names for their gods , perhaps that is why they have all been forgotten .
They did not call them gods , the elves liked to call them "spirits" .
The unknowable primal forces granted them abilities .
They could implore the trees for aid .
And call upon mighty winds to defend them .
And ask the rivers and rain for healing and comfort .
And in return, they tended the garden of the great spirits , ever watchful and protective of the many lifeforms that lived within the great circle.
We are all part of the great circle, the only way to escape it is to cut yourself off form everyone and everything , it is a hard path ... . . . . thank you
I worked on a Portuguese wine bottle with Posca markers. This is an original and unique artwork. This bottle can now be used as a small vase or a pretty carafe
This was a pintrest try , based on a cute little robot guy on a swing in the sky... so i made this, i even kept the little robot, he's a toy in the hands of Chubbs
Jesus gives the great gift of Himself in the 5th and last Luminous Mystery: The Institution of the Eucharist. This is the Sacrament in which in chapter 6 of the Gospel says: "unless you eat the flesh of the Son of man, and drink his
blood, you shall not have life in you"
to this statement in John 6:66 "After this many of his disciples went back; and walked
no more with him". Indeed it is a hard saying to accept but Jesus was firm "67: Jesus said to the twelve, 'Do you also wish to go
away?'
68: Simon Peter answered him, "Lord, to whom shall we go? You have the words of eternal life; 69: and we have believed, and have come to know, that you are the Holy One of God."
Let us accept Jesus' great gift in the one and only Holy Sacrifice of the Mass and if we can't make it for whatever reason let us pray the Holy Spirit to dwell more fully in our hearts and enkindle our Souls in the Love and the Peace of God. Peace be with you all.
#Jesus, #gospel, #rosary, #catholic, #christian, #eucharist
Aboriginal Art is a new technique I learned in school and thos dots with ear buds tooooookkk aaaagggeess to create. It was one of the most refreshing, calming and therapeutic painting I had ever done.
Four quick self-portraits, also show-casing my quarantine haircut. I did them yesterday as a part of Leith of School of Art’s Wake up and Draw challenge. The instructions were to do Van Gogh style drawings using the short very lively lines he is renowned for. The main image was 15 minutes on A3, the other three 5 mins each on A4. The images are in ascending order, so the first one should be at the bottom and the last one as the featured image.
(4B pencil on a 125mm x 105mm sheet of toilet paper) To commemorate the UK leaving the EU, I decided to add my little "celebration" to mark the occasion, in the form of an inverted union flag, crudely drawn on a single sheet of toilet paper. A false sense of nationalism drove the UK out of the EU. It's therefore to be wondered how far that nationalism will serve the country on the outside. Probably as far as one sheet of toilet paper. "Mind how you go!"
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
https://www.pierretomyleboucher.fr
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.
Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre.
En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich.
Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse.
English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work.
As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich.
In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory
Français : Réalisation du portrait de @Anissa Arfaoui dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle. English : Realization of the portrait of @Anissa Arfaoui as part of the preparation of the exhibition: "The chroniclers of # Télématin on #France 2 and the dissipation and vapor of television memory. https://www.pierretomyleboucher.fr
Réalisation du portrait de @Valérie Maurice dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.
