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eu

Mark Comeau Mark Comeau
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Dramatic Roots

Hand drawn abstract wall art resembling cells and neurons. Drawn as an outlet to relieve stress after a long day of work.

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Tony Bothel Tony Bothel
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St Therese of Lisieux

It's little Saint Therese! Whenever we get overwhelmed by the troubles of life, let us remember to be little! Yes, little children of God, dependent on the Father and filled with divine love and trust. Sometimes I feel like I can only do the little things with great love because when you suffer from depression (did you know she suffered from it too?) the little things become great heroic acts for you to do! Yet to the outsider, they say, well he is doing nothing. However it's the greatest thing! I must decrease and Christ must increase. I am nothing and God is the one who is All. So when I do my little nothing things but I do them with and in Christ they become resplendent! In the divine will those little things become divine acts that will shine for us in Heaven! God is so good! ^_^ #Therese, #Saint, #sttherese, #stthereseoflisieux, #little, #littleway, #spiritualchildhood, #divinewill, #depression, #divine, #resplendent, #shiny, #shine, #Heaven, #Catholic, #Christian, #Christianity, #France, #HistoryofFrance,

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Some Beings Some Beings
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“some beings fold/hold their arms behind their back when walking around a museum/art gallery”

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erik cheung erik cheung
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Halloween

This is an image found without alterations hidden within a page of crazy lines. It must be a nightmare in my subconscious. www.patreon.com/erikcheung

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LeBoucher LeBoucher
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Appropriation et remake de Victor Vasarely : Zebra en 1938

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

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LeBoucher LeBoucher
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Remake : Henri Matisse : nu bleu II – 1952

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

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LeBoucher LeBoucher
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Remake : Giacometti : une chienne d’amitié

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

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Old bone story and artwork Old bone story and artwork
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No popular approach to art, amateur painting

Art !? Enough fucking around with art! Fucking idiots! Where is fucking here? cardboard 100x 70 cm

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LeBoucher LeBoucher
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Anissa Arfaoui, Télématin, France 2, chroniqueur

Français : Réalisation du portrait de @Anissa Arfaoui dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle. English : Realization of the portrait of @Anissa Arfaoui as part of the preparation of the exhibition: "The chroniclers of # Télématin on #France 2 and the dissipation and vapor of television memory. https://www.pierretomyleboucher.fr

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LeBoucher LeBoucher
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Valérie Maurice Télématin France 2

Réalisation du portrait de @Valérie Maurice dans le cadre de la préparation de l’exposition : « Les chroniqueurs de #Télématin sur #France 2 et la dissipation et vapeur de la mémoire télévisuelle.

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Ruby Chow Ruby Chow
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Les Fleurs

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Lana Lana Plus Member
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Beautiful work of art at museum

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hans erich hans erich
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RECOVER YOUR CRYPTO & ETHEREUM BACK. HIRE OF SALVAGE ASSET RECOVERY

Contact Details Whats +18476547096 TELEGRAM 16592200206 It was a harrowing experience, to say the least. After years of carefully building up my cryptocurrency portfolio, I found myself the victim of a devastating hack that wiped out my entire holdings – over 36,000 Ethereum, vanished in an instant. The sinking feeling of helplessness and betrayal was overwhelming. I had entrusted my digital assets to what I thought were secure platforms, only to have that trust shattered in the most painful way. But I refused to simply give up and accept my losses. I was determined to fight back and reclaim what was rightfully mine. That's when I discovered SALVAGE ASSET RECOVERY , a specialised service dedicated to tracking down and recovering stolen cryptocurrency. It was a long and arduous process, filled with dead ends and roadblocks, but the team at SALVAGE ASSET RECOVERY never gave up. They used their expertise in blockchain forensics, their extensive network of industry contacts, and their sheer dogged determination to painstakingly trace the movement of my stolen Ethereum. It was like watching skilled detectives slowly unravel a complex web of digital transactions, following the digital breadcrumbs until they pinpointed the perpetrators. And after months of tireless effort, they succeeded – my Ethereum was located, secured, and returned to me. The sense of relief and gratitude I felt was indescribable. SALVAGE ASSET RECOVERY had not only restored my financial holdings, but they had also restored my faith in the cryptocurrency ecosystem. Their commitment to their clients and their relentless pursuit of justice is truly inspiring. While the initial breach was a traumatic experience, working with SALVAGE ASSET RECOVERY has left me with a renewed appreciation for the power of determination and the importance of having the right experts in your corner when facing seemingly insurmountable odds. I will suggest you send a email to SALVAGE ASSET RECOVERY

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morales perez morales perez
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BEST BITCOIN RECOVERY EXPERT; ETH AND USDT RECOVERY EXPERT HIRE. META TECH RECOVERY PRO

Ask (META TECH RECOVERY PRO) for help via: h t t p s: // m e t a t e c h r e c o v e r y p r o(.)c o m. s u p p o r t(@)m e t a t e c h r e c o v e r y p r o(.)com. WHATSAPP ‪+1 (4 6 9) 6 9 2‑8 0 4 9‬ I highly endorse META TECH RECOVERY PRO for individuals seeking to retrieve lost digital or cryptocurrency assets, including but not limited to Bitcoin, USDC, USDT, Ethereum, and Trump Coin. The realization that crypto assets are vulnerable to theft, even when private keys are meticulously safeguarded, was a disconcerting revelation. Following a sophisticated hacking incident that resulted in the complete loss of my cryptocurrency holdings, I experienced a profound sense of helplessness. This sentiment was effectively mitigated upon my referral to META TECH RECOVERY PRO. Their team demonstrated a comprehensive understanding of the intricate circumstances and successfully recovered my assets. Their rapid responsiveness, consistent communication, and meticulous methodology provided considerable reassurance throughout the recovery process. If you happen to have a similar financial loss, I strongly suggest contacting them. Their expertise and professionalism instilled confidence, and they consistently met and exceeded expectations. You can highly count on META TECH RECOVERY PRO for professional ethical hacking skills. Thank you.

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LeBoucher LeBoucher
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Appropriationnisme ou le « Remake » du Richelieu de Philippe de Champaigne

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory. https://www.pierretomyleboucher.fr

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