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We're at the monster garden where the people were defeated, A guard is never needed 'cause the monsters must be feeded. I mean fed. Like I said: Peeps are happy to be eaten 'cause it's never all that long, Monsters do the number two and poop them back onto the lawn. Colored in @escapemotions Rebelle

Bear was most respected animal in Finnish mythology It was born in the skies on the shoulders of the seven stars of the Great Bear From there, the bear was let down to earth in a golden cradle with silver straps, into the forest

55 mins “I Never Noticed The House Was On Fire” This is a painting for an upcoming group exhibition about memories. When I was a kid I grew up in a household where my parents were functioning alcoholics. They gave me toys, put me in front of the tv, and sent me outside to play to keep me distracted from what was going on. When I look back almost all of my childhood memories revolve around these things. I became obsessed with these imaginary worlds and I learned to draw by copying my favorite cartoons and characters from children’s books. It was not until I was much older, that the truth could no longer be hidden from me. The imaginary world of cartoons and books kept me shielded from the harsh realities of home. As I grew into an adult that form of coping grew with me as I created my own imaginary places inspired by the ones I loved as a child. A healthy place to escape.

When Rebelle 3 by Escape Motions came out I wanted to create something that really shows off its power. I normally draw in fountain pen first, but this was created entirely from scratch in Rebelle 3. Digital art tends to be cold and impersonal, but Rebelle's watercolor simulation looks & feels like real paint... and you can undo! That's critical for illustration work, as clients often request changes... But even for personal work- it means an artist can achieve a watercolor look without being at the mercy of the medium. So the result is more true to his or her vision.

True Like. Because everything on the internet is true, right?

No more expensive seminars or tedious books from feel good money hungry hucksters. No more scaling dangerous mountains to gain audience with bony little unshaven gurus. Now, a new level of advice is available with no more effort than a few totally free swipes of your hand. Go to The Jim. Truth for the people.

I've been taking Vitcoria Johnson's 3 week class on florals and loving every second.

My favorite way to eliminate the often paralyzing fear of "ruining" "good" paper is to just paint on any and all junk mail that comes into my house. Higher end catalogs are great for this, they don't use slick, thin paper (and even that gets used in collage or as a desk cover for other projects) and they're already bound for you. Just add marks! Carry it with you. Scan the pages you like. Cut it up later for making other art. It's "just" junk mail, so there is literally no pressure. I have HUNDREDS of these type of things and I run across them all the time, forgotten, in some old backpack or purse or drawer and it's a treasure to look through them again, and add new marks, paints and words.

Here is a sneak peaks of my submission to the Home Sweet Home Challenge. I loved this challenge because it forced me to do something I never would have, which gave me happy surprises as I worked through it.

Did you ever have a page in your sketchbook that was so bad and so embarrassing that you tore it out and chucked it? This was one of those pages that made me cringed every time I came to it. So today I said to myself, "ENOUGH!" and ripped it out of my moleskine. But something wouldn't let me throw it in the can. Now, I'm not one of those artists that can't bring himself to throw away any of his stuff because each and every piece, good or bad holds some kind of sentimentality or sense of importance. This particular page was a result of a crappy angst filled day and stuff poured out of me. For some reason, it felt like I was throwing away some piece of my soul. There were parts that were overworked and others that were painfully too personal. So I decided to cut it up and put it back together in no particular order, however it seemed best. As I was pasting the pieces down it occurred to me that this had a comic book feel so I scanned the final and added the black borders in photoshop which I really dug. I like that it is cryptic and jumbled up like my brain can so often be. This reminded me of the awesome @johnhendrix who said something in his book, Drawing Is Magic that stuck with me. He said, "Don't worry about doing anything wrong. If you're hoping your sketchbook turns into a glossy display of only your best drawings, you are not carrying a sketchbook, you are carrying a portfolio." In other words, explore, take chances, loosen up and have fun. Try your best to go at it like an uninhibited child. In so doing, you will stretch as an artist by avoiding repetition and predictability. We all know how to do what we already know. To sum up, I created a bad page, and whether or not I was able to fix it, it expanded me. So, follow your pencil, pen, or whatever and let them take you to places you never imagined when you started. Then, maybe you will end up staring happily at the final and with childlike wonder, say, "man, where did that come from?"

Everybody's Searching For A Place To Belong

I draw circles ALL the time....everywhere. I am not sure why, sometimes I think it would be neat to make a nice piece of art of these.

Three kings stopped a walking man to ask advice about their dreams. But the man said, "Oh no please, I don't want to hear these things." "I have dreams of my own although they'll never come to pass... I just work my life away while all you rich guys sit and laugh."

Title: Never Forget. A quick piece I made today. I wanted to go abstract so the viewer can put their own meaning into the piece, but each paint stroke I made I had September 11th in mind. Digitally painted with watercolor in Rebelle 5 on a simple white canvas and sent over to PS.

As a teacher, I see the full range of work ethic and value choices. Tatum works while Melanie sleeps. I do not judge because everyone is fighting a battle. I provide a safe place for students to create and breathe and sleep and be. I create a non-judgmental space that often accomodates students and adults who feel free to voice thier opinions... which can often be judgmental. We are fighting battles and we are on our own journies of self awareness. Peace.

The caravan is coming to town. I hope everyone hops on.

I was lucky to see severals Great Gray Owls in fields not so far from my home. That’s inspired of catch that feelin

I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.

Improvising a thing or two centred around krakens and all things cephalopod flavoured :)

Whenever I think of tags and/or labels for people, be it things like ‘gammons’ or ‘snowflakes’ et al, narrowing it down to a single person who represents that group is always running a fool’s errand in my opinion.

I have been lucky enough to have the opportunity to paint a design on a rather large gorilla! I am so excited to do this. It's taking an age but getting there slowly. When he's all done he will be going on show at Paignton Zoo.

Here is a character I have been thinking about off and on. She is a seagull who loves the beach and everything to do with it. Especially jellyfish.

Platinum's 3776 Century nib is even bigger than Pilot's 912 nib. Used both on this little boom box pizza party.

I never understood the power of dots and lines until I did this art! A simple change in the line from straight to curved shows projection of a hand. What a beauty!

Vine Charcoal and Oil Pastel make for a messy, smudgy experience. A certain amount of messiness can make a process feel more real and human. When things aren’t perfectly polished, it reflects a genuine effort, imperfections, and growth. In personal life, letting go of the need for everything to be tidy can promote a more authentic existence. The hat is a Stormy Chromer. It also evolved out of a mess. More on that later. Peace.

I love creating work that starts from a point in nature and develops into something more abstract, something that can be interpreted in many different ways. It’s interesting to hear what people see, what connection to their own life they bring when viewing a work.