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exist

LeBoucher LeBoucher
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Remake : Georges - Mathieu : Rouge

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory

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LeBoucher LeBoucher
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Remake : monochrome d’Yves Klein - IKB

Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

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LeBoucher LeBoucher
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Remake : Francis Bacon – autoportrait

Remake : Francis Bacon – autoportrait Français : L’Appropriationnisme ou le « Remake » est un concept simple. En effet, il suffit de reprendre le travail d’un artiste et signer la nouvelle production de son nom. Il ne s’agit, en aucun cas, de copier l’œuvre comme pourrait le faire un faussaire. Il ne s’agit pas non plus de plagier l’œuvre. En ce qui me concerne, j’utilise l’œuvre célèbre d’un artiste reconnu. En réutilisant une œuvre originale préexistante et célèbre, condition sine qua non, je propose de rendre un hommage. Il ne s’agit en aucun cas d’un manque d’inspiration surtout lorsque l’on sait maintenant que : « l’art naît de l’art et non de la nature » : Ernst Gombrich. Dans cette série, j’ai voulu revisiter des œuvres célèbres en utilisant ma technique graphique de l’éloge de l’approximation mettant en évidence la problématique de la défaillance et de la mémoire vaporeuse. English: Appropriationism or Remake is a simple concept. Indeed, it is enough to take again the work of an artist and to sign the new production of his name. It is not a question of copying the work as a forger could do. It is not a question of plagiarizing the work. As far as I'm concerned, I use the famous work of a recognized artist. By reusing a pre-existing and famous original work, condition sine qua non, I propose to pay tribute. It is by no means a lack of inspiration especially when we now know that: "art is born of art and not of nature": Ernst Gombrich. In this series, I wanted to revisit famous works using my graphic technique of praising the approximation highlighting the problem of failure and vaporous memory.

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PHILIP GRAY PHILIP GRAY
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While you are waiting....

Found this quote a few days back, and it really resonated with me. The message is clear that we really shouldn't wait for the "perfect moment" or spend too much time looking for the "easy way" as neither of these options truly exist, they are in effect excuses for not getting on and doing what needs to be done. in order to achieve our goals. If we are honest with ourselves "now" is always the best time, and doing rather than thinking about doing is the way forward. This is a mixed media artwork as the drawing of the girl has been reworked in Photoshop along with the wording and torn paper effect all being digital. Many thanks for looking !

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Old bone story and artwork Old bone story and artwork
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Doctor Illness, outsider illustration, funny story

Shortly after graduating in medicine doctor Illness concluded that the treatment of people does not make sense since he constantly coming new ill patients. The great desire to explore the state of the disease, he began his patients exposed to hazardous situations contagion and infection. Curious and eager for knowledge about the most serious illnesses, supported and developed the existing disease in their patients. He did not hesitate to post the wrong diagnosis, prescribing the drugs that have not been treat difficult health situation, on the contrary, they encouraged further development of the disease. After several years, he was arrested and charged with numerous deaths. Very indignant, told the court that great scientists have never been properly accepted by a society full of prejudices and petty soul.

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Anna Deligianni Anna Deligianni
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Huron Blackheart

Lufgt Huron, also known as Huron Blackheart and the "Tyrant of Badab," was once the Chapter Master of the Astral Claws and self-claimed Imperial Governor of the world of Badab Primaris in the Maelstrom Zone of the Ultima Segmentum. But ultimately, Huron was corrupted in his ambitious pursuit of power and he tainted most of his Chapter as well, leading them into an open rebellion against the Imperium of Man, known as the Badab War, which lasted from 901-912.M41. Bound to machines which keep him alive and forever in pain, Huron is now a scarred creature of hate. His machine claw clicking, he has strode to battle time and again, followed by the daemonic Hamadrya, and each time the agony of his existence grows and the spite within him deepens.

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Pratik Parwatwar Pratik Parwatwar
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A search within

There is a theory that Universe is a consciousness. To find what is out there we have to find what is in our own consciousness. So thats a zoomed in eye and the interstellar spaceship going in the space that exist within us.

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Amadeus Arkham Amadeus Arkham
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Heat Suit

While I was drawing this months ago, my tablet pen fell apart in my hand. It was bizarre and shocking, and then I completely forgot about this piece even existed. The print that almost never was.

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Andreia Andreia
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Return

A page of comic for a conquest The story End of the project: human species. The simulation has been achieving unexpected outcomes. Was increased free thought and the doubts fade away. At that time, I recreate my own image. However, it's behaviours came with anomalies. We aren't. You can't run away from you. Dreams were unexisted memories. The likehood was that we're living an illusion. But, we change our view. I couldn't attain the freedom I looked for. Everything became real. Everything came down. Am I still dreaming?

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james urinal james urinal
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OLLLLLLLLLLLD DRAWINGGGG

really old. not bad for when i drew it ig. you can tell that i really liked gorillaz at the time. might redraw it. not sure. /// drawing was based off of a song called Where's Your Head At by Basement Jaxx. good song. i'm glad this drawing reminded me of its existence. i'm going to listen to it after i upload this.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 17

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 14

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Hummingbird in flight

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Sh

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 13

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 6

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 4

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 3

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 1

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Laurie Pess Laurie Pess
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Coral flowers

My interpretation of the flowers that exist on the reef

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Jovana Ivanova Jovana Ivanova
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aimless

“Two possibilities exist: either we are alone in the Universe or we are not. Both are equally terrifying.” ― Arthur C. Clarke

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Maria Bălan Maria Bălan
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city creature - Anomalica

The monsters we create A collection of creatures born from our impact and existance on Earth. This is a work in progress project, it doesn't yet have a name, but the story becomes more clear every day. Soon I will have more details about it, until then take care, this runner is taking a real shape and it's after you. He is the money maker, the greedy, the selfish buyer of unnecessary things with money he doesn't have. Sounds familyar? 7x7 cm linoprint © Maria ! Balan, 2018

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Leah Lucci Leah Lucci
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Lady GenGen

Sometimes in life you've gotta draw a genie that's based on Lady GaGa. Don't blame me. Blame the inevitability of existence. This was ink and watercolor with a bit of assistance from Photoshop.

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John Sanchez John Sanchez
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Mayfair Theater (West New York Nj)

I frequented this movie theater when I was a kid. It no longer exists! #nostalgia Ballpoint pen on Bristol board

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Luis Coelho Luis Coelho
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The dreamer

"Man on the Train: Hey, are you a dreamer? Wiley: Yeah. Man on the Train: I haven’t seen too many around lately. Things have been tough lately for dreamers. They say dreaming is dead, no one does it anymore. It’s not dead it’s just that it’s been forgotten, removed from our language. Nobody teaches it so nobody knows it exists. The dreamer is banished to obscurity. Well, I’m trying to change all that, and I hope you are too. By dreaming, every day. Dreaming with our hands and dreaming with our minds. Our planet is facing the greatest problems it’s ever faced, ever. So whatever you do, don’t be bored, this is absolutely the most exciting time we could have possibly hoped to be alive. And things are just starting" - waking life (movie). ° So the other day I had a beautiful conversation about lucid dreaming with some friends. We shared amazing dream memories that we all had experienced and right the next day this sleeping beauty started showing up on a piece of paper. What about you, are you a dreamer? :) ♠️

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Ceci Ceci
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Stranger.

Aun no tiene nombre. Sólo existe porque alguna vez lo pensé. Lo único seguro: le gusta el rosa.

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Joe Blend Joe Blend
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ART & THE FABRIC OF OUR EXISTENCE

© 2017 Joe Blend. All rights reserved. — Artwork made by redacting words in a newspaper article to create a haiku. A contour drawing was added using white ink, to convey the meaning behind the haiku (note: the word "the" was added by using semi-opaque tape to remove the word from a different newspaper article). The piece was scanned into Adobe Photoshop for small adjustments, to prepare for printing.

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Mike Sheehan Mike Sheehan
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Untitled

New class, Sketching for Animators and illustrators, started last Saturday. I do a lot of trace overlays on students existing work. This was just adding more believable shapes and changing the pose slightly. I really like this class since we get to cover

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the owl and the octopus the owl and the octopus
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Untitled

If You Can't See It, Does It Exist. A page from my planner/journal

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