Lino cut print over pastel. The story goes: The bird fell in love with the whale the first time she saw him break through the ocean’s surface, sunlight dancing on his back. From high above, she sang to him, and deep below, he answered with a song as old as the tides.
She longed to dive, to join him in the rolling blue. He wished to rise, to fly beside her in the endless sky. But air and water would not trade places.
So each day, at dawn and dusk, they met at the edge of their worlds—she on the wind, he in the waves—singing a love song carried by the breeze and the tide, never together but never apart.
Color Pencil over Gesture. It was a contemplative day in the art classroom. Students were drawing self portraits and I had time to join them. Our discussion was on 'Reflection'. The image we see of ourselves in the mirror is not what people see when they look at us. They see the reverse. The mole on my cheek is on the other side of my face, if you were to look at me in person. This leads to discussions of perception and reality. It can be fun and humbling. We cannot live only by sight. We must have a faith of some sort. This reminds me of the Michael Feldman Public Radio Program called: "Whad'Ya Know?" It opens with the audience shouting: "Whad'd Ya Know?" and Michael replying: "Not Much! You?". We do not know much, I think, as much as we like to pretend that we think we do.
Part of a personal project I'm working on right now, to experiment with unfamiliar art styles and practice lettering skills by drawing animals. This is my first foray into cubism-inspired artwork (definitely don't claim to be an expert on actual cubism)--it was way more fun than I expected! I think I'll be trying some more...
Part of my challenge to myself to sketch directly in ink this month, and to play around with using alcohol markers for value (a new tool in my arsenal).
Acrylic painting, made this while thinking about lighting bugs dancing on the waters surface and fish jumping out of the water trying to catch them during a full moon. It was a good memory; fishing on the lake at night.
Inspired by the Fremen from Dune. Blizzard white and blue eyes on a face thats been in the grinding desert many years. Painted with Rebelle and Flame Painter
As far as things that I can’t seem to shake off are concerned, it’s this fact that a place like Edinburgh where I live is akin to a village where everyone (artist folk in particular) seems to know everyone, and the patterns or quirks that emerge from this said thought process. In most collectives I’m a part of and/or are associated with, there’s what seems like an endless sense of crossover and overlap with fellow artists etc for lack of better words, which is lovely as it is insane... you know? All in all though, even if it drives me mad it does so in a strangely positive way and I’ve learned to live with that. So yeah, make of that what you will. :-)
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk. (Including the "waste" page because I often like it as much/more.)
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
I do generally put pen (or some kind of tool), to paper (or some kind of surface), every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day.
I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
