Pentre Ifan is a megalithic dolmen located in Pembrokeshire. I sketched at a point when I hadn't sketched for some time and felt like I should. I didn't give it the time it deserved and didn't even erase the pencil marks. Definitely one I should re-sketch at some point.
Class assignment: draw a crowd with layers and overlapping. I took this class because it is my artist heart's desire to capture people in real life action. We did learn a technique for that, but we did it from video. It was so stressful, and I'm considering practicing that 10 min a day for Lent. This one was a compilation from photos my teacher provided. What are your tips for capturing people in action? For me, the challenge was deciding what the action was. I kept changing the action as I saw it because it is SO FAST. I felt like I couldn't "see" fast enough.
It always amazes me that, for such an icon of cinema, Boris Karloff’s Mummy only ever appears on screen, in his bandages, for just a few seconds; but maybe that’s part of the whole enigma and its longevity, and why perhaps the idea of imagining him in something new felt so appealing.
I did this artwork for a public art exhibition called "Home is where the Art is". Initially the drawing was supposed to just be a open mouth with a snake coming out of it but I felt that it lacked a story and a strong enough message so I drew the other snakes on and added the 2 other faces. The story behind this image is entirely up to the viewer but my take on it was that different people react differently to certain information, my main focus was the distribution of secrets and since many teenager refer to people that let their secrets loose as snakes I thought why not depict it in that form. The drawing displays three reactions to learning another's secret, one passes the secret on to another, the other defends it ferociously in your face but lets it slip loose when nobodies looking and the other receives the information and holds onto it
DoodleSchmoodlez 24th Nov. Took a coupla days off coz no inspiration + felt a bit fucked in the 'ead ... bak to normal now, wotever that is. 'ere r summa m' farts'n'dribbles on said topic :) https://www.instagram.com/doodleschmoodlez/
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I was scared of cows when I was small and felt nothing special after I grew up, but I realized how they are cute when I traveled in Laos.
I was so surprised to see cows were walking freely without any human on a quiet street in the outskirts of the city. A calf one of them looked us curiously but avoided eye contact shyly. It was really cute
Dream, a work for me, by me. Lately I had to endure some feelings of loneliness, the feeling of being powerless and just caught up in a system that is colliding with how I am wired. When it would get a bit much, when I felt I needed a small break, I would just go outside alone, get some of my favourite music going, I would enjoy the view and when I would come back, being grateful to be alive and what I do have in life, because we tend to forget that too often.
I started a project of hunt illustrations, where things in the image need to be found. In this, the objects were: Lost iPhone, murder weapon, portal to another world, glass half empty and banana. (This is the pre-digital illustration which I don’t usually share but felt like a change!)
I had a lot of fun drawing this but still haven't felt bothered enough to complete the right hand. Just decided that it is tucked behind the figures back because it was too hard
Colour and the absent of it. I blend to showcase the innocence of the child through colour attire. And the seriousness is felt in the child hat and the riffle with a strong black.
I have been wanting to explore the concept of creating a Vitruvian Women. Also felt like I struggled with the composition of the Reflect piece (which I am working on developing a series). Hence trying to learn from the best - in a scientific way:)
