This is no landscape you could ever stand in.
No observational drawing, no safe horizon line.
This chalk experiment is a dream unfolding in color: a golden field lit from within, a scarlet seam of fire at its edge, and a storm-heavy sky pressing down with ancient weight.
It feels like a place between worlds—where the conscious and unconscious meet, where memory and imagination blur. Some might see a battlefield, others a meadow after rain, and still others a veil between life and death. That is the beauty: the painting does not tell you what it is; it invites you to confess what you see.
Psychologists say we project ourselves onto images like these. So—what do you notice first? The light? The darkness? The burning red?
Perhaps that is not about the drawing at all, but about you.
Of all the things to jumpstart my inspiration for this, I never had an eye-test and a fresh set of glasses the day after the Samhuinn Fire Festival took place… but alas, here we are!
This striking black and white ink drawing personifies Time as a dark entity surrounded by flying souls. A half moon hovers between two hourglasses, symbolizing the passage of time, while smoke billows from two pit fires below. The scene is grounded by skulls and bones, emphasizing the theme of mortality. The artwork is elegantly framed in a gothic style, enhancing its surreal atmosphere and dark symbolism, inviting viewers to reflect on the inevitability of time and its impact on existence.
Had this OC sitting in the corners of my mind for a few years, decided to revamp her. She used to have an oversized lab coat and sweatpants. Drawn with Fire Alpaca.
I tried to make a campfire setting, with a cozy tent, the warm fire eliminating the night, the trees in the background and of course, the stars the the sky for perfect stargazing. The purpose was to create a scene, where someone would be comfortable, just lying there, enjoying everything.
