Only took like 2 hours. Honestly, this is the hardest I have EVER worked on a digital piece. Surprised I even got this finished in one sitting because I have been pretty nauseous today. @Hirsch I hope I didn't mess up qwq. By the way, are we friends? Sorry if I seem weird for a stranger but I just need a quarantine buddy. It's ok if we aren't, I understand, I'm only a random kid on a platform of other strange people, so it's alright indeed. (P.S. I'm in a super good mood today because I got a new Furby :3 I'm so weird)
This image illustrates a Chinese fairy-tale from the 6th Century. Girl Weaver neglects her heavenly duties to spend her life on earth with the Goat Herd, this invokes the wrath of her family who force them to live apart. They are brought together for one day a year when a flock of tender-hearted magpies form a bridge to reunite them. This legend is still celebrated in China on the 7th night of the 7th month with a summer festival full of symbolism for newly-wed couples.
Inspired by a drawing challenge to draw two objects based on the first letters of your first and last name. I thought a chameleon and labrador would be fun to draw together, because it reminds me of the friendship that forms when an extrovert adopts an introvert ^_^ This is my first digital drawing that I tried without using line art. It was challenging to get the hang of, but I like the bright and simple effect of it.
This is an old Formula 3 race car built by Joseph Potts ltd, Lanarkshire, in 1952. They have it in the National Museum of Scotland, where I drew this a couple of weeks ago as a part of Urban Sketchers meetup (as it’s too cold to go outside yet). This is pretty mixed media: pencil, watercolour pencil, white gouache and some acrylic markers. Drawn on spot.
⚡Flash Back Friday⚡ Going back to a blackbook doodle from a few years ago. Why am I showing you this? Because graffiti art is, and has been, one of my greatest influences (aside from M.C. Escher). It is an art form I love, and I gain much inspiration from the graffiti scene (legal and illegal). I don’t really show this side of my art to the world, but it is fun for me to create, and it definitely informs my other pieces of work.
Doodle piano by Cédric la touffe. Superforma and The Silo asked me to customize the old piano that was outside at the silo. I first started during the concerts of 10lec6, Loire Valley Valypsos, The Green box and Ineige then finished at Silo after 22 hours of work.
Los Capsus son una serie de personajes en forma de capsulas con una gran cantidad de expresiones divertidas. ellos acostumbran invadir los espacios mas creativos de la imaginación con sus situaciones llenas de locuras. las ilustraciones de los Capsus están plagadas de actividades como la observación, búsqueda y el descubrimiento del espacio invadido, sus mundo no tiene reglas ni instrucciones, lo único que tiene es diversión en cada imagen.
Sketch done in Austria during Nomadic Village in a beautiful national park. Austria is full of beautiful view that only in a horizontal format you can express it all! This sketch I finished off with one of my favorite natural medium, coffee. Enjoy! :)
This week’s been an interesting one for socialising in my world, no denying it. If I’m not getting acquainted with new folks at work or at my art clubs, it’s reconnecting with people I haven’t seen in 20+ years… certainly informed today’s piece, without a doubt!
Behold the Chair
(inspired by Wendell Berry)
Make a place to sit down.
Sit down. Be quiet.
The chair does not strive.
It does not speak loudly.
It simply is—
ready to receive,
to hold what comes,
to honor the silence.
This drawing does not shout.
It listens.
It does not disturb the quiet—
it joins it.
Like a prayer whispered
to the One who listens back,
this mark is a presence,
not a performance.
Quick sketches for the processing of incomplete thoughts. Everything is created twice, first in thought, second in form. I am still thinking and still forming and still being formed.
Bob the Drag Queen is a legendary performer and personality. She is one of my favorite people. I kept the composition simple to focus on shading and facial dimensions. I paid close attention to not lightening her skin tone and respecting her heritage but also contrasting the gold dress and blue background.
In this memory-driven piece, Patmore reconstructs the bathroom from his third-grade elementary school, capturing the sterile brightness, the tiled repetition, and the institutional reminder to “WASH YOUR HANDS.”
But the scene is not pristine — a leaky sink, an out-of-order stall, and a taped-up sign reveal the quiet decay behind childhood places we assume were orderly and safe.
Patmore blends nostalgia with unease, transforming a simple restroom into a study of what it means to grow up: how the lessons we learn early (“hygiene,” discipline, responsibility) stay with us even after the walls begin to crack. The small pop of blue tape emphasizes the DIY fragility of rules meant to guide us.
This piece stands at the intersection of memory and maintenance — of spaces, of bodies, and of ourselves.
still can’t believe my dad made me move to this platform (my god..,.. what do you MEAN you cant return to the next line in the description? thats even WORSE i’m already starting to despise this platform) anyways,,. this was based off of a short conversation i had with my brother where i asked him “will (name) ever like me back?” and he casually responded “no” and it killed me :( i decided to make a joke out of it because i love to kill my mental state | also please know that this is my first time drawing actual anime and this is half satire so i didn’t put much effort into the faces
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