Threw together this pattern study last week. Been using Posca pens since December and I'm loving how quickly they dry. I can throw together quick sketches without having to worry too much about smearing the ink as I move along.
This sketchbook is my therapist. Not this one specifically, but any single one small enough to fit in my pocket. I tell it everything, from quirky thoughts and funny notes to abstract concepts, drawings and positive reminders. Keep it analog folks… a doodle, sketch, writing, poem, or scribble every day helps to keep the brain fit and the thoughts flowing. ✏️
Zoomed in shot of "Pattern Interrupt". 2020. Size: 32" x 40" / Micron pens on archival museum board. This piece was all drawn freehand - no rulers or measuring tools were used to create this artwork.
This painting is based on an empty street at noon, when the sun is right above us scorching heat. the street look empty looking for a shade. I chose to show the street at 2pm where the sun slightly leans towards down.
The whole painting is done on parallel lines. If you notice closely the lines of building and the road meet parallelly.
"Whirlwind 20”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 20th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 20, 2020.
I am an art teacher with a master’s degree—trained by brilliant professors who believed that art could do more than decorate walls. I offer safe spaces for teenagers to grow—nourishing soil where their imaginations can take root.
And yet… I am assigned to hallway duty.
This is compulsory education, after all.
So I sit—posted like a sentinel—watching young lives stream past.
“Get to class,” I say with a smile and a nudge.
The system wants attendance; I’m hungry for presence.
Armed not with a whistle or clipboard, but with a pen—
my scribble’s soft insurgency.
The hallway stretches out like a geometric hymn.
Columns and corners chant structure.
Teenagers swirl past—half-formed galaxies of limbs and laughter—
their orbits chaotic, their gravity pulling time forward.
I begin to draw.
Not their tardiness, but their motion.
A shoulder. A blur of sneakers.
A tilted head chasing freedom.
Feet flickering like seconds.
Each mark a pulse.
Each smudge a breath.
My paper becomes a seismograph of seeing—
trembling gently through the mundane.
This isn’t about making art for a frame or a feed.
It’s about refusing to leak away in the fluorescent hum of obligation.
It’s a quiet mutiny against the clock.
I do this on long car rides, too (passenger side, mind you).
Letting the lines grow wild, jagged, and unapologetic.
Not for polish—
but for presence.
This is how I remember I’m still alive.
Still growing.
Still watching.
Still choosing to see.
Because sometimes mental health looks like
a piece of scrap paper,
a moving pen,
and the simple, sacred act of
marking time with wonder.
"Whirlwind 24”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 24th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 24, 2020.
"Whirlwind 19”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 19th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 19, 2020.
“Whirlwind 2”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature and date in the back of the drawing. The original post date on this drawing was September 2, 2020.
This sketchbook is all about triangle patterns! Each page starts with a base layer of connecting triangles. From there, I fill in different patterns on each page, challenging myself to come up with new ideas for each page.
⚡Flash Back Friday⚡ Going back to a blackbook doodle from a few years ago. Why am I showing you this? Because graffiti art is, and has been, one of my greatest influences (aside from M.C. Escher). It is an art form I love, and I gain much inspiration from the graffiti scene (legal and illegal). I don’t really show this side of my art to the world, but it is fun for me to create, and it definitely informs my other pieces of work.
