Threw together this pattern study last week. Been using Posca pens since December and I'm loving how quickly they dry. I can throw together quick sketches without having to worry too much about smearing the ink as I move along.
I do enjoy doing geometric pattern based work, this one was done in satun thailand. I also have some prints available of this piece if anyone is interested. Thank you ✌️
Zoomed in shot of "Pattern Interrupt". 2020. Size: 32" x 40" / Micron pens on archival museum board. This piece was all drawn freehand - no rulers or measuring tools were used to create this artwork.
A dense cluster of geometric buildings sits beside the phrase "Offline is the New Rich" highlighting a contrast between urban and online life, and simplicity. To the right, a small house stands alone surrounded by trees and clouds.
This painting is based on an empty street at noon, when the sun is right above us scorching heat. the street look empty looking for a shade. I chose to show the street at 2pm where the sun slightly leans towards down.
The whole painting is done on parallel lines. If you notice closely the lines of building and the road meet parallelly.
“Whirlwind 9”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 9th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 9, 2020.
"Whirlwind 20”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature, and date in the back of the drawing. This drawing is the 20th in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 20, 2020.
"Whirlwind 21”, an original drawing. Micron pens on archival paper. Size: 5” x 7”. Title, signature, and date in the back of the drawing. This drawing is the 21st in a series of drawings posted over a period of 100 days. The original post date on this drawing was September 21, 2020.
“Whirlwind 1”, an original drawing. Micron pens on archival paper. Size: 4” x 6”. Title, signature and date in the back of the drawing. This drawing is the 1st in a series of drawings that were posted over a period of 100 days. The original post date on this drawing was September 1, 2020.
I am an art teacher with a master’s degree—trained by brilliant professors who believed that art could do more than decorate walls. I offer safe spaces for teenagers to grow—nourishing soil where their imaginations can take root.
And yet… I am assigned to hallway duty.
This is compulsory education, after all.
So I sit—posted like a sentinel—watching young lives stream past.
“Get to class,” I say with a smile and a nudge.
The system wants attendance; I’m hungry for presence.
Armed not with a whistle or clipboard, but with a pen—
my scribble’s soft insurgency.
The hallway stretches out like a geometric hymn.
Columns and corners chant structure.
Teenagers swirl past—half-formed galaxies of limbs and laughter—
their orbits chaotic, their gravity pulling time forward.
I begin to draw.
Not their tardiness, but their motion.
A shoulder. A blur of sneakers.
A tilted head chasing freedom.
Feet flickering like seconds.
Each mark a pulse.
Each smudge a breath.
My paper becomes a seismograph of seeing—
trembling gently through the mundane.
This isn’t about making art for a frame or a feed.
It’s about refusing to leak away in the fluorescent hum of obligation.
It’s a quiet mutiny against the clock.
I do this on long car rides, too (passenger side, mind you).
Letting the lines grow wild, jagged, and unapologetic.
Not for polish—
but for presence.
This is how I remember I’m still alive.
Still growing.
Still watching.
Still choosing to see.
Because sometimes mental health looks like
a piece of scrap paper,
a moving pen,
and the simple, sacred act of
marking time with wonder.
This sketchbook is all about triangle patterns! Each page starts with a base layer of connecting triangles. From there, I fill in different patterns on each page, challenging myself to come up with new ideas for each page.
Sketchbook page from a few days ago. One of my rules for this sketchbook is that all entries have to be full page spreads of intricate drawing studies. All drawn freehand! Drawin’ err day over here!
