Another one for #transmundanetuesdays, with prompts by Carson Ellis (an older one tho), this is my #glovedandspikeybricklayer!
He looks evil but he's just allergic to non-spikey things.
I started painting with acrylics again towards the end of 2018. On 4x6" canvas wraps, they were so small, but so much fun to paint. I was pleased with this one except for the fact the magentas for the foxgloves weren't as vibrant as I hoped. The location that inspired it is Irfon Forest in Mid-Wales. I can't imagine it's a particularly touristy spot, but it's an absolute hidden gem with extensive views over the Brecon Beacons.
(HB pencil on a 139mm x 87mm postcard) It's not surprising that the pandemic would inspire me to do a work such as this. How could it not? It shows both the growing need for social interaction people have in isolation, along with the need to protect themselves. These two things have come together in a piece depicting a strange group of gate-crashing party-goers.
A long time ago In Egypt you would bury the person with some belongings you think they would benefit in their after life. A few interesting objects I chose were from a mobile, baked beans, kitkat, toothpaste, apples, gloves to a paintbrush and more. A fun artwork where egyptian hieroglyphic symbols were used.
Quick Sweetnette doodle, changed her gloves a bit made her nose bigger.hopefully I'll make a reference sheet sooner or later for all of the my Dulcelandia characters (not the most original name but oh well) (it's a web series cartoon idea of mine,I'll explain furthermore on my dead abandoned WordPress blog LoL, whenever the time is right)
I chose to build on the liminality of the door and its status in the imagination as a link between two worlds or identities. In this section I am using the fibres of gloves to create different forms of hands and transparent boxes to represent the idea of space.
Through my art I try to express the limited space in which I live, thus focusing on the sense of self that is to be achieved by isolating one's cognitive processes through dialogue with space. The relationship between solitude and space is a subjective process of self-consciousness that involves the absence of social attributes and interaction with others. In other words, it is a non-objective state of space in which the self can find expression. Loneliness therefore manifests itself in a reluctance to approach groups.
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