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gra

Tyler vevea Tyler vevea
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Deer With Meaning

A tattoo sketch done for a family member, it has a deeper meaning but it was simple in design. Done with graphite.

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Fiona Chinkan Fiona Chinkan
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Pure Romance

Bombay ink on watercolor paper with acrylic paint drawn on top.

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Jazmyn Green Jazmyn Green
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Little Fluff

Just some cute fluff for the day.

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Kimmo Oja Kimmo Oja Plus Member
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Night flight

In the migration seasons the geese and swans fly for the night to the sea get safe rest .And playing with positive and negative spaces

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Lone Stag Lone Stag
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Tobin Heath

Progression 2 of 5. Spent a lot of time working the wrinkles/creases in the shirt. Tedious, for sure.

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Lone Stag Lone Stag
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Tobin Heath

Progression 1 of 5. Found this image and felt it captured the power a beauty of the sport. Also, this piece I did with out any blending or smudging, which is my usual go-to technique.

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Scott Ries Scott Ries
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Falling from Grace

Quick Pencil Drawing

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Aditya Jain Aditya Jain
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Sketch 02 : The City of Lights, NY

Love the part where you get the feeling of being a part of something which is bigger than yourself.

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Sierra Tuazon Sierra Tuazon
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Draw This in Your Style for artofflore_
1/2

This is a “Draw This in Your Style” sketch I did for artofflore_ on Instagram of her OC, Stella.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 17

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Molly Kate Martin Molly Kate Martin
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Graphite Peacock Sketchbook Page

Done with graphite on a page of my sketchbook.

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Joanna M Gregores Joanna M Gregores
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Daizies or Snowflakes

Daizies or Snowflakes it's all in your perspective, pen and india ink on paper. am pretty engrossed in this graphic, black and white nature inspired series i began a few weeks ago. There is something very soothing about doing these that leads me to believe this series is far from finished!

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Joanna M Gregores Joanna M Gregores
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In The Palm of Your Hand

In the Palm of Your Hand, Pen and india ink on paper. playing around with graphic like images inspired from nature, having lots of fun and thinking wallpaper, pillows, tablecloths as well as prints might be interesting

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Joanna M Gregores Joanna M Gregores
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Peonies

Peonies india ink on arches hot press paper am playing around with graphic black and white images that take their inspiration from nature

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 14

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Molly Kate Martin Molly Kate Martin
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Sheep Doodle

Done with graphite on a pad of paper from a hotel

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Molly Kate Martin Molly Kate Martin
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Slay Girl Slay

Done with Prismacolor Colored Pencil on Toned Tan Paper

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Molly Kate Martin Molly Kate Martin
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Aurora Letters

Done with Prismacolor Colored Pencil on Toned Tan Paper

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Jon Carling Jon Carling
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I miss my pet and the places weve known

7" x 10" ink and graphite on paper

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Fiona Chinkan Fiona Chinkan
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Hummingbird in flight

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Sh

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 13

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Jim Bradshaw Jim Bradshaw Plus Member
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Morning Doodle

Ok maybe a couple of mornings.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 6

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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S.J. Penner S.J. Penner
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Leg Echorche

A little messy, but still, turned out...sort of okay. An echorche (cut away drawing) of the legs for my figure drawing class. We had one hour with a model to. Time: 1 Hr. Medium: Charcoal and graphite on paper

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 4

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Robyn Jensen Robyn Jensen
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profile portrait practice

getting practice with more extreme values

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Lone Stag Lone Stag
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Mesut Özil

Final drawing. Progression 5 of 5. This piece had its share of challenges, but I’m happy with how it came out.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 3

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Lone Stag Lone Stag
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Mesut Özil

Progression 4 of 5. The drawing really started to come together here.

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