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Aaron Templeman Aaron Templeman
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End?

llustration for an illustrated book of the Fairytale "Little Red Cap" by the Grimm Brothers.

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Aaron Templeman Aaron Templeman
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Wolf Eats Red

lustration for an illustrated book of the Fairytale "Little Red Cap" by the Grimm Brothers.

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Luisa Vidales Reina Luisa Vidales Reina
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Gingko leaves

Digitally made pattern

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Aaron Templeman Aaron Templeman
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Red Meets Wolf

llustration for an illustrated book of the Fairytale "Little Red Cap" by the Grimm Brothers.

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Aaron Templeman Aaron Templeman
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Frontlines

Illustration for the Folio Society Competition Brief based on the novel War Horse by Michael Morpurgo.

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Lone Stag Lone Stag
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Walking at Sunset

Drew inspiration from a couple of other drawings I saw and thoughts to combine them into this.

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GhulamRusli GhulamRusli
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Donut Touch Me

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Lone Stag Lone Stag
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Tobin Heath

Progression 4 of 5. Nearly done at this point. I liked how the light and shadow played out under her foot. The muscle tone of her legs really popped out with the dark pencil.

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Fiona Chinkan Fiona Chinkan
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Pure Romance

Bombay ink on watercolor paper with acrylic paint drawn on top.

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Jazmyn Green Jazmyn Green
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Little Fluff

Just some cute fluff for the day.

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Lone Stag Lone Stag
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Tobin Heath

Progression 2 of 5. Spent a lot of time working the wrinkles/creases in the shirt. Tedious, for sure.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 17

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Hummingbird in flight

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Sh

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 13

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Fiona Chinkan Fiona Chinkan
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Cosmic Expression 4

I’m fascinated in how something may make you feel. For instance, I’m deeply moved by images of outer space from the Hubble space telescope, but I do not try to recreate those photographs in my work. What does not exist in those photos, is how they may make us feel. This is why you won’t see any “realism” in my art. When we send astronauts to space, they can discuss factually what is happening, but what truly moves human beings is when astronauts describe how they felt while they were there. So, I choose to express how I feel, as opposed to illustrate what I see.

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Robyn Jensen Robyn Jensen
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profile portrait practice

getting practice with more extreme values

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Lone Stag Lone Stag
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Mesut Özil

Progression 4 of 5. The drawing really started to come together here.

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Lone Stag Lone Stag
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Mesut Özil

Progression 3 of 5. Added more shading and detail. I noticed I got his mouth wrong and fixed it.

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Lone Stag Lone Stag
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Mesut Özil

Progression 2 of 5. In this one I added shading to his face and neck and scetched out the hair. His ears were a bit tricky too since they are as distinctive as his eyes.

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Tazio Tazio
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My plans failed

Photography and acrylics on wood

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Muskan Mittal Muskan Mittal
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Ganesh Ji, Indian culture

I love doodling.

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Raven Quill Raven Quill
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Caydance

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Raven Quill Raven Quill
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Clea

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sankalp patil sankalp patil
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Finding people characters

Characters / people

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arya mularama arya mularama
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filming

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Luisa Vidales Reina Luisa Vidales Reina
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Inktober 31 - happy happy Halloween!

For the last day of Inktober, I drew a pumpkin with black india ink on orange paper. I had never done an Inktober challenge before, and I really liked it! I'm definitely doing it next year, too. I got very good ideas for new projects, I played with different textures and colours, and I used a calligraphic pen to draw, which I had never done before and which I loved.

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ShriyaBiju ShriyaBiju
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Inktober: Scorched

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Lone Stag Lone Stag
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Profile Drawing

Progression drawing 4 of 7. This is an earlier drawing of a how-to video from Emmy Kalia. All credit to her. Link: https://youtu.be/80ewdDwAVk4

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Jannett Peña Jannett Peña
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Untitled

Lines become mountains, trees, plants ...

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