⚡Flash Back Friday⚡ Going back to a blackbook doodle from a few years ago. Why am I showing you this? Because graffiti art is, and has been, one of my greatest influences (aside from M.C. Escher). It is an art form I love, and I gain much inspiration from the graffiti scene (legal and illegal). I don’t really show this side of my art to the world, but it is fun for me to create, and it definitely informs my other pieces of work.
28/06/17 - one example of June - one drawing a day challenge - all of June's drawings include a rock/pop star of my choosing and a little feathered friend. Check out more at www.martinvarennescooke.com
The Woman Puppet from Rome. A clay or plaster of paris puppet head that was glossy and smooth. This painting of the woman pupped is regal and dignified. It shows little animation or dramatic expression. It is unlike most of the others, say for its counterpart
I've been experimenting doodling on fabric with Sharpies an turning that fabric into pencil cases...I'm getting a good response from people so I think I'll get good quality fabric pens and create some unique items with doodles....
I printed my black and white zentangle drawing on marker paper and colored it with alcohol markers. At first it was a bit to garish with too much contrast, so I painted a warm grey over the whole piece. That gave me what I was looking for. Of course, THEN I completely undermined that with making a bunch of wild colored ones (two shown here) by playing with them in Photoshop. I shall be using this (along with my Zentangle koi posted la while back) for printing blank cards that we sell for charitable (mostly foodbanks) organizations.
I generally make marks on something every day, but I'm really TRYING to do it purposefully in one singular location (journal). Here is a successful attempt from that particular day. I'm also super lazy, which means I never go up to my actual studio and only use what's out on my computer desk.
Igor Stravinsky (1882–1971)
“I get up at about eight, do physical exercises, then work without a break from nine till one,” Stravinsky told an interviewer in 1924. Generally, three hours of composition were the most he could manage in a day, although he would do less demanding tasks—writing letters, copying scores, practicing the piano—in the afternoon.
Unless he was touring, Stravinsky worked on his compositions daily, with or without inspiration, he said. He required solitude for the task, and always closed the windows of his studio before he began: “I have never been able to compose unless sure that no one could hear me.” If he felt blocked, the composer might execute a brief headstand, which, he said, “rests the head and clears the brain.”
- From Daily Rituals: How Artists Work by Mason Currey
Joan Miró (1893-1983)
Miró always maintained a rigidly inflexible daily routine—both because he disliked being distracted from his work, and because he feared slipping back into the severe depression that had afflicted him as a young man, before he discovered painting. To help prevent a relapse, his routine always included vigorous exercise—boxing in Paris; jumping rope and Swedish gymnastics at a Barcelona gym; and running on the beach and swimming at Mont-roig, a seaside village where his family owned a farmhouse.
Miró hated for this routine to be interrupted by social or cultural events. As he told an American journalist, “Merde! I absolutely detest all openings and parties! They’re commercial, political, and everybody talks too much. They get on my tits!”
From Daily Rituals: How Artists Work by Mason Currey
This is a piece of art that I've just done for a friend. Don't try to ask me what it is exactly, because I have crazy friends. he drew a poorly sketched character on a piece of paper, which I doodled over as a layer, so I didn't have much to work with. I was mainly experimenting with Sketchbook's tools, so that's why its kind of all over the place. God gave me the gift of art.....and I'm creating angry bird knock-offs. :]
